Posted on

Fall Weekend Printmaking

Printmaking – Fall Weekend Session
October 22-24, 2021
Jon Lee
Printing Techniques and Baren Making for Japanese Woodblock Printing

This workshop will have two parts: We’ll cover printing techniques specific to Japanese woodblock printing. And students will learn how to make and maintain the traditional Japanese baren, an essential tool for this style of printing. We will not carve blocks in this short workshop, but pre-carved blocks will be available for practice. We’ll focus on technique rather than concept with a loose structure that will allow students to tailor the workshop to their needs. Although students with some experience will get the most out of this workshop, it is open to all levels. 

Associate professor at Trinity University (TX); master printer training at Tamarind Institute (NM); exhibitions: McNay Art Museum (TX), Art-Trophy Gallery (Russia). 

@sweet_relief_printmaking

 

This workshop begins at 5:00 p.m. on Friday and workshop activities will end at 5:00 p.m. on Sunday; students are welcome to stay through Monday morning. Monday breakfast will be the last meal provided; please plan to depart campus by 10:00 a.m.

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

Work by John Lee
Jon Lee, o1701, woodcut, 17 x 12 inches
Posted on

Fall Weekend Metals

Metals – Fall Weekend Session
October 22-24, 2021
Joanna Gollberg
Prongs

Using the Smith Little Torch and a special soldering board, we’ll make beautiful prong settings to secure your precious items—gemstones, natural materials, found objects—and use them in a piece of jewelry. We’ll discuss each aspect of the prong setting from start to finish: measuring, cutting, solder, cleaning, setting the stones, and finishing the prong ends. Students will be pleasantly surprised at how easy it is to make prongs and will leave this two-day workshop with finished jewelry. This is an intermediate workshop for jewelers: students must have soldering experience. 

Studio jeweler selling in galleries and craft shows throughout the US; teaching: Penland, Haystack (ME), Arrowmont (TN); author of four books on jewelry making; work published in Metalsmith, Ornament, 20th Century Jewelers, 500 Wedding Rings. 

joannagollberg.com | @joannagollberg

 

This workshop begins at 5:00 p.m. on Friday and workshop activities will end at 5:00 p.m. on Sunday; students are welcome to stay through Monday morning. Monday breakfast will be the last meal provided; please plan to depart campus by 10:00 a.m.

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

Jewelry by Joanna Gollberg
Joanna Gollberg, Covid Winter, sterling silver, gemstones, found objects, 4 x 3-1/2 x 1/4 inches
Posted on

Fall Weekend Drawing and Painting

Drawing and Painting – Fall Weekend Session
October 22-24, 2021
Lara Call Gastinger
Discovering a Landscape Through Drawing

How do you immerse yourself in and capture the beauty of a new landscape? This weekend workshop will delve into making discoveries and seeing plants with new eyes by drawing with a pen and using watercolor to enrich the drawings. Students will go home with a treasured accordion nature journal depicting the inspiring plants and landscape of Penland. The skills learned will be adaptable for use in any travel or perpetual journal. All levels. 

Botanical artist and illustrator; two Royal Horticultural Society Botanical Art Show gold medals (London); numerous American Society of Botanical Illustrators (ASBA) exhibitions; illustrations published in Flora of Virginia, Peterson’s Field Guide to Mushrooms, ASBA’s Botanical Art Techniques Handbook.

laracallgastinger.com | @laragastinger

 

This workshop begins at 5:00 p.m. on Friday and workshop activities will end at 5:00 p.m. on Sunday; students are welcome to stay through Monday morning. Monday breakfast will be the last meal provided; please plan to depart campus by 10:00 a.m.

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

Lara Gastinger, Fal Perpetual Journal, pen and watercolor on paper, 9 x 11 inches
Lara Gastinger, Fal Perpetual Journal, pen and watercolor on paper, 9 x 11 inches
Posted on

Fall Weekend Clay and Printmaking

Clay and Printmaking – Fall Weekend Session
October 22-24, 2021
Paul Andrew Wandless
Intro to Printmaking on Clay

This workshop will be an introduction to printing on clay using screenprinting, monoprinting, and relief printing techniques. We’ll put images onto a screen without a darkroom, carve relief blocks with gouges, and make multicolor images with these screens and blocks. We’ll also make clay monotypes on plaster bats using transparent and opaque underglazes. We’ll cover mixing and modifying underglazes for use with each printing method so you can continue to explore these techniques after the workshop. No firing. All levels; beginners encouraged. 

Studio artist, teaching: Arrowmont (TN), Penland; author of Transfer on Clay, 500 Print on Clay; co-author of Alternative Kilns and Firing Techniques; featured in the DVD Screen Printing on Clay with Paul Andrew Wandless. 

studio3artcompany.com | @studio3artcompany

 

This workshop begins at 5:00 p.m. on Friday and workshop activities will end at 5:00 p.m. on Sunday; students are welcome to stay through Monday morning. Monday breakfast will be the last meal provided; please plan to depart campus by 10:00 a.m.

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

Work by Paul Andrew Wandless
Paul Andrew Wandless, Numo and Jem, Creating, clay monotype, 9 x 13 x 3/4 inches
Posted on

Fall One Week Wood

Wood – Fall One-Week Session
September 19-25, 2021
Beth Ireland and Keun Ho Peter Park
Creating Stringed Instruments

In this workshop you’ll create a beautiful instrument that will wow your friends and bring you years of enjoyment. We’ll focus on making four- or six-string guitars as we cover the basic elements needed to create all stringed instruments, including scale, fretting, bracing, finishing, shaping, and set up. We have developed a method of making instruments based on the bandsaw box, which allows students to create a sculptural form for the guitar body. The instruments will be fun and playable. We’ll have daily demonstrations and lots of studio time in a safe, supportive atmosphere. We’ll cover the safe use of the bandsaw, sander, router, and a variety of hand tools as we complete the project. All levels.

Beth: owner of Beth Ireland Woodworking, specializing in architectural and artistic woodturning; part of the traveling craft project Turning Around America and the instrument project strumfactory.com; teaching: Arrowmont (TN), Port Townsend School of Woodworking (WA), Center for Furniture Craftsmanship (ME); three Windgate fellowships. 

bethireland.net | @thebethisyettocome

Keun Ho Peter: studio artist and teacher at University of the Arts (PA); other teaching: Peter’s Valley (NJ), Arrowmont (TN), Center for Furniture Craftsmanship (ME); Wharton Esherick Award at the Philadelphia Museum of Art Craft Show; Windgate artist residency at Indiana University of Pennsylvania.

studiospong.com | @studiospong

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

musical instruments by Beth Ireland
Beth Ireland, Cranium Guitar, birch (I planted when I was 12), Cranium game board, 32 x 10 x 10 inches
musical instrument by Keun Ho Peter Park
Keun Ho Peter Park, Ninja Guitar, walnut, plywood, bloodwood, 36 x 12 x 3 inches
Posted on

Fall One Week Printmaking

Print – Fall One-Week Session
September 19-25, 2021
Michael Ezzell
Copper Plate Creatures

Gods and monsters have been part of storytelling for centuries, and printmakers have always brought that fantastical imagery to life. In this workshop, students will explore introductory intaglio techniques to illustrate mythical creations and manifest their own stories. We’ll work through the stages of developing the copper plate, manipulating drypoint, hard and soft grounds, aquatint, soda bite, and multiple color plates. Finally we’ll print small editions to keep or trade. All levels. 

Studio artist; teaching: AS220 Collaborative Printshop (RI); exhibitions: Gallery 2052 (Chicago), World’s Fair Gallery (RI), Studio Sesh Arts (FL), Gutstein Gallery (GA); solo exhibitions: King Lens and Friends (RI), Sulfur Studios (GA); publications: The Hand Magazine, The Flagler Review, Juztapoz. 

mezzell.com | @eezzll

Here’s a video of Michael demonstrating soda bite.

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

print by Michael Ezzell
Michael Ezzell, Fall of Atlantis, intaglio, 11 x 12-1/2 inches
Posted on

Fall One Week Photography

Photography – Fall One-Week Session
September 19-25, 2021
Cindy Steiler
Cyanotype on Fabric

Cyanotype is an inexpensive and versatile photographic process dating to the 1840s that produces rich, monochrome images. This workshop will explore the possibilities of cyanotype with fabric as our ground. We’ll cover chemistry, fabric selection, preparation methods, and optimizing digital negatives made from digital image files, scans, or film negatives. We’ll move beyond basic blue and experiment with bleaching and toning to alter color and mood. Students will gain the knowledge and skills needed to achieve a range of effects as well as set up their own practice. All levels. 

Studio artist; teaching: Contextile Biennial (Portugal), 577 Foundation (OH); residencies: Prairie Ronde (MI), Jentel Foundation (WY), James Castle House (ID); exhibitions: James Castle House Museum, Espaço Campanhã (Portugal), Outer Space Gallery (FL), Foto Batalha Museu (Portugal), Zorka Rose Gallery (FL), Assemble Gallery (Seattle).

cindysteiler.com | @_steiler

Here’s a good interview with Cindy.

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

photographs on cloth by Cindy Steiler
Cindy Steiler, detail of All Too Brief, cyanotype on fabric, industrial weaving bobbins 
Posted on

Fall One Week Metals

Metals – Fall One-Week Session
September 19-25, 2021
Tara Locklear
Conscious Connections

Cohesion,  Purpose, and  Function  are  critical  components  to making  jewelry  comfortable on the body.  During this one-week workshop we’ll embrace nontraditional materials to create well-designed wearable jewelry. Bring your materials of choice—wood, plastic, wire, glass components, beads—and we’ll transform our ideas into finished jewelry. We’ll discuss the function, purpose, and role of findings in the overall cohesion of our pieces. Through group and individual conversations, we’ll consider visual continuity and the design process. We’ll fill our sketchbooks and then make paper maquettes and wire samples, paying close attention to scale, composition, visual weight, and wearability. Then we’ll create finished pieces using a variety of metalsmithing techniques, including sawing, soldering, capturing, and forming. Depending on experience, students will make several pieces or a small, cohesive collection. All levels welcome, but metalsmithing experience will be helpful. Upper metals studio.

Studio artist; teaching: Haystack (ME), Brooklyn Metal Works (NYC), Pratt Institute (NYC), Society of Contemporary Craft (Pittsburgh); Excellence in Jewelry Award at Philadelphia Museum of Art Craft Show, American Craft Council Show Award of Excellence; exhibitions: Museum of Arts and Design (NYC), Velvet da Vinci (San Francisco), J. Cotter Gallery (CO); collections: Racine Art Museum (WI). 

taralocklear.com | @taralocklear

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

bracelet by Tara Locklear
Tara Locklear, Configuration Collection Line Links, reclaimed hand-carved skateboard, walnut, Gabon ebony, hand-fabricated, oxidized sterling silver findings, 8 inches long
Posted on

Fall One Week Iron

Iron – Fall One-Week Session
September 19-25, 2021
Elizabeth Brim
Basics of Forging

Students in this workshop will learn the basic techniques of forging through demonstrations and practice. Assignments will guide the development of skills needed to create expressive and well-crafted sculpture or functional objects in steel. We’ll use ancient, traditional ironworking techniques to produce unique, innovative, contemporary works in metal. All levels, beginners encouraged. 

Studio artist; teaching: Haystack (ME), Peters Valley (NJ); visiting artist at several universities and Cranbrook (MI); North Carolina Arts Council fellowship; Master Metalsmith at National Ornamental Metal Museum, Master Blacksmith at Fire on the Mountain 2021; solo exhibitions: North Carolina Museum of Art, Gregg Museum of Art and Design (NC); former Penland studio coordinator.

elizabethbrim.com | @halfroundbastard

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

steel sculpture by elizabeth brim
Elizabeth Brim, Talons, steel, 25 x 24 x 11 inches
Posted on

Fall One Week Glass

Glass – Fall One-Week Session
September 19-25, 2021
Joseph Cavalieri
Anime and Aesop in Glass

Students in this workshop will learn, practice, and perfect techniques to create precise imagery on stained glass resulting in a finished, multicolored 16 x 16 inch stained glass window plus many samples. We’ll explore anime figures and Aesop fable illustrations as possible inspiration, but students are encouraged to bring and share their own references. Each student will design and create an elaborate window using painting, airbrushing (using an atomizer), pen-and-ink, and sandblasting techniques. Enamel paints will be applied to the glass surface and then fired in a kiln. The final work will be copper-foiled and soldered together. No glass cutting, soldering, or expert painting/drawing experience needed; we’ll be tracing found images. All levels. 

Studio artist; teaching: Corning Museum (NY), Bezalel Academy (Israel), UrbanGlass (NYC), National College of Art and Design (Dublin); invitations to 17 residencies; collections: Museum of Arts and Design (NYC), Italian American Museum (NYC), Leslie-Lohman Museum (NYC), STAX Museum (Memphis); public commissions: MTA Arts for Transit (NYC), Church of Our Lady of Sorrows (Brazil). 

@Joseph_Cavalieri_Glass

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

stained glass by Joseph Cavalieri
Joseph Cavalieri, Two Nanny Goats, hand-painted, airbrushed, kiln-fired enamels on glass, steel frame, LED lights, 56 x 34 x 2 inches
Posted on

Fall One Week Drawing and Painting

Drawing and Painting – Fall One-Week Session
September 19-25, 2021
Hollie Chastain
Exploring Paper Art and Collage

Collage is a vast and playful medium with unlimited options for exploration. In this workshop we’ll experiment with a variety of substrates and adhesives and combine them with techniques such as painting and mark-making, adding embroidery and woven paper elements, and template building. You’ll leave with several finished pieces, but most of the time will be spent experimenting and gathering skills, inspiration, and techniques to carry forth into your own paper art and collage practice. All levels. 

Studio artist, illustrator; teaching: Arrowmont (TN), Squam Art Workshops (RI); exhibitions: The Arts Company (Nashville), Kentuck Art Center (Tuscaloosa); publications: Create Magazine, Colossal, Gestalten Books; author of If You Can Cut You Can Collage (Quarto Press); representation: dk Gallery (GA), Chauvet Arts (TN). 

holliechastain.com | @holliechastain

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

collage by Hollie Chastain
Hollie Chastain, Psychopomp 1, paper collage, 8 x 8 inches
Posted on

Fall One Week Clay

Clay and Drawing – Fall One-Week Session
September 19-25, 2021
Alice Ballard
Finding Your Form through Drawing and Clay

In this process-oriented workshop we’ll move back and forth between clay and various drawing media, seeking inspiration from the beautiful Penland setting and the host of natural forms within that environment. Working inside and outside the studio, our ideas and materials will be our partners, and the creative process will lead us. Artists used to working in two dimensions and those who usually work in three will all benefit from the contrast and combination of these two ways of working. We’ll work with a variety of drawing media and sculpt in red earthenware. All levels. Upper clay studio.

Studio artist; teaching: Francis Marion University (SC), South Carolina Governor’s School for the Arts and Humanities; Fulbright fellowship for study in India, two South Carolina Arts Commission fellowships; solo exhibitions: Greenville County Museum of Art (SC), Mint Museum (NC); collections: Renwick Gallery (DC), Greenville County Museum of Art, Mint Museum. 

aliceballard.com | @aliceballard64

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

clay sculpture by alice ballards
Alice Ballard, Tulip, charcoal on paper, 24 x 21 inches
drawing by alice ballard
Alice Ballard, Tulip Wall Pod, white earthenware, terra sigillata, 12 x 10 x 6 inches
Posted on

Clay Fall 3

Clay Fall One-Week Session III
November 3-9, 2019
Eleanor Anderson
Sketch Your Way into Clay

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

Posted on

Metals Fall 3

Metals Fall One-Week Session III
November 3-9, 2019
Lisa Colby
Square One

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

Posted on

Textiles Fall 3

Textiles Fall One-Week Session III
November 3-9, 2019
Leigh Hilbert
A Place for Tools

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

Posted on

Books & Paper Fall 2

Books & Paper Fall One-Week Session II
October 20-26, 2019
Lisa Blackburn 
The Artist’s Book: Simple Structure, Endless Possibility

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

Posted on

Print & Letterpress Fall 2

Print & Letterpress Fall One-Week Session II
October 20-26, 2019
Lynda Sherman
Breaking the Algorithm

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

Posted on

Drawing Fall 2

Drawing & Painting Fall One-Week Session II
October 20-26, 2019
Dietlind Vander Schaaf
Encaustic 101: Painting with Wax

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

Posted on

Glass Fall 1

Glass Fall One-Week Session I
October 6-12, 2019
Sean Donlon
Heat, Bend, Repeat

This workshop will explore unusual approaches to flameworked glass. We’ll cover a range of glass forming techniques, from the lathe to the bench, along with unconventional coloring methods and mirroring. In addition to basic flameworking skills, students will learn to form glass with the lathe and fabricate graphite to make specific shapes of glass. We’ll have constructive critiques and discuss design, composition, concept development, mirroring methods, fun, and life. All levels. Code F01GB

Studio artist; teaching: Virginia Commonwealth University, Chrysler Museum Glass Studio (VA); Virginia Museum of Fine Arts fellowship; exhibitions: solo at Quirk Gallery (VA), Virginia Museum of Contemporary Art, Peninsula Fine Arts Center (VA), Houston Center for Contemporary Craft, National Liberty Museum (Philadelphia), Washington Project for the Arts (DC).

seandonlondesign.com

Sean Donlon, detail of "Halo," installation: 9 x 13 x 1 feet
Posted on

Photo Fall 1

Photo Fall One-Week Session I
October 6-12, 2019
Benjamin Dimmitt
Black & White Landscape Photography

Through photographing in the field, experimentation, and critique, we’ll learn to make compelling images of the landscape. We’ll consider historic and current practice as we learn to think about landscape—photographing in nearby mountains and forests and working in the darkroom with the goal of producing a cohesive body of prints. We’ll emphasize observation, personal vision, and exploring new vocabularies. We’ll cover a wide range of topics including metering, exposure, depth of field, pinhole photography, film development, darkroom printing, split-filter burning, lighting, and composition. All levels. Code F01P

Studio artist; teaching: International Center of Photography (NYC), Warren Wilson College (NC), The Bascom (NC); exhibitions: Southeast Museum of Photography (FL), Ogden Museum (New Orleans), Soho Photo (NYC); collections: Museum of Fine Arts Houston, American Academy of Arts and Letters (NYC), Florida Museum of Photographic Arts.

benjamindimmitt.com

Benjamin Dimmitt, "Palm Hammock," selenium-toned gelatin silver print, 14 x 14 inches
Posted on

Specials Fall 1

Specials Fall One-Week Session I
October 6-12, 2019
Caverly Morgan & Joy Seidler
Immortal Messages: Mindful Making

That which is never born and never dies is always singing. This workshop invites you to explore ways we can source our creative endeavors from the deep river-beneath-the-river—the eternal wellspring of consciousness experienced in quiet moments of meditation and creative practice. We’ll explore how intention and attention, spontaneous play, structured limits, and direct experience of the mystery can guide us. We’ll employ multiple crafts—including paste-paper, journal making, clay, and more—as vehicles for the practice of presence and receptivity. We’ll explore meditation, weaving creative mindful practice into life, and the role of service in the craft arts. All levels. Code CB-Flex

Caverly: founder and guiding teacher of the mindfulness organizations Presence Collective and Peace in Schools; studied for eight years in a Zen monastery; former Penland core fellow. Joy: studio artist and educator; over twenty years of experience teaching journaling at Penland and elsewhere; journals included in national and international collections.

caverlymorgan.org

Caverly Morgan, "Tribute to Paulus," clay, 3 x 3-1/2 inches
Joy Seidler, "Fern Journal," paper, board, waxed linen, 9-1/4 x 6-1/4 inches
Posted on

Wood Fall Concentration

Wood Fall Concentration
October 3 – November 12 (six weeks)
Liz Koerner
Designing in the Woodshop

This workshop will explore processes for generating and refining handbuilt wooden forms. We’ll experiment to discover options, analyze findings, and forge connections between making and designing. Demonstrations will include scale drawing, model-making, milling, joinery, shaping, finishing, and other techniques depending on student interest and needs. We’ll also cover 3-D design fundamentals and strategies for creative problem-solving. Students can expect to make a variety of small wood projects and one or two larger works that may be sculptural or functional. This workshop will provide a solid foundation for those new to woodworking and help experienced students expand their practice. All levels.

Studio artist; teaching: University of Central Arkansas, Indiana University of Pennsylvania, San Diego State University; fellowship/residencies: The Wood Center at Indiana University of Pennsylvania, Herekeke Art Center (NM), Warren Wilson College (NC), Penland Core Fellowship; exhibitions: Manifest Gallery (OH), Foundry Art Centre (MO), Vessel Gallery (CA).

liz-koerner.com

Scholarship information here.

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

Sculpture by Liz Koerner
Liz Koerner, Recurrent, Douglas fir, basswood, ash, vinyl, water, graphite, liming wax, 31 x 59 x 21 inches
Furniture by Liz Koerner
Liz Koerner, Martois, plywood, cherry, mixed veneers, paint, lacquer, hardware, 24 x 45 x 14 inches