Specials

Special Workshops at Penland

 

Penland offers 1-, 2-, and 8-week workshops taught by visiting instructors in our well-equipped studios. Workshops are open to serious students of all levels unless specified in course description; beginners welcome.

Register for Workshops

Registration opens January 12 at 10:00 AM ET. Scholarships are available for all workshops—apply by February 17.

 

NOTE: Many aspects of Penland workshops will be altered for 2021 because of the pandemic, but we’re moving ahead with optimism and care. Before you apply, please read our COVID-19 Safety Guidelines document so you will know what to expect and what will be expected of you. And know that, if conditions force us to cancel workshops, you’ll get a full refund on your payment.

Glass Summer Session 1
May 23 – June 3, 2021
Daniel Clayman and Fred Kahl
MMM: Metaphysical Material Manipulation

We live in a physical world, communicate in digital space, and exist in a metaphysical dimension. This project-based workshop for sculptors of all skill levels will explore ways of synthesizing these experiences, in and out of the glass studio, to create sculpture with intention, purpose, and meaning. The instructors will guide students in combining digital design and manufacturing with centuries-old mold making and glass techniques. Bring a laptop, a sketchbook, pencils, ratty clothes, and a meditation cushion, and we’ll straddle the analogue/digital divide in pursuit of great art! Working throughout the entire Penland glass studio, we’ll cover 3-D modeling, CNC carving, 3-D printing, mold making for kiln casting, hot casting with graphite molds, and mold blowing. Twenty-first century glassmaking is all about the right tool for the right job. Let’s leverage the best of digital and analogue, and put it together in a divine digilogue. All levels. Hot shop.

Daniel: artist/educator; Effron Family Endowed Chair in Glass Studies at University of the Arts (Philadelphia); has been a visiting critic at Rhode Island School of Design and artist-in-residence at Tyler School of Art (Philadelphia) and Massachusetts College of Art and Design; collections: Corning Museum (NY), de Young Museum (San Francisco), High Museum (Atlanta), Museum of Arts and Design (NYC), Museum of Fine Arts Boston, Renwick Gallery (DC). Fred: artist, designer, magician, sword swallower, yogi, inventor; residencies: TED (NYC), Tacoma Museum of Glass (WA), The Studio at Corning (NY), StarWorks (NC), Wheaton Arts Center (NJ); has been staff, student, teaching assistant, and instructor at Pilchuck (WA).

danielclayman.com  |  @danielclayman
thegreatfredini.com  |  @fredini

See some of Fred’s work in this neat video!

Daniel Clayman, "Radiant Landscape," glass, steel cable, copper rivets, 26 x 44 x 42 feet
Fred Kahl, "Manipura," hot-assembled cast glass from CNC-carved graphite molds, 16 x 16 x 16 inches
Wood Summer Session 3
June 20 – July 1, 2021
Raivo Vihman
Timber Vernacular

Think mortise and tenon joinery, but think big. In this collaborative workshop, we’ll delve into the ins and outs of woodworking on a timber scale. Each student will begin by building a pair of splayed leg sawhorses to use as a work station. We’ll spend the rest of the time constructing a small, structural timber frame joined with mortises, tenons, pegs, and wedges while developing skills with hand tools and power tools. Topics will include joinery design, layout strategies, working with green wood, and scribing natural forms. The frame we build will be disassembled and sold in the scholarship auction. All levels.

Founder of Haystack Joinery (ME); teaching: Waterfall Arts (ME), Viljandi Cultural Academy (Estonia), Haystack (ME), Tabonuco (Puerto Rico), Vanaajamaja (Estonia), Penland.

haystackjoinery.com
@haystackjoinery

timberframed roof structure
Raivo Vihman, "Cabin Roof Framing," cedar, pine, red oak, 16 x 24 feet
Drawing & Painting Summer Session 7
August 22-28, 2021
Leigh Suggs
Changing Perspective: Experimenting with Paper

This workshop is about changing your approach to paper. We’ll explore ways to transform paper—both technically and conceptually—into more than just a flat surface. Students will use simple tools to turn basic sheets into sculptural forms by cutting, folding, collaging, weaving, and using a variety of 3-d paper constructions. We’ll use natural and synthetic papers and create samples that will introduce you to the nuances of the material. There will be daily demonstrations, discussions of contemporary work, and time for experimentation. All levels. Note: this is not a hand papermaking workshop. 

Studio artist; teaching: Virginia Commonwealth University, Arrowmont (TN), Penland; exhibitions: Penland Gallery, Racine Art Museum (WI), Weatherspoon Museum (NC), Taubman Museum (VA); collections: Virginia Museum of Fine Arts, Roanoke College (VA); representation: Reynolds Gallery (VA).

leighsuggs.com
@leighsuggs

Intricately cut vanishing pattern on blue paper
Leigh Suggs, "On Our Way," handcut acrylic on Yupo, 36 x 36 inches
Photo Summer Session 7
August 22-28, 2021
May Babcock & Lindsey Beal
Foraged Photographs: Cyanotypes & Handmade Paper

This workshop will integrate hand papermaking and cyanotype printing. We’ll make paper from sustainably harvested plants and traditional fibers and create sheets using deckle boxes and multiple pulps. Using cyanotype and anthotype, we’ll create photograms from foraged plants and photographs from digital negatives. Cyanotype creates blue images that can be toned to other colors. Anthotypes are made with photosensitive plant emulsions. Working in both the photo and papermaking studios, students will build a supply of handmade papers, print unique images, and learn to create environmentally conscious artwork at home. All levels.

May: studio artist; teaching: Rhode Island School of Design, Women’s Studio Workshop (NY), Brown University (RI), Louisiana State University, Pyramid Atlantic (MD); residencies: White Mountain National Forest (NH), Guadalupe Mountains National Park (TX); public art: Rhode Island State House, T.F. Green International Airport (RI). Lindsey: studio artist; teaching: Rhode Island School of Design, Massachusetts College of Art and Design; solo exhibitions: Vermont Center for Photography, Griffin Museum of Photography (MA), Danforth Art Museum (MA); publications: New York Times Lens Blog, BBC Mundo, Photo District News, New Scientist.

maybabcock.com  |  @maybabcock
lindseybeal.com@mslenslover

four abstract compositions of blue and white on gray paper
May Babcock and Lindsey Beal, "Lamina: Eddy 1–4," artist-made pulp paintings on pigmented cotton, flax, and corn husk, cyanotype, gouache, 8-1/2 x 11 inches
Textiles Summer Session 7
August 22-28, 2021
Hillary Waters Fayle
Plants: Muse & Material

In this workshop we’ll use plants and other botanical materials to explore the connections between nature and humanity. We’ll spend time looking at and learning about plants: taking guided walks, drawing, stitching, spinning, pressing, printing, painting, and studying botanical material. We’ll source plants, nuts, seeds and other material to brew our own inks and dyes for textiles and paper. We’ll also experiment with leaves and other plant materials as a substrate: woven, cut, knotted, stitched, collaged, etc. The workshop will blend art, science, and natural history as we create botanical collaboration. All levels. Second-floor textiles studio.

Assistant professor and head of fibers at Virginia Commonwealth University; exhibitions: Blue Spiral 1 (NC), Momentum Gallery (NC), Sager Braudis Gallery (MO), Pensacola Museum of Art (FL), Ellen Nöel Art Museum (TX).

hillarywfayle.com
@hillary.waters

circle of embroidered leaves
Hillary Waters Fayle, "Circular Meditations I & II," stitched and embroidered holly leaves, 
14 x 14 inches