Special Workshops at Penland
Penland offers 1-, 2-, and 8-week workshops taught by visiting instructors in our well-equipped studios. Workshops are open to serious students of all levels unless specified in course description; beginners welcome.
Registration is currently open for all Spring and Summer 2020 workshops. Registration is on a first-come, first-served basis. Scholarships are available for all summer workshops; scholarship applications are due by February 17.
Print & Letterpress Spring One-Week Session 1
March 22-28, 2020
Stuart Kestenbaum & Susan Webster
Word & Image
We’ll make images that inspire writing, writing that inspires images, and work that combines the two. Activities will include daily writing and drawing prompts. Students will learn various low-tech printmaking techniques, including gelatin-plate process, monotype drawing, and direct stencil-use drawing, as well as painting, collage, and other tools and techniques to make image and text components. Formats may include simple book structures and one-of-a-kind pieces. We’ll emphasize experimentation. All levels. Code S01X
Stuart: poet and former director of Haystack (ME); poet laureate of Maine; visiting writer: Cranbrook (MI), Rhode Island School of Design, Virginia Commonwealth University, Penland; author of five collections of poetry. Susan: studio artist; teaching: Haystack, Center for Contemporary Printmaking (CT), Studio Artworks Center (Jerusalem), Penland; developed a model art program in Maine prison system; exhibitions: Institute of Contemporary Art (ME), Maine Jewish Museum.
Drawing & Painting Summer Session 1
May 24 – June 5, 2020
Susan Goethel Campbell
Investigations in Materiality
Is materiality always physical? This interdisciplinary workshop will investigate all aspects of materiality including sound and digital works. It is for artists, thinkers, and makers interested in deepening their creative practice through material investigation. We’ll research and discuss the lineage of specific materials and create sketches, assemblages, and models for future works. Daily exercises will focus on the physical properties of both natural and manufactured materials. Bring your favorite materials, an open mind, and a willingness to hone your curiosity. All levels. Code 01D
Studio artist; teaching: Cranbrook (MI), College for Creative Studies (MI); exhibitions: Crystal Bridges Museum (AR), National Museum of Women in the Arts (DC), Detroit Institute of the Arts, Drawing Center (NYC), New York Public Library; representation: David Klein Gallery (Detroit), Apinwall Editions (NYC), Galerie Tom Blaess (Switzerland).
Clay Summer Session 5
July 19 – August 4, 2020
Arturo Córdova & Cristina Córdova
Sculpture in Motion
Students in this workshop will create an articulated ceramic sculpture and use it to develop a stop-motion animation sequence. We’ll present methods for building and finishing ceramic components as well as strategies for unifying the parts with metal elements that will facilitate posing. We’ll cover basic lighting and animation techniques focusing on the fundamentals of movement to create stop-motion progressions inside personalized sets using Dragonframe software. All levels. Code 05CB
Arturo: artist and animator; professional experience: 10.30 Animation Collective (Mexico), Charged Studios (NYC); currently building sets and animating on a short film called Andromeda. Cristina: studio artist; teaching: Haystack (ME), University of Nebraska, Gaya Ceramics (Bali); USArtists Fellowship, North Carolina Arts Council Fellowship; collections: Renwick Gallery (DC), Museo de Arte Contemporaneo (Puerto Rico).
Print Summer Session 5
July 19 – August 4, 2020
The Interactive Print-O-Rama Do-Gooders Social Art Gathering
Howdy friends! Are you wondering how you can make prints AND a difference in this great big world? One solution: experimental printing, social art, and your big ideas! Let’s use our brains and hearts and printing presses to make things happen. In this workshop we’ll discuss the basic ideas of interactive, socially-minded art, use the letterpresses to make a bunch of relief prints, collaborate on an interactive art project at Penland, and talk about how to create your own public art campaign back home. Bring an open mind and your talents. All levels. Code 05L
Studio artist, director of Isle of Printing (Nashville); teaching: Watkins College of Art (TN), Penland; public art: Automat Idea Exchange (TN), Noelle (TN), Southwest Print Fiesta (NM), Our Town Nashville, All Are Welcome (TN), Pinewood Social (TN), Invasion UK.
Wood Summer Session 5
July 19 – August 4, 2020
Think mortise and tenon joinery, but think big. In this collaborative workshop, we’ll delve into the ins and outs of woodworking on a timber scale. Each student will begin by building a pair of splayed leg sawhorses to use as a work station. We’ll spend the rest of the time constructing a small, structural timber frame joined with mortises, tenons, pegs, and wedges while developing skills with hand tools and power tools. Topics will include joinery design, layout strategies, working with green wood, and scribing natural forms. The frame we build will be disassembled and sold in the scholarship auction. All levels. Code 05W
Founder of Haystack Joinery (ME); teaching: Waterfall Arts (ME), Viljandi Cultural Academy (Estonia), Haystack (ME), Tabonuco (Puerto Rico), Vanaajamaja (Estonia), Penland.
Wood Summer Session 6
August 9-21, 2020
This workshop will explore cork and the many possibilities for design and making that can emerge from this wonderful, ecological material. We’ll learn and apply traditional woodworking techniques including machining, hand shaping, lathe turning, and bending, as well as experimental techniques such as cork casting. Cork will be used to achieve structure and visual texture in combination with wood and on its own. We’ll study cork farming, harvesting, and production and make objects that reflect these systems. We’ll start with experiments and then create tabletop accessories and furniture forms in which cork plays a central role. All levels. Code 06W
Studio artist, product designer, and assistant professor at Parsons School of Design (NYC); other teaching: Central Saint Martins (London), Haystack (ME), Rhode Island School of Design; exhibitions: Renwick Gallery (DC), Fisher Parrish Gallery (NYC), Sight Unseen OFFSITE (NYC).
Drawing & Painting Summer Session 7
August 23-29, 2020
Changing Perspective: Experimenting with Paper
This workshop is about changing your approach to paper. We’ll explore ways to transform paper—both technically and conceptually—into more than just a flat surface. Students will use simple tools to turn basic sheets into sculptural forms by cutting, folding, collaging, weaving, and using a variety of 3-d paper constructions. We’ll use natural and synthetic papers and create samples that will introduce you to the nuances of the material. There will be daily demonstrations, discussions of contemporary work, and time for experimentation. All levels. Code 07D
Studio artist; teaching: Virginia Commonwealth University, Arrowmont (TN), Penland; exhibitions: Penland Gallery, Racine Art Museum (WI), Weatherspoon Museum (NC), Taubman Museum (VA), collections: Virginia Museum of Fine Arts, Roanoke College (VA); representation: Reynolds Gallery (VA).
Textiles Summer Session 7
August 23-29, 2020
Hillary Waters Fayle
Plants: Muse, Medium & Material
This workshop will be a blend of art, science, and natural history focused on botanical collaboration. We’ll spend time looking at and learning about plants: taking guided walks, drawing, stitching, spinning, sketching, pressing, printing, painting, and studying botanical material. We’ll also experiment with leaves and other plant materials as substrates that can be woven, cut, knotted, stitched, collaged, etc. We’ll source plants, nuts, seeds, and other materials to brew inks and dyes for textiles and paper. Plants and other botanical materials will be our means to explore the connections between nature and humanity. All levels. NOTE: Textiles workshops are taught in walk-up studios accessible by a stair lift. Code 07TB
Assistant professor and head of fibers at Virginia Commonwealth University; exhibitions: Blue Spiral 1 (NC), Sager Braudis Gallery (MO), Pensacola Museum of Art (FL), Ellen Noel Art Museum (TX).