Wood

Wood Workshops at Penland

 

Penland offers 1 to 8-week workshops taught by visiting instructors in our well-equipped studios. Class topics include furniture design and construction, wood sculpture, joinery, boat building, wooden instruments, wood carving, and more. Workshops are open to serious students of all levels unless specified in course description; beginners welcome.

Register for Workshops
Workshops are open to serious students of all levels unless specified in course description; beginners welcome.

Summer scholarship information; summer scholarship application deadline is February 15.

Please read this note about our session schedules.

COVID-19 Safety Guidelines document.

WOOD SUMMER SESSION 1
MAY 28–June 2, 2023
Ellie Richards
The Sculptural Lamp

Let’s spend time exploring the powerful connection between light and form! This workshop will center on the interplay between the physical qualities of wood and light. Expand your knowledge of woodworking and sculpture and further your creative path as we cover lamp-construction techniques and the fundamentals of design. Technical information will include machine tool use, carving, and basic lamp wiring. Come as an total beginner or an advanced woodworker and use the sculptural lamp to light up new ways of making. All levels. 

Penland resident artist; teaching: Haystack (ME), Yestermorrow Design/Build School (VT); exhibitions: Mint Museum (NC), Center for Craft (NC), SOFA Chicago. 

ellie-richards.com | @ellieinthewoods

Ellie Richards, Carved Lamps, charred cypress, 18 x 12 x 12 inches each
Ellie Richards, Carved Lamps, charred cypress, 18 x 12 x 12 inches each
WOOD SUMMER SESSION 2
JUNE 4–16, 2023
Katie Hudnall
Paint, Patterns, and Palimpsests

Wood is an incredible material for surface decoration because it can be dyed, painted, drawn on, burned, carved, stamped, and added to with a million different materials. However, because woodworking can be labor intensive and time consuming, this part of designing a piece can get overlooked. We’ll approach a wide range of surface decoration possibilities, blending traditional and contemporary processes to develop unique visual languages. The goal is for each student to produce sample panels of different surface techniques: a rich library of ideas and processes to help with future works. From the basics of surface preparation to paints, dyes, drawing, carving, and clear finishing, this demo-heavy experimental workshop will look at surface decoration from many different angles. All levels. 

Associate professor at University of Wisconsin-Madison; exhibitions: Crafting a Continuum: Rethinking Contemporary Craft at Arizona State University Art Museum, Making a Seat at the Table: Women Transform Woodworking at Center of Art in Wood (Philadelphia), This Present Moment: Crafting a Better World at Renwick Gallery (DC); collections: Arizona State University Art Museum, Center for Art in Wood (Philadelphia), Renwick Gallery (DC). 

katiehudnall.com | @katiehudnall

Katie Hudnall, Trunk Fish Cabinet, found wood, glass, fasteners, polychrome, lacquer, 18 x 6 x 4 inches
Katie Hudnall, Trunk Fish Cabinet, found wood, glass, fasteners, polychrome, lacquer, 18 x 6 x 4 inches
WOOD SUMMER SESSION 3
JUNE 18–30, 2023
Ling-lin Ku and R. Eric McMaster
Digital Fabrication in Wood: Intro to ShopBot

This workshop will combine hand skills and digital technologies in woodworking. We’ll cover Rhino 2D and 3D design, V Carve Pro and ShopBot settings, the use of machine and hand tools, and finishing techniques. Whether you have experience or you are just beginning, this workshop will deepen your knowledge of 3D design and CNC routing, and help you develop a more comprehensive understanding of the capabilities of digital fabrication. Each student will design and fabricate two projects: a directed technical exercise followed by a self-directed project based on each their own interests. All levels.

Note: Students should bring a computer if they can; contact the studio operations manager if you are enrolled and are unable to bring a computer. studio_operations@penland.org

Ling-lin: assistant professor at Carnegie Mellon University (Pittsburgh); exhibitions: Kunstquartier (Austria), Zona Franca (Barcelona), CICA Museum (South Korea), 18th Street Art Center ( Los Angeles), Umlauf Museum and Sculpture Garden (TX), Wayfarers Gallery (NYC).

linglinku.com | @linglin_ku

Eric: Associate professor of practice at University of Texas-Austin; other teaching: Virginia Commonwealth University; Virginia Museum of Fine Arts Fellowship, Foundation for Contemporary Arts Emergency Grant; exhibitions: Hiroshima Museum of Contemporary Art (Japan), Blanton Museum of Art (TX), Contemporary Austin (TX), Blue Start Contemporary (TX), Locust Projects (Miami), Antenna Gallery (New Orleans), Vox Populi (Philadelphia). 

rericmcmaster.com | @rericmcmaster

Ling-lin Ku, Trypophobia, CNC routed wood, plywood, MDF, cast bronze, 3D prints, sand, paint, 25 x 80 x 6 inches
Ling-lin Ku, Trypophobia, CNC routed wood, plywood, MDF, cast bronze, 3D prints, sand, paint, 25 x 80 x 6 inches
R. Eric McMaster, An Instrument for a Duet, wood, varnish, strings, hardware, 46 x 8 x 6 inches
R. Eric McMaster, An Instrument for a Duet, wood, varnish, strings, hardware, 46 x 8 x 6 inches
WOOD SUMMER SESSION 4
JULY 2–14, 2023
Tom Huang
A la Carte

Through technical instruction in the fundamentals of design and woodworking, students will learn basic design and construction drawing skills along with woodworking and joinery skills. Students will work toward designing and building a small “a la carte” piece (maybe a side or accent table) that will strive to metaphorically and literally heighten the margins of our experience. The workshop will be geared toward novices in furniture making and design, but experienced makers from all backgrounds are welcome to join us as we explore both subject matters. All levels.

 

Notes on “a la carte”: In the culinary world, this term refers to menu items that can be ordered outside of a planned meal. It also suggests that these smaller items are worthy of attention and consideration. We’ll explore this idea in direct correlation to furniture making and also as a metaphor that encapsulates what we are all experiencing as conversations evolve to heighten awareness and understanding of identities that have traditionally been marginalized. 

Associate professor at University of Kansas; Center for Furniture Craftsmanship Fellowship (ME); has exhibited nationally including Delaware Center for Contemporary Art; publications: American Craft, Bespoke: Furniture from 101 International Artists by E. Ashley Rooney, Bamboo Design Guide and 59 Case Studies by Eduard Broto, and Booming Bamboo by Pablo van der Lugt. 

tomhuangstudio.com | @tomahawkku 

Tom Huang, Spring Rain (umbrella caddy), cherry, milk paint, 24 x 7 x 7 inches
Tom Huang, Spring Rain (umbrella caddy), cherry, milk paint, 24 x 7 x 7 inches
WOOD SUMMER SESSION 5
JULY 16–28, 2023
Elia Bizzarri and Eric Cannizzaro
Greenwood Chairmaking

Starting with a log, you’ll split and shave parts for a ladderback side-chair in the style of Jennie Alexander, who coined the term “green woodworking.” Then you’ll assemble the chair relying on the natural swelling of super-dried rungs to help lock the chair together. We’ll use hand tools, including the draw knife, the spokeshave, and the shaving horse. This workshop is open to students of all levels who enjoy long hours and physical work. 

Note: the studio fee for this workshop is estimated at $250-325 per student.

Elia: chairmaker, teaching: The Woodwright’s School (NC), Elia Bizzarri Studio (NC); produced numerous woodworking videos including DVDs for Popular Woodworking; featured on PBS’s The Woodwright’s Shop; work and articles published in Fine Woodworking, Popular Woodworking, Woodcraft, NC Travel Guide, Mortise and Tenon.

handtoolwoodworking.com

Eric: chairmaker: teaching: Arrowmont (TN), Campbell Folk School (NC), Arbutus Folk School (WA); residencies: Arrowmont (NC), Arbutus Folk School (WA); exhibitions: Wayne Art Center (PA), Bascom (NC), Delaware Valley Arts Alliance (NY), Blue Line Arts (CA) Master Woodworkers Show (TN); representation: Grovewood Inn Gallery (NC), Frog Hollow (VT).

ericcannizzaro.com | @eric.cannizzaro

Eric Cannizzaro, Two-Slat Ladderback Chairs, red oak, cotton webbing, natural dyes, milk paint, 18 x 18 x 34 inches
Elia Bizzarri, Aspen Table, walnut, oak, milk paint, 24 x 15 x 15 inches
Elia Bizzarri, Aspen Table, walnut, oak, milk paint, 24 x 15 x 15 inches
WOOD SUMMER SESSION 6
JULY 30–AUGUST 11, 2023
Vivian Chiu
Joinery for Wood Sculpture

Build, craft, create, and learn in this workshop focused on making small sculptural objects and using wood as a medium for creative expression. Working with kiln-dried lumber, students will become familiar with a wide variety of hand and power tools as well as heavy woodworking machinery. Although our main focus will be traditional joinery, we’ll also cover wood selection and preparation, carving, shaping, and finishing. This workshop will offer a nurturing and welcoming environment for students to grasp the basics or brush up on old skills. Beginning level; experienced students welcome. 

Studio artist, adjunct professor at Virginia Commonwealth University; American Craft Council Emerging Artists Cohort 2022, New York Foundation for the Arts Fellowship; residencies: Haystack (ME), Bemis Center for Contemporary Arts (NE), Anderson Ranch (CO), Sculpture Space (NY), Houston Center for Contemporary Arts, Penland Winter Residency; recent exhibition at Penland Gallery; collection: Center for Art in Wood; representation: FLXST Contemporary (IL). 

vivianchiudesigns.com | @viv_chiu

Vivian Chiu, Self V (Burr), poplar, vinyl, adhesive, 66 x 17 x 17 inches
Vivian Chiu, Self V (Burr), poplar, vinyl, adhesive, 66 x 17 x 17 inches
WOOD SUMMER SESSION 7
August 13–18, 2023
Harold Greene
Hand Tools First

The goal of this workshop will be to strike a balance between the use of machines and hand tools while creating aesthetically pleasing small wall cabinets. The practice of using hand tools—planes, dovetail saws, chisels, marking gauges, etc.—brings a certain joy to woodworking as you master the use and care of these tools. We’ll pay special attention to hand-cut dovetails, mortise and tenon joints, sharpening, and the adjustment and use of hand planes. All levels. 

Furniture designer/builder, founding member and teacher at Angels Gate Cultural Center (CA); exhibitions: City of Los Angeles Municipal Art Gallery, Craft Contemporary (Los Angeles); several public art projects on the Los Angeles waterfront; work published in Fine Woodworking.

haroldgreenefinefurnishings.com | @harold.greene

Harold Greene,Tokonomo Cabinet, pear, maple, elm, carob, cyprus, stone, 23 x 37 x 10 inches
Harold Greene,Tokonomo Cabinet, pear, maple, elm, carob, cyprus, stone, 23 x 37 x 10 inches
WOOD FALL SHORT SESSION
SEPTEMBER 24 – 29, 2023 (four studio days)
Fabiano Sarra
Making Three-Legged Stools with Hand Tools

Students will learn fundamental skills for hand-tool woodworking as they build a three-legged stool with Windsor-style joinery. Within that format, each student will have creative freedom to design their own seat shape, leg profile, and leg angles. Topics will include drilling holes by hand with the help of sight lines, the theory and practice of tapered mortise-and-tenon joinery, and using hand tools for flattening and shaping seats and legs. This workshop will appeal to those new to woodworking as well experienced students who want to learn more about working with hand tools. All levels. 

Studio artist; teaching: Penland (NC), Anderson Ranch (CO), Rochester Institute of Technology (NY), Hobart and William Smith Colleges (NY); residency: Haystack Open Studio (ME); exhibitions: Center for Art in Wood (Philadelphia), Burchfield Penney Art Center (NY), Memorial Art Gallery (NY).

fabianosarra.com | @fabbajabba

Regular enrollment will begin on May 1.

Fabiano Sarra, Three-Legged Stool
Fabiano Sarra, Three-Legged Stool
WOOD FALL CONCENTRATION
October 1 – November 10, 2023 (six weeks)
Wyatt Daglá Severs
Design, Build, Admire

This workshop will explore the characteristics of wood and the creation of one-of-a-kind furniture pieces. We’ll begin with each student building a table, working from quick sketches to full-scale drawings, refining ideas, and developing an understanding of the set-up and operation of the tool involved. The rest of the workshop will focus on students building furniture unique to their imaginations and learning to break down the construction of complex pieces into single steps. Individual instruction will support each person’s specific areas of interest. All levels. 

Studio artist, teacher and manager of woodworking at Innovation Hub (KY); other teaching: Penland, Peter’s Valley (NJ), Arrowmont (TN), Campbell Folk School (NC), Appalachian Center for Craft (TN); exhibitions: Paducah School of Art and Design (KY), Nashville International Airport (TN), Desotorow Gallery (GA), Yeiser Art Center (KY); publications: 500 Cabinets (Lark Books), Making Good, Maker Moxie, Woodwork magazine. 

wyattsevers.com | @wyattsevers

Regular enrollment will begin on May 1.

Wyatt Daglá Severs, Day Table, ash, cherry, maple, milk paint, Danish oil, 33-7/8 x 67 x 10-3/8 inches
Wyatt Daglá Severs, Day Table, ash, cherry, maple, milk paint, Danish oil, 33-7/8 x 67 x 10-3/8 inches