Category: Workshops

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Books and Paper Fall Concentration

PAPERMAKING FALL CONCENTRATION
October 1 – November 10, 2023 (six weeks)
Amy Jacobs
Paper: From the Inside Out

Handmade paper has a special magic and a limitless range of surfaces, textures, colors, and forms; this workshop will be a thorough immersion in its possibilities. We’ll cover the preparation of cotton, abaca, linen rag, and flax pulps along with pigmenting and mixing. Other processes will include small and large sheet formation, pulp painting, stenciling, blow-outs, wet collage, embedding, watermarks, drying and finishing treatments, surface manipulation, and sculptural methods with high-shrinkage pulps. By the end of the session, students will understand handmade paper as a complete medium. All levels. 

Master papermaker and senior director of artistic projects at Dieu Donné (NYC); teaching: Museum of Modern Art (NYC), University of the Arts (PA), New York Public Library (NYC), University of Georgia Cortona Program (Italy); residencies: Vermont Studio Center, Elizabeth Foundation SHIFT Residency (NYC), Penland Core Fellowship.

Regular enrollment will begin on May 1.

Amy Jacobs, Amelia, handmade abaca paper with embedded textile, graphite, and wax on wood, 14 x 14 x 1 inches
Amy Jacobs, Amelia, handmade abaca paper with embedded textile, graphite, and wax on wood, 14 x 14 x 1 inches
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Metals Fall Concentration

METALS FALL CONCENTRATION
October 1 – November 10, 2023 (six weeks)
Leslie Shershow
Wild and Controlled: Material Explorations in Jewelry

This workshop will begin with experimental exercises and techniques as we dissect the meaning of various materials. We’ll create silicone and plaster molds to be cast with plastic, resin, expanding foam, and other materials and use these castings to learn additive, subtractive, and fabrication processes. Mid-session, a pivot to traditional metalsmithing techniques will cover the mechanisms needed to create functional jewelry. Topics will include cold connections, pin backs, hinges, settings, and other methods for capturing and connecting materials. We’ll turn our untamed material studies into wearable art and refine our conceptual intent by composing artist statements. All levels. Upper metals studio.

Lecturer at San Diego State University (CA), instructor at San Diego Community Education (CA); other teaching: New Mexico State University, School of the Museum of Fine Arts (Boston); residencies: Baltimore Jewelry Center, Haystack Open Studio Residency (ME), Houston Center for Contemporary Craft; exhibitions: Schmuck 2022 (Munich), Galerie Marzee (Netherlands), Gallery Loupe (NJ), Alliages (France); representation: Sienna Patti Contemporary (MA). 

leslieshershow.com | @shersh_oh

Regular enrollment will begin on May 1.

Leslie Shershow, Claw Party, steel, brass, acrylic, resin, canvas, vinyl, cord, powder coat, hydrographic film, 16 x 14 x 1/4 inches
Leslie Shershow, Claw Party, steel, brass, acrylic, resin, canvas, vinyl, cord, powder coat, hydrographic film, 16 x 14 x 1/4 inches
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Glass Fall Concentration

GLASS FALL CONCENTRATION
October 1 – November 10, 2023 (six weeks)
Dan Friday
Furnace Formed

This workshop will break down the essentials of glass blowing and off-hand glass sculpting. We’ll work in the hot and cold shops and cover the fundamentals of bubble setup, using hand tools, and how to make the heat work for you. Other techniques will include optical molds, bit work, cane/murrine, and other methods of color application. When using the garage and components, time management and teamwork are crucial to productivity and will be underlying focal points of the workshop. Students will work from sketchbooks and learn to navigate from paper to blowpipe. Both experimentation and repetition will be encouraged. Our goal is to use technical processes to help you find your voice within the medium. All levels. Hot glass studio. 

Studio artist; teaching: University of Washington, Evergreen State College (WA), Pilchuck (WA), Haystack (ME); residencies: Museum of Glass (WA), Burke Museum (Seattle), Corning Museum (NY), Dream Community (Taiwan); Bill Holm Grant from Burke Museum (Seattle), People’s Choice Award from Bellevue Arts Museum (WA), Artist Trust Fellowship (WA), Discover Fellowship through the Southwest Association for Indian Arts (NM), contestant on Netflix’s Blown Away; representation; Blue Rain Gallery (NM), Stonington Gallery (Seattle), Ainsley Gallery (Toronto), Habatat Galleries (FL).

fridayglass.com | @danfriday

Regular enrollment will begin on May 1.

Dan Friday, detail of Schaenexw Run, blown and sculpted glass, 40 x 12 feet
Dan Friday, detail of Schaenexw Run, blown and sculpted glass, 40 x 12 feet
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Drawing & Painting Fall Concentration

DRAWING AND PAINTING FALL CONCENTRATION
October 1 – November 10, 2023 (six weeks)
Clarence Morgan
Practical Reset: Pushing your Practice

Artists are often taught to think about painting and drawing in ways that reinforce conventional practices and classifications. In this workshop, students will play in the gap between what is familiar and modes of working that are beyond their place of comfort, adjusting to unconventional ways of using tools, materials, and processes. Participants will be encouraged to rethink their studio practice and develop individual visual vocabularies that speak to their inner life as well as their personal history, cultural heritage, and ethnic lineage. This is a conceptually-driven workshop that will not focus on specific skills or techniques. Intermediate level: for people who have an established artistic practice in any medium. 

Studio artist; professor emeritus at University of Minnesota; Distinguished Alumni Award from Pennsylvania Academy of the Fine Arts, Penland Outstanding Artist Educator, Sam and Adele Golden Foundation Artist Residency (NY); recent exhibitions: Ralph Arnold Gallery (IL), Penland Gallery, Minneapolis Institute of Art; collections: Walker Art Center (Minneapolis), Cleveland Museum of Art, Flint Institute of Art (MI), North Dakota Museum of Art. 

clarence-morgan.com | @cmorganstudio

A Penland video about Clarence Morgan: https://www.youtube.com/watch?v=3nv_YtCVrsc

Regular enrollment will begin on May 1.

Clarence Morgan, Uses of Solitude, graphite, watercolor, acrylic ink, marker, pen on paper, 22 x 30 inches
Clarence Morgan, Uses of Solitude, graphite, watercolor, acrylic ink, marker, pen on paper, 22 x 30 inches
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Clay Fall Concentration

CLAY FALL CONCENTRATION (six weeks)
October 1 – November 10, 2023
Dan Finnegan
Good Pots for Good Food

This workshop will celebrate the connection between ceramics and food and how creating finely crafted pottery enhances everyday rituals. From cups and mugs to lidded pots and cooking vessels, we’ll explore a wide range of useful pots for the kitchen and the table. We’ll use Starworks North Carolina stoneware, fire both the salt and wood kilns, and use a variety of slips and glazes, even trying some raw glazing! Students will make lots of pots but will fire only their best. The emphasis will be on improving skills and adding personality to your work. Mostly wheelthrowing with some handbuilding. All levels. Upper clay studio. 

Studio potter; trained at Winchcombe Pottery (UK); teaching: Museum of Mankind (UK), Savannah College of Art and Design (GA), Scottish Potters Association (UK), Penland, and other venues in the US, UK, and Czech Republic; representation: Schaller Gallery (MI); founder of LibertyTown Arts Workshop (VA); curator of Pottery on the Hill (DC). 

danfinneganpottery.com | @dan_finnegan_pottery

Regular enrollment will begin on May 1.

Dan Finnegan, Lidded Jar, salt-glazed stoneware, cobalt slip, 7 x 6 x 6 inches
Dan Finnegan, Lidded Jar, salt-glazed stoneware, cobalt slip, 7 x 6 x 6 inches
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Clay Fall 3

Clay Fall One-Week Session III
November 3-9, 2019
Eleanor Anderson
Sketch Your Way into Clay

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

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Metals Fall 3

Metals Fall One-Week Session III
November 3-9, 2019
Lisa Colby
Square One

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

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Textiles Fall 3

Textiles Fall One-Week Session III
November 3-9, 2019
Leigh Hilbert
A Place for Tools

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

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Books & Paper Fall 2

Books & Paper Fall One-Week Session II
October 20-26, 2019
Lisa Blackburn 
The Artist’s Book: Simple Structure, Endless Possibility

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

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Print & Letterpress Fall 2

Print & Letterpress Fall One-Week Session II
October 20-26, 2019
Lynda Sherman
Breaking the Algorithm

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

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Drawing Fall 2

Drawing & Painting Fall One-Week Session II
October 20-26, 2019
Dietlind Vander Schaaf
Encaustic 101: Painting with Wax

Due to the current risks associated with bringing a large group of people together on our campus, we have decided to cancel all spring 2020 one-week workshops. Please see our COVID-19 Response page for more information. Thank you for your understanding and support as we navigate this evolving situation.

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Glass Fall 1

Glass Fall One-Week Session I
October 6-12, 2019
Sean Donlon
Heat, Bend, Repeat

This workshop will explore unusual approaches to flameworked glass. We’ll cover a range of glass forming techniques, from the lathe to the bench, along with unconventional coloring methods and mirroring. In addition to basic flameworking skills, students will learn to form glass with the lathe and fabricate graphite to make specific shapes of glass. We’ll have constructive critiques and discuss design, composition, concept development, mirroring methods, fun, and life. All levels. Code F01GB

Studio artist; teaching: Virginia Commonwealth University, Chrysler Museum Glass Studio (VA); Virginia Museum of Fine Arts fellowship; exhibitions: solo at Quirk Gallery (VA), Virginia Museum of Contemporary Art, Peninsula Fine Arts Center (VA), Houston Center for Contemporary Craft, National Liberty Museum (Philadelphia), Washington Project for the Arts (DC).

seandonlondesign.com

Sean Donlon, detail of "Halo," installation: 9 x 13 x 1 feet
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Photo Fall 1

Photo Fall One-Week Session I
October 6-12, 2019
Benjamin Dimmitt
Black & White Landscape Photography

Through photographing in the field, experimentation, and critique, we’ll learn to make compelling images of the landscape. We’ll consider historic and current practice as we learn to think about landscape—photographing in nearby mountains and forests and working in the darkroom with the goal of producing a cohesive body of prints. We’ll emphasize observation, personal vision, and exploring new vocabularies. We’ll cover a wide range of topics including metering, exposure, depth of field, pinhole photography, film development, darkroom printing, split-filter burning, lighting, and composition. All levels. Code F01P

Studio artist; teaching: International Center of Photography (NYC), Warren Wilson College (NC), The Bascom (NC); exhibitions: Southeast Museum of Photography (FL), Ogden Museum (New Orleans), Soho Photo (NYC); collections: Museum of Fine Arts Houston, American Academy of Arts and Letters (NYC), Florida Museum of Photographic Arts.

benjamindimmitt.com

Benjamin Dimmitt, "Palm Hammock," selenium-toned gelatin silver print, 14 x 14 inches
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Specials Fall 1

Specials Fall One-Week Session I
October 6-12, 2019
Caverly Morgan & Joy Seidler
Immortal Messages: Mindful Making

That which is never born and never dies is always singing. This workshop invites you to explore ways we can source our creative endeavors from the deep river-beneath-the-river—the eternal wellspring of consciousness experienced in quiet moments of meditation and creative practice. We’ll explore how intention and attention, spontaneous play, structured limits, and direct experience of the mystery can guide us. We’ll employ multiple crafts—including paste-paper, journal making, clay, and more—as vehicles for the practice of presence and receptivity. We’ll explore meditation, weaving creative mindful practice into life, and the role of service in the craft arts. All levels. Code CB-Flex

Caverly: founder and guiding teacher of the mindfulness organizations Presence Collective and Peace in Schools; studied for eight years in a Zen monastery; former Penland core fellow. Joy: studio artist and educator; over twenty years of experience teaching journaling at Penland and elsewhere; journals included in national and international collections.

caverlymorgan.org

Caverly Morgan, "Tribute to Paulus," clay, 3 x 3-1/2 inches
Joy Seidler, "Fern Journal," paper, board, waxed linen, 9-1/4 x 6-1/4 inches
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Fall Short Session Wood

WOOD FALL SHORT SESSION
SEPTEMBER 24 – 29, 2023 (four studio days)
Fabiano Sarra
Making Three-Legged Stools with Hand Tools

Students will learn fundamental skills for hand-tool woodworking as they build a three-legged stool with Windsor-style joinery. Within that format, each student will have creative freedom to design their own seat shape, leg profile, and leg angles. Topics will include drilling holes by hand with the help of sight lines, the theory and practice of tapered mortise-and-tenon joinery, and using hand tools for flattening and shaping seats and legs. This workshop will appeal to those new to woodworking as well experienced students who want to learn more about working with hand tools. All levels. 

Studio artist; teaching: Penland (NC), Anderson Ranch (CO), Rochester Institute of Technology (NY), Hobart and William Smith Colleges (NY); residency: Haystack Open Studio (ME); exhibitions: Center for Art in Wood (Philadelphia), Burchfield Penney Art Center (NY), Memorial Art Gallery (NY).

fabianosarra.com | @fabbajabba

Regular enrollment will begin on May 1.

Fabiano Sarra, Three-Legged Stool
Fabiano Sarra, Three-Legged Stool
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Fall Short Session Textiles

TEXTILES FALL SHORT SESSION
SEPTEMBER 24 – 29, 2023 (four studio days)
Stephanie Santana
Printmaking on Textiles

In this workshop, we’ll transform fabric through relief printing, monoprinting, and screenprinting. With a focus on self-directed experimentation and play, students will develop their own motifs and textures by carving rubber blocks, manipulating paint on gelatin plates, and creating stenciled artwork for screenprinting. Students will leave with a small portfolio of textile studies for reference or to incorporate into other projects. All levels: beginners encouraged. Third-floor textiles studio.

Studio artist; founding member of Black Women of Print; teaching: Fabric Workshop and Museum (Philadelphia); recent exhibition: “A Contemporary Black Matriarchal Lineage in Printmaking” at Highpoint Center for Printmaking (Minneapolis); collections: Metropolitan Museum (NYC), Getty Research Institute (Los Angeles), Museum of Fine Arts Boston, Smith College Museum of Art (MA). 

stephaniesantana.com | @stephanie___santana

Regular enrollment will begin on May 1.

Stephanie Santana, A Watchful Eye, screenprint appliqué, monotype, relief printing, hand embroidery, acrylic, machine quilting, 23-3/4 x 29 inches (L), 21 x 25-1/2 inches (R)
Stephanie Santana, A Watchful Eye, screenprint appliqué, monotype, relief printing, hand embroidery, acrylic, machine quilting, 23-3/4 x 29 inches (L), 21 x 25-1/2 inches (R)
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Fall Short Print and Letterpress

LETTERPRESS FALL SHORT SESSION
SEPTEMBER 24 – 29, 2023 (four studio days)
Bridget Elmer
Engaging Ephemera

This workshop will explore the letterpress as a tool for creating engaging paper ephemera. We’ll cover the basics of letterpress, printing from handset type, ornaments, and printer’s cuts. Students will also learn one-sheet and accordion book structures that work well on the letterpress, giving them a lot of options to explore. Each student will produce an edition of letterpress-printed ephemera designed to encourage contemplation and inter/action. All levels. Letterpress studio.

Studio artist, printer; co-founder of Impractical Labor in Service of the Speculative Arts, co-owner of Print St. Pete Community Letterpress (FL), artist member of SPACEcraft (FL); teaching: Ringling College of Art and Design (FL), Colorado College, Florida State University, Ox-Bow (MI); collections: Brooklyn Museum (NY), Tate Britain (London), Yale University (CT), University of California-Los Angeles; published in Adventures in Letterpress (Laurence King) and 500 Handmade Books (Lark Books).

impractical-labor.org | printstpete.org | explorespacecraft.com
@flatbedsplendor @impractical-labor @printstpete 

Regular enrollment will begin on May 1.

Bridget Elmer, Y’all Means All, paper, ink, handset type, dimensions variable
Bridget Elmer, Y’all Means All, paper, ink, handset type, dimensions variable
PRINTMAKING FALL SHORT SESSION
SEPTEMBER 24 – 29, 2023 (four studio days)
Jessica V. Gatlin
Silkscreen Monoprints and Monotypes

Students in this workshop will create a series of quick, spontaneous prints. Using a combination of screenprinting and mixed-media techniques, we’ll build collaborative and individual compositions on the spot, reacting to each previous layer as we go and generating many unique prints. Technical information will include temporary stencils, photo emulsion, found objects, and watercolor/water soluble techniques. We’ll also discuss systems theory and other iterative practices. All levels. Printmaking studio.

Assistant professor at University of Maryland-College Park; other teaching: Ox-Box (MI), Tennessee State University, Penland; residencies: Wassaic Projects (NY), Ox-Bow (MI), A.C.R.E. (WI), Eugeniusz Geppert Academy of Fine Arts (Poland); exhibitions: COOP Gallery (TN), Co-Prosperity Sphere (IL), Seedspace (TN), The Holland Project (NV). 

jvgatlin.com | @blkshe

Regular enrollment will begin on May 1.

Jessica V. Gatlin, New Altars // New Praises // Ancient Among You (series), relief monoprint, 8 x 8 inches
Jessica V. Gatlin, New Altars // New Praises // Ancient Among You (series), relief monoprint, 8 x 8 inches
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Fall Short Session Photography

PHOTO FALL SHORT SESSION
SEPTEMBER 24 – 29, 2023 (four studio days)
Dan Estabrook
The Handmade Negative

This short session will introduce two methods for making photographic negatives, both of which predate the advent of film: the calotype paper negative and the wet-plate collodion glass negative. Working with raw chemistry and simple materials, students will make photographic negatives suitable for printing with almost any process. While we work, we’ll discuss the history and syntax of each process: how the method for making the negative affects the images created with it. Bring your own props and costumes if you wish, or venture out into the beautiful North Carolina landscape. Cameras will be available in the studio. All levels. 

Studio artist, visiting assistant professor at Pratt Institute (NYC), frequent Penland instructor since 1994; exhibitions: Catherine Edelman Gallery (Chicago), Daniel Cooney Gallery (NYC), Wilson Museum (VA), Halsey Institute of Contemporary Art (SC); recent projects include a handmade artist book project in collaboration with Nathan Carter, published by Threestart Books (Paris). 

danestabrook.com

Regular enrollment will begin on May 1.

Dan Estabrook, The Thief, cut tintype, 19 x 17 inches
Dan Estabrook, The Thief, cut tintype, 19 x 17 inches
Dan Estabrook, Henry Talbot’s Grave, diptych: pencil on waxed calotype negative, salt print, 7 x 9 inches
Dan Estabrook, Henry Talbot’s Grave, diptych: pencil on waxed calotype negative, salt print, 7 x 9 inches
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Fall Short Session Metals

METALS FALL SHORT SESSION
SEPTEMBER 24 – 29, 2023 (four studio days)
Erica Bello
Solder, Rinse, Repeat

Students in this workshop will develop their fabrication skills through the repetitive process of chain-making. Starting with simple links, we’ll explore soldering techniques used to create movable design elements while developing habits for a streamlined workflow. Through design exploration and pattern studies, students will advance to create more complex chain using fabricated sheet and wire. Clasps and other finishing elements will be carefully considered as these can make or break any design. Along with soldering, we’ll cover sawing, filing, and other basic metalsmithing techniques. All levels. Lower metals studio.

Studio artist; teaching: Baltimore Jewelry Center, Center for Metal Arts (PA), Arrowmont (TN), Penland; exhibitions: New York Jewelry Week, Museum of Arts and Design (NYC), SOFA Chicago. 

ericabellojewelry.com | @ericabellojewelry

Regular enrollment will begin on May 1.

Erica Bello, Plus Chain Necklace, oxidized silver, 24 x 1/2 x 1/4 inches
Erica Bello, Plus Chain Necklace, oxidized silver, 24 x 1/2 x 1/4 inches
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Fall Short Session Iron

IRON FALL SHORT SESSION
SEPTEMBER 24 – 29, 2023 (four studio days)
Abraham Pardee
From Fire to Form

Learn the fundamentals of blacksmithing by making small functional objects. Using techniques such as tapering, twisting, scrolling, punching, splitting, riveting, and forge-welding, we’ll explore the amazing plastic properties of hot steel to give it shape and purpose. We’ll begin with simple items (hooks, bottle openers) and basic tool-making (chisels, punches) and then move to projects that use joinery to connect components (candlesticks, pot racks, etc.). Whether you’ve never forged before or are looking to review skills and expand your repertoire, this workshop will be a fast-paced survey of forging with an eye toward smart design. Beginning level. 

Professor at American College of Building Arts (SC); teaching: Appalachian Center for Craft (TN), Campbell Folk School (NC), Eureka Springs School of the Arts (AR); exhibitions: Best of Tennessee Craft (TN); collections: City of Cookeville (TN), Metal Museum (TN).

pardeemetal.com | @pardeemetal

Regular enrollment will begin on May 1.

Abraham Pardee, Squiggle Cups Candlestick, steel, 13 x 7 x 8 inches
Abraham Pardee, Squiggle Cups Candlestick, steel, 13 x 7 x 8 inches
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Fall Short Session Drawing and Painting

DRAWING & PAINTING FALL SHORT SESSION
SEPTEMBER 24 – 29, 2023 (four studio days)
Jodi Reeb
Making your Mark: Encaustic Painting and Photo Collage

This encaustic workshop will bring together several basic techniques to create beautiful, layered paintings rich with texture and translucency. We’ll explore color mixing, scraping, and developing imagery with a focus on using photographs as collage. This process involves printing photographs on lightweight tissue paper and embedding the images in the encaustic medium.  We’ll also explore image transfers. Layers can be created by using oil sticks to add pigment above or below the photographs for color and depth. The workshop will also include a brief history of encaustic painting and information about supplies, tools, safety, and preparation of substrates. Lots of one-on-one studio time will help you create and develop a body of work, gain confidence, and expand your voice with encaustic. All levels. 

Studio artist; teaching: Minneapolis College of Art and Design Continuing Studies Program, Haystack (ME), Zijdelings Atelier (Netherlands), Ampersand Ambassador Teaching Artist, R&F CORE Artist; two Minnesota State Arts Board Artist’s Initiative grants, Hinge Arts Residency (MN); exhibitions: Gallery One (Minneapolis), Kolman & Pryor Gallery (Minneapolis), Truro Arts Center (MA), Reedy Gallery (MN).

jodireeb.com | @jodireeb

Regular enrollment will begin on May 1.

Jodi Reeb, Transitions, encaustic with photo collage, 24 x 36 inches
Jodi Reeb, Transitions, encaustic with photo collage, 24 x 36 inches
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Fall Short Session Week Clay

CLAY FALL SHORT SESSION
SEPTEMBER 24 – 29, 2023 (four studio days)
Jeff Shapiro
Expressive Clay: Pushing into the Unknown

Students in this workshop will step out of their comfort zones and find new approaches to loosening up in the studio to make pieces with character that are challenging yet rewarding. We’ll encourage soft and loose throwing, soft and loose trimming, and manipulating clay with an attitude of abandonment: sprezzatura! Once we’ve established the basics of materials, tools, and processes, the focus will be on learning how to let go. Bring an open mind, a sense of curiosity, and a desire to take risks. Techniques will include throwing, trimming, slab building, and solid clay forming. Bisque-fire only. Intermediate level: basic clay skills required. Upper clay studio.

Studio artist; teaching: Penland, Greenwich House Pottery (NYC), Peters Valley (NJ), Gaya (Bali, Indonesia), La Meridiana (Italy); collections: Carlo Zauli Museum (Italy), Museum of Fine Arts Boston, The Brooklyn Museum (NYC), Fuller Craft Museum (MA); representation: Lucy Lacoste Gallery (MA), Capazza Gallery (France), Kakiden Gallery (Japan). 

jeffshapiroceramics.com | @jeffshapiro62

Regular enrollment begins May 1.

Jeff Shapiro, Sake Cup (guinomi), anagama-fired stoneware, natural ash deposit, 3-1/2 x 3 x 3 inches
Jeff Shapiro, Sake Cup (guinomi), anagama-fired stoneware, natural ash deposit, 3-1/2 x 3 x 3 inches