Fall Weekend Session

Fall Weekend Session:
October 22-24, 2021

Register for Workshops

Workshops are open to serious students of all levels unless specified in course description; beginners welcome.

 

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

Clay and Printmaking – Fall Weekend Session
October 22-24, 2021
Paul Andrew Wandless
Intro to Printmaking on Clay

This workshop will be an introduction to printing on clay using screenprinting, monoprinting, and relief printing techniques. We’ll put images onto a screen without a darkroom, carve relief blocks with gouges, and make multicolor images with these screens and blocks. We’ll also make clay monotypes on plaster bats using transparent and opaque underglazes. We’ll cover mixing and modifying underglazes for use with each printing method so you can continue to explore these techniques after the workshop. No firing. All levels; beginners encouraged. 

Studio artist, teaching: Arrowmont (TN), Penland; author of Transfer on Clay, 500 Print on Clay; co-author of Alternative Kilns and Firing Techniques; featured in the DVD Screen Printing on Clay with Paul Andrew Wandless. 

studio3artcompany.com | @studio3artcompany

 

This workshop begins at 5:00 p.m. on Friday and workshop activities will end at 5:00 p.m. on Sunday; students are welcome to stay through Monday morning. Monday breakfast will be the last meal provided; please plan to depart campus by 10:00 a.m.

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

Work by Paul Andrew Wandless
Paul Andrew Wandless, Numo and Jem, Creating, clay monotype, 9 x 13 x 3/4 inches
Drawing and Painting – Fall Weekend Session
October 22-24, 2021
Lara Call Gastinger
Discovering a Landscape Through Drawing

How do you immerse yourself in and capture the beauty of a new landscape? This weekend workshop will delve into making discoveries and seeing plants with new eyes by drawing with a pen and using watercolor to enrich the drawings. Students will go home with a treasured accordion nature journal depicting the inspiring plants and landscape of Penland. The skills learned will be adaptable for use in any travel or perpetual journal. All levels. 

Botanical artist and illustrator; two Royal Horticultural Society Botanical Art Show gold medals (London); numerous American Society of Botanical Illustrators (ASBA) exhibitions; illustrations published in Flora of Virginia, Peterson’s Field Guide to Mushrooms, ASBA’s Botanical Art Techniques Handbook.

laracallgastinger.com | @laragastinger

 

This workshop begins at 5:00 p.m. on Friday and workshop activities will end at 5:00 p.m. on Sunday; students are welcome to stay through Monday morning. Monday breakfast will be the last meal provided; please plan to depart campus by 10:00 a.m.

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

Lara Gastinger, Fal Perpetual Journal, pen and watercolor on paper, 9 x 11 inches
Lara Gastinger, Fal Perpetual Journal, pen and watercolor on paper, 9 x 11 inches
Metals – Fall Weekend Session
October 22-24, 2021
Joanna Gollberg
Prongs

Using the Smith Little Torch and a special soldering board, we’ll make beautiful prong settings to secure your precious items—gemstones, natural materials, found objects—and use them in a piece of jewelry. We’ll discuss each aspect of the prong setting from start to finish: measuring, cutting, solder, cleaning, setting the stones, and finishing the prong ends. Students will be pleasantly surprised at how easy it is to make prongs and will leave this two-day workshop with finished jewelry. This is an intermediate workshop for jewelers: students must have soldering experience. 

Studio jeweler selling in galleries and craft shows throughout the US; teaching: Penland, Haystack (ME), Arrowmont (TN); author of four books on jewelry making; work published in Metalsmith, Ornament, 20th Century Jewelers, 500 Wedding Rings. 

joannagollberg.com | @joannagollberg

 

This workshop begins at 5:00 p.m. on Friday and workshop activities will end at 5:00 p.m. on Sunday; students are welcome to stay through Monday morning. Monday breakfast will be the last meal provided; please plan to depart campus by 10:00 a.m.

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

Jewelry by Joanna Gollberg
Joanna Gollberg, Covid Winter, sterling silver, gemstones, found objects, 4 x 3-1/2 x 1/4 inches
Printmaking – Fall Weekend Session
October 22-24, 2021
Jon Lee
Printing Techniques and Baren Making for Japanese Woodblock Printing

This workshop will have two parts: We’ll cover printing techniques specific to Japanese woodblock printing. And students will learn how to make and maintain the traditional Japanese baren, an essential tool for this style of printing. We will not carve blocks in this short workshop, but pre-carved blocks will be available for practice. We’ll focus on technique rather than concept with a loose structure that will allow students to tailor the workshop to their needs. Although students with some experience will get the most out of this workshop, it is open to all levels. 

Associate professor at Trinity University (TX); master printer training at Tamarind Institute (NM); exhibitions: McNay Art Museum (TX), Art-Trophy Gallery (Russia). 

@sweet_relief_printmaking

 

This workshop begins at 5:00 p.m. on Friday and workshop activities will end at 5:00 p.m. on Sunday; students are welcome to stay through Monday morning. Monday breakfast will be the last meal provided; please plan to depart campus by 10:00 a.m.

NOTE: Participation in fall workshops will require proof of full COVID-19 vaccination.

Work by John Lee
Jon Lee, o1701, woodcut, 17 x 12 inches