Tag: winter residency

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Learning Greenwood Turning with Raul de Lara

Raul de Lara is a newly-minted bowl turner. 

Invited as a Penland Winter Residency Distinguished Fellow, the New York-based sculptor knew exactly what he wanted from his residency in the Penland wood studio: to learn everything he could about  turning bowls on a lathe.

Red oak logs from a fallen Penland tree await the lathe. 

A solo show coming up in May will feature Raul’s iconic botanical sculptures, supported by large, lathe-turned bowls and vases. Raul was a quick study, and it was a lot of fun to watch him get better and better, turning a pile of Penland red oak into a beautiful body of work.

A work in progress in the Penland wood studio

Raul’s Penland stay even included a trip to visit “wooden potter,” David Ellsworth, who lives an hour away. “I learned so much from David’s book and I use his signature tool,” said Raul. “I was able to show him some of my new work and we became friends immediately.”

Raul will spend the next two months preparing for his show at Reynolds Gallery which opens on May 3.

Raul’s work on display at show and tell

We asked Raul to share a few tips about greenwood turning… Enjoy!

My advice would be to make sure to have friends around who can help you load/unload the big, heavy wet logs onto the lathe. For me, it was important to learn the basic techniques from David Ellsworth’s book before jumping into more intricate forms (like the ones you’ll see in my solo show). David also makes his own signature tool, which is what I used to make my work here at Penland.

Raul makes his way up to show and tell with his newly-turned vessels.

Thank you for sharing your practice with us, Raul! You can find more of his stunning work HERE. 

Raul de Lara is a 2024 Penland Winter Residency Distinguished Fellow, one of eleven individuals receiving an award to attend the residency at no cost and with the support of a stipend, made possible with support from the National Endowment for the Arts.

Penland’s Winter Residency program is a short-term residency opportunity for artists seeking to work independently in one of our sixteen studios during Penland’s quiet season. This year, nearly 150 residents brought their studio practices to Penland’s teaching studios for for two to four focused weeks.

We are excited to share more Penland Winter Residency stories. Please stay tuned for more…

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Creation to Celebration: 6 Cs of Winter Residency

Every winter, we begin the new year with a month of short, intense residencies at Penland. Winter Residency is a time when we invite artists to arrive with their own ideas and projects and bring them to life in our studios. There is no instruction and we don’t give assignments—we just ask that each resident dive in, explore, and connect with the energy and creativity of this community. It’s the best start to the year we could hope for.

Below, we highlight a few photographs and themes from this year’s residency. Find out more (and learn how to apply to join us next year!) on the Winter Residency page.

Creation

Mary Raivel at the bench in Penland metals

Winter residency is a time to create. It’s a time to actually work on those ideas that just won’t keep quite and see what’s really there when you give them a chance. Here, metals resident Mary Raivel is continuing a series of pieces that incorporate old lenses and watch crystals. She says, “I would never have managed to devote the necessary time to this new work on age and ageism using new (to me) materials, were it not for my time here.”

Concentration

Potter Ronen Yamin trimming a vessel

No meal schedules, no work-study schedules, no class projects, no daily slide talks. There is less structure to Penland’s Winter Residencies than there is to our workshop sessions, which means you can work how and when it works for you. It’s amazing how much our residents accomplish in just a couple weeks of deep concentration! Here, potter Ronen Yamin focuses while trimming a series of vessels.

Collection

Katie St. Clair working on a collection of paintings

With half as many people but just as much space, winters at Penland provide a quieter, more expansive atmosphere than the all-in exuberance of our summer workshops. Here, painting and drawing resident Katie St. Clair spreads out during the first two weeks of residency to put the finishing touches on a collection of paintings for an upcoming exhibition. Winter residency is the perfect time to take a step back from individual pieces and think about your work as a whole.

Challenge

a collection of spoons made by Penland winter residents

Mostly, it’s personal challenges that our winter residents set for themselves, but there are always a few fun group challenges, too. The annual Table in a Day competition is one we’ve written about repeatedly on the Penland blog (2020, 2018, 2017). This year, residents introduced a new one: Spoon Before Noon. Above are just some of the results from the morning in a variety of materials and even more styles!

Collaboration

Sasha Baskin screenprinting

When you get 80+ artists together in an open studio environment, there’s bound to be a lot of discussion, sharing, and building on each other’s ideas. Often, these interactions lead to new collaborations, such as this one between textiles residents Sasha Baskin and Alyssa Salomon. Together, they used Alyssa’s screenprinting knowledge to turn Sasha’s lace designs into prints on fabric.

Celebration

view of the final winter residency show and tell

To end it all, we ask everyone to participate in one of our oldest, most cherished traditions: Show and Tell. It’s a time to explore what everyone else has been up to while you’ve been head down in the studio, to catch up with old friends and say hi to new ones, and mostly to marvel at the sheer creative force that is the Penland community. Winter residents, you amaze us! Thank you for giving this month your all and sharing it so generously with us.

Want to see even more? Head to our Winter Residency Facebook album.

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Photo of the Week: Enamel Innovations

two women sifting enamel onto a large spatula in the Penland iron studio

What do you do when you want to finish your large, hand-forged utensils with a coat of enamel but they’re too big to fit in any of the enameling kilns? Build a sifting tool, grab a friend, and apply the powder directly to red-hot steel, of course!

The spirit of ingenuity and problem-solving is one thing we cherish about January in the Penland studios. Winter residents are free to go in whatever directions they need to bring their ideas to life. Rachel Kedinger’s enameling experiments (with a little help from fellow blacksmith Meghan Martin!) are just one great example.