We’re thrilled to announce our complete lineup of summer 2020 workshops! We’ve got 104 different offerings for you to choose from, each one an opportunity to learn from experienced makers and explore new materials and dream up new ideas and connect with other folks doing the same. Browse them all by studio, by session, or in our online catalog PDF (paper catalogs are at the printer at this very moment!).
Want a little taste of what you might find?
Books & Paper: large-scale sheet forming, cast paper sculpture, cut paper and pop-up books Clay: ceramic tile, animated ceramic sculptures, building with paperclay, kurinuki Drawing & Painting: abstract painting, observational oil painting, sketchbooks Glass: glass painting, borosilicate sculpture, mold making, hot glass sculpting Iron: metal furniture, forged utensils and vessels, sculptural steel Metals: electroforming, Japanese engraving, sand casting, gold fusing Photo:view cameras, poetic photographs, cameraless photography, hand coloring prints Print & Letterpress: mokuhanga, screenprinting, typography on the press, lithography Textiles: block printing with natural dyes, sculptural basketry, boro and indigo, intermediate weaving Wood:curved forms in wood, timber framing, cork, sculptural spoon carving
…and dozens and dozens of other things, too.
Registration will open for all summer workshops on January 13 at noon Eastern time on a first-come, first-served basis.Scholarships are available for all summer workshops! Scholarship applications open January 1 and are due by February 17. Starting this year, scholarships have a reduced application fee of $10.
Shanti Broom working in the Penland iron studio, summer 2019.
Across the country, there is a plethora of organizations doing incredible work to support underrepresented young people in the arts. In New Orleans, YAYA offers free after-school training to local teens in painting, glass, ceramics, mixed media art, and entrepreneurship. In Los Angeles, HOLA’s extensive visual arts programming connects hundreds of students in grades 1-12 with 115 free classes in twenty different art forms. In Newark, NJ, Glassroots provides glass and entrepreneurship programs to underserved youth and young adults in the area.
Similarly, there are incredible craft schools around the USA like Penland, Haystack, Arrowmont, and others that provide emerging and established artists with new skills, inspiration, and an engaged network of peers and mentors. Often times, workshops or residencies at these schools can be pivotal experiences for artists as they explore and establish their careers.
But between these influential youth programs and adult craft schools, a group of artists saw a gap: the many talented, inspired young people who never pursue careers in the arts. How can we continue to support promising young artists once they have aged out of youth art programs? they wondered. How can we better connect them to the incredible opportunities that craft schools offer? How can we enable more of them to thrive as professional artists?
To tackle these questions, they started Crafting the Future this spring, a fledgling collective of artists interested in addressing the lack of racial and ethnic diversity in the craft world:
The fields of craft, art, and design in the United States do not reflect the full spectrum of people in our country. When groups of artists go unrepresented, an inaccurate and incomplete story is being told, sold, and preserved—and everyone loses.
At Crafting the Future, our goal is to increase representation in these disciplines so that we all can benefit from a richer, more diverse story… Working together and combining our resources, we support the careers of young, underrepresented artists by connecting them to opportunities that will help them thrive.
Tyrik Conaler in the Penland painting studio with an in-progress self-portrait behind him.
As a first step, Crafting the Future started a Kickstarter campaign to raise enough money to send one alum from YAYA in New Orleans to a summer session at Penland. The campaign quickly drew enough support that they doubled the goal to $8,000, which would cover the costs for two YAYA artists to travel to Penland for a workshop. Thanks to the help of 141 backers, they reached that goal within two weeks.
A few short months later, Tyrik Conaler and Shanti Broom, both young alums of the YAYA program, arrived at Penland for session 2. Tyrik enrolled in Michael Dixon’s oil painting workshop, where he fine tuned both the technical and conceptual aspects of painting through the lens of self-portraiture. At the end of the session, a collaboration between Tyrik and the instructor sparked a bidding war at Thursday night’s scholarship auction. Meanwhile, Shanti was learning to work at the forge and anvil in Shawn Lovell’s iron workshop. “I’ve never done any forging before,” Shanti told me, “But I chose this workshop because it’s something that you don’t see a lot of women doing.” Two weeks later, she had gained enough skill to translate her drawings for an art-deco-inspired gate into metal, and she was eager to keep going.
So is Crafting the Future. The organization plans to raise money to send more students to craft school workshops in summer 2020 based on the success of their 2019 pilot. “I can’t emphasize enough the changes we’ve seen in Tyrik since he’s been back from Penland. Shanti, too,” says Meg, YAYA’s executive director. “It’s particularly cool to provide opportunities like Crafting the Future to older artists because the younger kids really look up to them. We’re now offering special Saturday night studio hours for a select group of artists, building on Tyrik and Shanti’s enthusiasm about being able to work any time of day or night at Penland—it’s quickly becoming something that the younger artists are aspiring to be a part of. The ripple effect is incredible!”
As Crafting the Future explained in their first campaign, “One scholarship won’t change the face of the art world, but it just might change the course of a life. It’s the best way we know to kickstart the change we want to see in our community.” Eventually, as the organization becomes more established, they’d like to work with additional craft schools and provide opportunities like internships, mentorships, and college prep to young artists.
Here at Penland, we’ll be cheering them on the whole way. We’re incredibly proud to build our relationship with Crafting the Future and to welcome the energy and perspective that students like Tyrik and Shanti bring to our studios and our community. We hope that many of you take some time to learn more about the Crafting the Future mission and get involved. You can read about the Crafting the Future vision here and follow them on Instagram here.
Shanti (left) and Tyrik (2nd from left) with friends from their Penland session. Images via Angelique Scott
Penland is pleased to offer a new scholarship option for summer 2019—early decision! These partial scholarships with a work requirement are similar to our general work-study scholarships from previous years, with a few important updates:
If you apply for an early decision scholarship, your application will be processed on a first-come, first-served basis. You will be notified about whether or not you got into your workshop within three business days of the completion of your application (including two of your references completing a short reference form).
We are holding two spaces in each workshop for early decision scholarship applicants, so your chances of getting into your first-choice workshop are improved if you apply early.
Instead of the standard $50 processing fee, you pay only a $10 processing fee with your application.
All early decision scholarship applicants will be assigned jobs in the dining hall (washing dishes, preparing food, etc.) that will total roughly 20 hours of work per week.
So who are these scholarships for, anyway?
We are offering this new option for eager students who would like to know the outcome of their scholarship applications sooner, want a better chance of getting into their first-choice workshop, and are willing to commit to a dining hall work assignment. Trying to squeeze a month-long internship, a family reunion, a Penland workshop, and a research trip into one summer? Get your dates locked down with early decision. Have your heart absolutely set on that session 3 iron workshop? Apply ASAP with early decision.
And what’s in it for Penland?
Every session, we need an energetic and diligent crew of work-study students in The Pines to make meal times run smoothly. We’re hoping that, by offering some incentives with our early decision option, we can fill those spots in The Pines and make a whole bunch of you happy, too!
How do I apply early decision?
All scholarship applications, including early-decision applications, must be submitted online through Slideroom. Scholarship applications will open January 1 and must be complete and submitted by 11:59 PM EST on February 18. Applications for early decision partial scholarships do not require images, but they do require two references to fill out and submit a short form via email. These applications will be processed on a first-come, first-served basis once complete, so submitting your application as soon as possible is to your advantage.
What if I need a full scholarship or can’t work in the dining hall?
In addition to the partial scholarships with work requirements that are eligible for early decision, Penland also awards full scholarships with work requirements, full scholarships with no work requirement, and studio assistantships. Spaces are held in each of our workshops for recipients of these scholarships. See complete information about our full range of summer 2019 scholarship options here.
