The following post contains a photo slideshow that is best viewed on the Penland blog.
As the days turn cooler and the sun sets ever earlier, we’ve been thinking back to one of our favorite weekends from the height of summer: the 33rd Annual Penland Benefit Auction!
This year’s auction was a great success thanks to the hundreds of attendees, contributing artists, volunteers, sponsors, and Penland staff who gave their time, talent, energy, and more. It was a chance to catch up with old friends and make new ones, enjoy remarkable art, honor some important people in our community, celebrate Penland’s new Northlight complex, and relax in this beautiful mountain setting. Scroll through the photos above to relive a bit of the fun!
Here are a few facts and figures from auction weekend:
Attendees: 649
Volunteers: 182
Outstanding Artist Educator: Woodworker and longtime Penland instructor Doug Sigler
Featured piece: 8 Bats 4 Seasons, a mesmerizing mirrored “portal” by Tim Tate
Fund-A-Need project: Renovating Morgan Hall to use as a communal house for Penland interns
Works up for bidding: 233
Total art sales: $340,622
Total revenue: $640,107
Net revenue generated for Penland programs: $462,294
Next year’s auction will be held August 9-10, 2019. Mark your calendars and join us then!
Last week, on our 2nd annual Penland Giving Day, this community blew us away. We asked all of you to help us generate support for our programs by making gifts for a 24-hour period on October 3, and you really delivered—not just with generous donations, but also with love and enthusiasm and photos and stories from your own times at Penland. Our theme for the day was #WeMakePenland, and you all showed us just how true that is. It’s all together, through the many diverse acts of sharing and attention and creativity, that this community remains so strong and vibrant. Thank you.
It was an exciting day by the numbers: in 24 hours you made 342 gifts to Penland (42 more than our goal of 300!) totaling $21,170. All of this money will go directly to supporting our programs, studios, scholarships, staff, and more. You also helped us share just what makes the Penland experience so valuable by posting over 200 stories to social media with the hashtag #WeMakePenland. The themes that emerged from these stories—a chance to explore and learn, an opportunity to develop skills and confidence, and an invitation to join a deep and connected community—were absolutely the most gratifying, inspiring, and affirming part of our Giving Day. We are so energized by the positive impact Penland has had on so many of you, and we are so grateful to be able to continue that impact thanks to your ongoing love and support.
Penland’s beloved kitchen crew getting into the #WeMakePenland spirit on October 3.
“Nearly 10 years ago I became a resident artist at the Penland School of Crafts and my life changed… But, really, @penlandschool started changing my life 10 years before that when I took my first class. Since then Penland has given me time and space, community, beloved instructors, dear friends, and incredible conversations, and left an indelible mark on my heart.” —Amy Tavern, student, instructor, friend, and former resident artist
“One of my favorite parts about the 2 weeks that I spent teaching at @penlandschool was the event at the end where all of the students shared their work. There was such energy, excitement, pride in that room—the ecstatic exhaustion of the work of making.” —Aaron Cohick, Penland letterpress instructor
“Some of my favorite @penlandschool moments include walking back to my housing after working late into the night, feeling the best kind of tired, and passing the other brightly lit studios still active with people obsessed, just like me.” —Aalia Mujtaba, Penland student and metalsmith
“In 2008 I moved to @penlandschool to be a core fellow and it changed the trajectory of my life for the long haul. Penland is the place I learned to slow down. To work hard. To ask questions. To notice details. The place I worked alongside some of the most incredible people I’ve ever met. The place I was given the gift of time, to delve into my work in new ways. The place I met some of my best friends and my partner.” —Beth Schaible, Penland instructor and former core student
“@penlandschool is one of my favorite places on earth because its freedom, tenacity, inspiration, friendship, innovation, courage, and love. Every day spent there is a gift, and every trip there has changed me.” —Lauren Faulkenberry, Penland instructor and winter resident
Two photographs taken by Sarah Banko during her Penland workshop this summer
Well over 1,000 students and instructors passed through Penland’s studios this summer, and each one brought different talents, interests, ideas, and perspectives. That’s why we love seeing the variety of work our students make, browsing their photos, and hearing their stories—each one adds a new richness to the Penland experience.
Below, we share a few recent blog posts written by Penland students that illuminate a bit of that experience.
Sarah Banko
Studio assistant for Sally Van Gorder’s Narrative Photography workshop
“Two whole weeks of learning, teaching, relaxing in the mountains, taking photos, eating incredible food, meeting new people and so much more. It was an absolute blast and I cannot wait to return sometime in the near future, perhaps as a student next time to learn something completely new to me.” See Sarah’s blog (and her gorgeous photographs!)
Brigitte Boucher
Student in Keith Wallace Smith’s workshop Figuring Out the Figure “It’s hard to sum up my time there in a neat, simple way. Immersive, intense, transformative. Challenging yet fun. Inspiring and eye-opening. I learned a ton, pushed myself out of my comfort zone, met all kinds of wonderful people, lost track of time, and also got a clearer idea of what I might want to do next with my art.” Read Brigitte’s thoughtful post and key takeaways
Elizabeth Busey
Student in Andy Rubin’s Monoprinting workshop
“Our studio of twelve had artists from seniors in undergrad programs to people who were embracing art in their retirement. I spent almost all of my time in the studio, so I was able to experience the differing energies of the morning printers, and those who found their groove towards midnight. Everyone brought such generous energy and good will to the studio each day.” Read more about Elizabeth’s first time monoprinting