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Penland Trustee Sharif Bey Named 2022 USA Fellow

Portrait of Sharif Bey with a large sculpture
Sharif Bey with his piece Louie Bones-Omega, which is in the collection of the Renwick Gallery of the Smithsonian American Art Museum.

Penland is excited to report that ceramic sculptor and educator Dr. Sharif Bey, who is a Penland trustee and friend, has been selected for a 2022 USA Fellowship from United States Artists. The US Artists website describes this prestigious, $50,000 award as celebrating “artists and cultural practitioners who have significantly contributed to the creative landscape and arts ecosystem of the country.”

Sharif, who is an associate professor of art at Syracuse University, grew up in a large African American family in Pittsburgh. He says that, while many of the men in his family left school for jobs in industry, he had a pivotal experience at Manchester Craftsmen’s Guild while he was in high school. That organization gave him a foundation of skills and connections in the ceramics world that helped chart his life’s path.

Among those connections was ceramic artist Norman Schulman, a long-time Penland neighbor and instructor. It was from Norm that he first heard of Penland. “We stayed in touch on and off,” Sharif remembers. “He screened his calls, and it always made me feel special that aging Norm remembered me. I could hear him in the background saying, ‘Gloria, I’ll take Sharif’s call.’”

He also met Penland instructor Winnie Owens-Hart during a studio visit in 1989, and in 2000, he took a workshop with her at Penland. “She was surprised that this kid from 11 years prior was still working in clay,” he remembers. A few years later, he was teaching at Winston-Salem State and arranged several times to bring groups of students to Penland for a visit. In 2007, he taught his own workshop at Penland. 

 

Raptor Quilt series #2, 2021, Earthenware and mixed media, dimensions 24 × 23 × 4 inches. Photo courtesy of Albertz Benda, New York.

Fast forward to 2108 when Sharif, now in his current position at Syracuse University, was one of four artists featured in an exhibition titled “Disrupting Craft” at the Renwick Gallery in Washington, DC. At that show’s opening, he met Penland staff member Yolanda Sommer (she is currently manager of diversity, recruitment, and partnerships). They were talking about Penland’s efforts to attract students of color, and he pitched the idea of the school partnering with several historically black colleges and universities (HBCUs) to bring groups of students and instructors for multi-day visits to Penland. 

This conversation was the genesis of Penland’s HBCU tour (read about it here and here), which had its third iteration in 2021. Sharif was one of the artist/mentors for the first tour in 2018. Around that same time, he was invited to join Penland’s board of trustees. 

Sharif describes his ceramic sculpture as inspired by functional pottery, Oceanic and African art, and art of the African diaspora, and investigating the cultural and political significance of adornment and the symbolic and formal properties of archetypal motifs while questioning how the meaning of icons and function transform across cultures and time. 

He holds a BFA from Slippery Rock University of Pennsylvania, an MFA from the University of North Carolina-Greensboro, and a Ph.D. in art education from Pennsylvania State University. He’s had residencies at the McColl Center in Charlotte, NC, the Archie Bray Foundation in Montana, and the Kohler Arts Center in Wisconsin. In addition to the USA Fellowship, he has received a Pollock-Krasner grant and a Fulbright scholarship. His work is in the collections of the Smithsonian American Art Museum, the Museum of Fine Arts, Houston, and Pittsburgh’s Carnegie Museum among others. 

Congratulations, Sharif, on this well-deserved honor!

Participants in the 2019 Penland HBCU tour, an idea originally suggested by Sharif Bey, who is seen at the far right.

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The Kent McLaughlin Scholarship for Working Potters

Kent McLaughlin

Penland School is thrilled to announce the Kent McLaughlin Scholarship for Working Potters.

Kent McLaughlin was a wonderful potter, neighbor, human, and friend of the school. He succumbed to pancreatic cancer in 2021. Kent had a vision for a Penland scholarship that would meet the needs of studio potters who make their living selling their work, and in five short months, with contributions from 117 donors, Kent’s friends and family have created a $100,000 endowment to fund this scholarship in perpetuity, The first scholarship will be awarded this summer.

The scholarship will cover the full cost of a Penland summer workshop—in any studio—and will grant a stipend of $1,000 per week to offset the artist’s time away from their studio production. The scholarship does not have a work requirement. To be eligible, applicants must have had a full-time studio practice for at least one year and will need to provide a résumé that demonstrates that they have been making their living solely by selling their work. They will also be asked to provide five images of their work.

In announcing the successful fundraising for the scholarship, Kent’s wife and studio mate, Suze Lindsay, said, “I am unable to find the words to say how much this means to me personally and to our family and community as we honor Kent’s legacy as a working potter and workshop instructor. Penland School is near and dear to our hearts. Kent and I both trained there early in our careers and found the experience an invaluable gift.”


About Kent McLaughlin

In the early 1990s, Kent (a.k.a. Chet, Chester) worked at Penland as services coordinator and then as facilities manager. In 1995, Kent and Suze bought a farmhouse in Bakersville, added a studio, and opened their doors as Fork Mountain Pottery in 1996.

Kent taught at Penland a number of times, sometimes by himself and sometimes with Suze. He also taught at Haystack, Anderson Ranch, Arrowmont, the Curaumilla Art Center in Chile, and the Jingdzhen Ceramic Institute in China. He helped start the Potters of the Roan, Spruce Pine Potters Market, and MICA Gallery.

Kent made functional pots in stoneware and porcelain. He described the look of work as “simple and quietly decorated surfaces made with a wax resist technique, layering glazes while using my own studio-made deer tail brushes.”

But most importantly, he was a funny, warm-hearted, positive person who always had time for other people and welcomed everyone into whatever he was doing. Any day that involved seeing him was a better day.

Click HERE to contribute to the Kent McLaughlin Scholarship for Working Potters.
Learn more about Penland’s scholarship opportunities HERE.

Kent McLaughlin memorial
In September 2021, many of Kent’s family and friends gathered at Penland for a beautiful celebration of his life.

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The Core Show 2021

This post starts with a slide show. If you are seeing it as in e-mail, please click here for best viewing.

The core show is a highlight of each Penland year.
The evening begins with a beautiful dinner cooked by friends of the core fellows.
Program coordinator Courtney Dodd paying tribute to each of the core fellows.
Sarina Angell; Collector's Jacket; toned cyanotype on cotton canvas
Molly Bernstein; A Map of the World; ceramic material
Mia Kaplan; Bullseye Ring; brass, copper, silver, magnets
Maria Fernanda Nuñez Alzata; What if we kissed in the crack of a kernel; cast denim, abaca, and corn husk fiber, 18k gold leaf, graphite
SaraBeth Post; Symbol to Play II; cast glass
Tony Santoyo; Roadmap; acrylic, handmade abaca and cotton on canvas
Erika Schuetz; Corkybara 1 &2; cork, leather
H. Mitsu Shimabukuro; Hypotaxis; hand-pulled sheet of paper with blowout stencil, cotton, abaca, and denim fibers
The core fellows in the gallery.
Core Show Card
Core Show Card

A highlight of every year at Penland (except 2020, because…) is the core show: an exhibition of carefully selected work made during the year by our wonderful core fellows. The evening starts with a beautiful, quiet dinner made by their friends. This is followed by a reception and moment for honoring each of these hardworking artists. This year’s exhibition was in Gallery North, which is part of the Northlight complex.

The Penland Core Fellowship is a two-year work-study residency that has brought generations of hard-working, dedicated artists into the Penland family–taking workshops, covering important work assignments, and inspiring everyone around them. We are also delighted to say that many core fellows continue to have a long-term relationship with the school after their fellowship comes to an end. We are always delighted to welcome them back as instructors, staff members, and in other roles.

Thank you, Erica, Mia, Mitsu, Mo, Molly, SaraBeth, Sarina, Tony, and Scott (who left for grad school before this event) for everything you have brought to Penland. Because everything was canceled in 2020, we got to keep this group for an extra year, and it’s getting hard to imagine the place without them!