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Artist & Weaver | Spring Concentration with Mary Zicafoose

Tapestries woven in indigo, yellow, and white.
Two recent tapestries in the “Mountains and Ghosts” series by Mary Zicafoose.

 

Are you a weaver? It’s a question that asks more than whether or not you can weave. At its heart, the question probes our personalities and preferences, asking about the processes that speak to us and the mental spaces which we most like to inhabit. Weaving is not for everyone, but it definitely is for tapestry artist Mary Zicafoose. “From the first moment I sat at a loom, there was not a question in my mind that I was a weaver,” she says. That was over twenty years ago, and Mary has been weaving ever since.

“There is something timeless and inner-dimensional about the process of weaving,” Mary explains. “The work takes weeks. As the planet speeds along, the weaver sits hour by hour, day by day, slowly and steadily building a tapestry. No amount of adrenaline, caffeine, or technology alters the pace of the unfolding. To be a weaver is an almost surreal occupation placed against the backdrop of linear time, and the pace, demands, and deadlines of contemporary life. Nothing in the making of a tapestry happens quickly. It is a deep inward breath, a meditative activity that draws you in, not out.”

So, are you a weaver? If yes, Mary’s spring 2016 concentration Artist & Weaver could be a transformative eight weeks. The class is tailored to intermediate weavers, those who already have some experience at the loom. As such, it will cover the technical aspects of weaving, but it will also go beyond to focus on weaving as an art. Registration is now open.

 

geometric tapestries woven in red and blue
Three of Mary’s many tapestries: “Counting Cloth #5 – Double Orbit,” “Orange Blue Eclipse,” and “Sun with Shadow.”

 

How can each artist tell a unique story in a unique voice? It’s a question that Mary has been focused on with her pieces for years. As a weaver, she has developed a distinct expression of ideas through the imagery and colors she chooses. “I use color boldly, with a sure hand, creating strong visual statements in fiber. It is my relationship with color, the use of intensely dyed primaries within large planes and fields of color, which distinguishes my work,” she says. One of Mary’s goals for the class is to help each of her students to develop their own woven voice—be it a bright and bold one like Mary’s or one characterized more by softness and subtlety.

As part of her focus on color, Mary will bring in guest instructor Catharine Ellis for part of the class. Catharine, like Mary, has developed a distinct voice in fiber over the years. Hers is distinguished by the use of natural dyes and innovative techniques in woven shibori. Catherine will share her expertise in dyeing with the class, helping to give each student the palette they need to weave their visions into tapestries.

If you are ready to take your weaving to the next level, or if you would like to work with master weavers and dyers, or if you could simply use eight weeks of focus at the loom—join Mary this spring in the textiles studio.

Register now for Artist & Weaver, which will run March 13 – May 6, 2016. Scholarships are available for the course. Scholarship applications are due November 28, 2015.

 

Artist & Weaver

This eight-week textile intensive will provide mentorship with the goal of igniting and focusing studio practice. Our main areas of emphasis are as follows: Developing personal voice at the loom: we’ll build tapestries in series using classic and slit tapestry techniques, surface design, compression and resist applications, stitching, and off-loom embellishments. Color: guest teacher Catharine Ellis will lead us in a dyeing workshop that will help students gain creative fluency with both synthetic and natural dyes. Professional practice: the workshop will include a strategic planning curriculum for artists: goal setting, statements, résumés, PowerPoint, social media, record keeping, promotion, exhibition, and more. Intermediate level: prior weaving experience required. Code S00TB

Studio artist; teaching: Arrowmont (TN), Penland, weaver’s guilds nationwide; recent exhibitions: World Ikat and Shibori Conference (China), Joslyn Art Museum (NE); work in 12 U.S. embassies worldwide.

maryzicafoose.com

ellistextiles.com

 

And, just to get you excited for spring classes to start, here’s a short video of Mary talking about her work as a weaver and an artist:

 

Penland Spring Concentrations, March 13 – May 6, 2016
Books  |  Clay  |  Glass  |  Iron  |  Metals  |  Textiles  |  Wood

 

 

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Drum Leaf Books with Rory Sparks, November 1-7, 2015

Rory working with a student
Rory working with a student during a workshop in the old Penland books studio in 2011.

 

Rory Sparks first learned bookbinding in college, right at the end of her senior year. “[I] realized that I had spent four years studying something that wasn’t my passion; that actually, bookbinding was my passion,” she recalls. “I think it comes from really enjoying craft and precision…It just really spoke to me.” From there, Rory studied in England and sought out traditional binders that she could learn from. Instead of getting a Masters degree, she decided to piece together her own education by traveling and studying with a variety of artists and binders and printers. “I’ve learned from so many different people. I kind of take what’s important to me from each one and build my own philosophy around what I do and how I do it.”

letterpress printed book by Rory Sparks
Rory Sparks, Drum Leaf Binding, letterpress printed paper, 7 x 5-1/2”

Twenty-something years later, Rory’s early passion for books has transformed into a deep well of knowledge, creativity, and enthusiasm for her field. She has spent time at the Minnesota Center for Book Arts and as a resident artist at the Oregon College of Art and Craft. She binds high-end books for collections and museums. She teaches courses and workshops to share her knowledge with students. And she founded Em-Space, a collective book and letterpress studio in Portland, Oregon that builds creative community and provides artists with access to tools like presses, foil stampers, and more.

Given her extensive background and excitement for teaching, we love having Rory here in the Penland studios. In 2013, she joined us as the master printer/bookbinder at the helm of our winter residency in print and letterpress. She came back in the spring of 2014 to lead a concentration that blurred the lines between letterpress and animation. And this November she’ll return to teach bookbinding, her original love. The class will focus on the versatile but exacting drum leaf binding structure, which makes a perfect canvas for the sort of imagery-heavy books that Rory gravitates towards in her own pieces. If you, too, want a new structure to show off your two-dimensional work, or you enjoy craft and precision, or you’d like to absorb knowledge from an expert binderthis week with Rory could be just the ticket. Register here for her drum leaf books class.

 

Drum Leaf Books

Rory Sparks
November 1-7, 2015

Explore the versatility of the drum leaf binding, an ideal format for 2D artists because it provides a page with unbroken imagery and no gutters. Each spread can be a print, painting, or photograph. This structure provides a simple, intuitive way of laying out a book, and it’s perfect for small editions. We’ll include several cover variations and many versions of stiff-leaf bindings and board books. Windows and wells will provide a wealth of opportunities for incorporating artwork and flat objects into these books. Come prepared to invent and push the boundaries of your book forms. All levels. Code F03B

Rory Sparks is a studio artist, edition binder, and printmaker. Her teaching includes the Oregon College of Art and Craft, the Pacific Northwest College of Art (Portland), and the Minnesota Center for Book Arts. She founded Em Space Book Arts Center (OR) and has been in exhibitions at the Tacoma Art Museum (WA) and the Portland Art Museum (OR).

Register here for Drum Leaf Books

 

 

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“A Zeal for the Creative Process”

portrait of Robert Bush

 

Robert Bush came to Penland this summer as a session four student in Jana Harper’s class “The What & the Why: Books as Idea Generators.” The class was part of a one-month sabbatical from his job as president of the Arts & Science Council in Charlotte, North Carolina. As a first-time Penland student, Robert arrived on campus with “a zeal for the creative process” but without much experience in the visual arts.

Writing about his experience later for the ASC blog, Robert reflected:

“I could recount the 12 hour days, ‘one word’ prompts each afternoon that required a book be made for a 10 a.m. group show and critique the next morning, the mistakes I made….let’s just say I now understand ‘make it work’ and I held my own. I totally stepped away from my job and the world (no TV, barely internet) for two weeks, immersed myself in an unfamiliar setting doing unfamiliar things. It was nothing I expected and everything I had hoped for.”

He finished his essay with a list of the giftsboth personal and professionalthat his time at Penland had given him. They’re a valuable reminder of the enriching role art can play in our lives and the importance of “being present and engaged in community.”

See the list and read Robert’s full post here on the ASC blog.