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Planting Time!

A view of the Penland garden from the knoll.

Yes, there’s snow in the forecast for tonight. But no, it’s not too early to start planting the Penland vegetable garden. In fact, thanks to a basement propagation room and the careful planning of Penland gardener Casara Logan, seedlings are already in the soil and sprouting!

Though the Penland garden often goes under the radar, it’s one aspect of our school that touches nearly everyone who sets foot on campus: Penland-grown vegetables go into hundreds of meals at The Pines spring through fall, herbs from the beds flavor drinks in the coffee shop, and the food scraps collected from everyone who dines here get composted and worked back into the rows to enrich the soil. This is no small thing: last year, nearly twenty tons of food waste were redirected into our steaming compost piles.

Some of the first seedlings of the 2018 season. (Photos: Casara Logan)

The Penland garden is a modest 100 ft x 100 ft of soil tucked into the curve of the road below The Pines. It is worked mostly by hand—or, more specifically, by the diligent hands of Casara, Penland WWOOFer Irvin Carsten, core fellow Luke Gnadinger, and a handful of work-study students. What can such a small team do in a small space? We’ll let the numbers speak for themselves: during the 2017 season, the garden produced over 25 varieties of vegetables and herbs, including 7 lbs of mint, 36.5 lbs of radishes, 96.25 lbs of arugula, 100 lbs of broccoli, 245 lbs of lettuce, 580 lbs of kale, and 765 lbs of chard, for a grand total of nearly 1.5 tons of produce!

Irvin and Casara harvesting chard last summer.

The vegetables are tasty, to be sure, but what’s the connection between cultivation and craft? A lot of it comes back to care, to love of process, and to appreciation for material. Like throwing a mug from a lump of clay, growing vegetables takes a commitment of time and attention. There are rows to turn, seedlings to water, weeds to pull, and pests to manage. Doing any of these steps well requires a real focus on the the task at hand and a sensitivity to the sun, the soil, and the rain. We can (and do) buy vegetables, but we believe that—as with a handmade mug—growing them ourselves provides real value to our gardeners, our students, our community, and this little piece of the Blue Ridge Mountains we love. It’s probably no coincidence that, before they were farmers, Casara and Irvin were both artists first.

A harvest waiting to be turned into lunch outside The Pines last summer.

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Announcing Our Newest Resident Artists

We are very happy to announce three new resident artists and welcome them into the Penland family. They will arrive on campus in September to begin their three-year residencies.

Nate Cotterman

“My position in the glass world is to use the material to solve problems and pay homage to the craft tradition. I strive to make work that is intriguing, functional, and timeless while looking for the unique in the mundane.”

Nate Cotterman currently lives with his family in Los Angeles, CA, where he works as a professional gaffer at 141 Penn Studio. A native of Ohio, Nate graduated from the Cleveland Institute of Art with a BFA in glass and has taught and demonstrated across the US at institutions such as the University of Montana, Cleveland Institute of Art, Pittsburgh Glass Center, Pilchuck School of Glass, and Penland. As a glass designer/maker, Nate brings a modern interpretation to glass objects using traditional Venetian glass blowing techniques, challenging low-end production with innovative design and handmade quality. During the residency at Penland, Nate plans to explore larger ideas in both complexity and scale and looks forward to the opportunity to be influenced by and collaborate with “a community of exceptionally skilled and creative people” in a range of media.
natecotterman.com

Jason Hartsoe

“I believe good art has a firm foundation in the work that came before it. It is by building on and blending the influences of historic ceramics and by varying these themes into new translations and experimentations that my work and career will progress.”

Jason grew up in NC in a home full of pots made by his grandfathers and their fathers before them. After receiving a BA in English from Belmont College, in NC, Jason chose to pursue a ceramic education by apprenticing with master potters; he learned on the job as an assistant in England at Winchcombe Pottery, in Virginia with Dan Finnegan, and as an apprentice with Michael Hunt and Naomi Daglish at Bandana Pottery just down the road from Penland. Jason’s work reflects these influences and experiences and has continued to evolve during short residencies in Star, NC; Shigaraki, Japan; and Cortona, Italy. During his residency at Penland, Jason is looking forward to the opportunity to build a wheel in order to explore larger forms, establish his own studio for the first time, develop his voice as a maker, and seek an audience and market for his work.
hartsoepottery.com

Kit Paulson

“[In transitioning from furnace glass to flameworking] I learned that in unfamiliarity with a process or material can lie great freedom and possibility….I want to make meaningful, intentional objects.”

Kit’s interest in glass started in the hot shop and led her to earn a BFA at Alfred University. She followed her degree with years of assisting other glass artists and developing a production line of functional glass. Though her love for the material persisted, she began to feel disillusioned with what she was making. At that time she discovered flameworking and began to shift her process and intention to include time-based work incorporating flameworked glass. With this new direction, Kit made the commitment to earn an MFA at Southern Illinois University-Carbondale, where she will culminate her studies in May. Kit’s most current work uses ornament and intricate, time-intensive constructions as a way to collect and tell stories. During her residency Kit will build a flameworking studio to support her new creative direction as she seeks balance between making meaningful work and supporting her career as an artist.
kitpaulsonglass.com

Our 2018 Resident Artist Program selection process was, as always, thorough, thoughtful, and difficult! There were many outstanding candidates but only three available positions. This year we received 71 applications from across the US and abroad. Our selection committee did an outstanding job reviewing and evaluating applications; they generously offered time, energy, and perspective to the entire project. Thank you to everyone involved in this year’s selection.

We do not anticipate any openings in the Resident Artist Program in 2019; our next application deadline will be January 15, 2020 for artists working in all media except hot glass.

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Penland at VisArts!

work by Susan Feagin, Ellie Richards, Ian Henderson, and Amanda Thatch
Ceramic tray by Susan Feagin, wooden boxes by Ellie Richards, metal hammer by Ian Henderson, indigo sample by Amanda Thatch

Penland’s studio coordinators keep everything ticking in the studios—they communicate with instructors, order supplies, ensure that our spaces are equipped and ready for a wide variety of workshops, and troubleshoot on the fly. They’re an incredible source of knowledge in their areas and a primary point of contact for our students. But outside of their jobs, each coordinator is also a talented artist, and we’re thrilled whenever they get an opportunity to show their work or teach a class.

This spring, we’re excited to have seven Penland studio coordinators heading up to Virginia for a weekend “Penland Takeover” at the wonderful Visual Arts Center of Richmond. Their workshops will run Saturday, May 12 and Sunday, May 13 from 10 AM until 4 PM. If a weekend of learning something new with some of our favorite people sounds like time well spent, then we’d encourage you to sign up! Registration for each of the following workshops is open now.

The Sculptural Box
Ellie Richards, All Levels

Indigo Paste Resist
Amanda Thatch, All Levels

Slip Transfers on Clay
Susan Feagin, Intermediate Level

Exploring Letterpressed Objects
Jay Fox, All Levels

Blacksmithing Spoons + Bottle Openers
Daniel T. Beck, All Levels

Tool-Making for Jewelers
Ian Henderson, Intermediate Level

Printing + Manipulating Cyanotypes
Betsy DeWitt, All Levels

Over the years, so many artists have benefitted from time at both VisArts and Penland. We’re grateful to VisArts for putting together this awesome weekend of programming and for strengthening the connections between our two organizations!