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Sarah Vaughn’s Sculptures Explore Memory and Nostalgia

Checking In, kiln-cast glass with dye oxide and patina application, steel (base, handle, axle), bronze (wheels), 2024

 

Meet Sarah Vaughn, Penland Resident Artist.

Hello! I am Sarah Vaughn. I am in my final year as a Penland resident. It is wild how time warps here. I am just getting settled in, and it is almost time to pack it all up. I primarily utilize glass in my work and am particularly fond of casting. During my residency, I have incorporated slip casting and metal casting into my practice…but glass will forever hold my heart. My time at Penland has been focused on setting up my studio. It is liberating to know that wherever I land after my residency ends, I can continue making my work.

My work tends toward narrative and nostalgia. This year, I am focused on creating two bodies of work:

The first is an ongoing project for the remainder of my time will be working on a large-scale installation of glass stones. This project will have been ten years in the making when it is installed at the Blowing Rock Art and History Museum in February 2025. The installation will comprise over 5000 glass boulders, stones, and pebbles.

Work in progress for an upcoming installation at Blowing Rock Art and History Museum, blown, sculpted, and flameworked glass.
Detail of work in progress for installation at Blowing Rock Art and History Museum, blown, sculpted and flameworked glass
Weather-worn Balance Studies, blown and assembled glass, 2023

Second, in between making boxes of glass rocks, I am also continuing my figurative-based sculpture work. This work draws on recollections of moments that play over and over in my head, often warping into distorted versions of the events.

Please enjoy these images of Sarah’s moving figurative work.

 

Untitled at the moment… still stewing on this one, kiln-cast glass with dye oxide and patina application, 2023

 

Memory of a Conversation | Conversation with a Memory, kiln-cast glass with patina application, 2017

 

Possibilities, kiln-cast glass with dye oxide and patina application, 2023

 

 

Scattered Thoughts, kiln-cast glass with dye oxide and patina application, flame-worked glass, 2021
Stillness, cast  glass, bronze, copper, brass, 2023

 

 

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Kimberly Thomas’s Flamework Combines Realism and Fantasy

Meet Kimberly Thomas, Penland Resident Artist.

Hey! I’m Kimberly Thomas. I’ve just started my residency at Penland!

Over the next 3 years I plan to invent new contraptions, stack miniature piles of trash, and create on an entirely different scale. Swing by The Barns to see me and my work in person or check in on IG for updates on what’s happening in the studio!

Applications for the Penland Resident Artist program are open through July 2.

Please enjoy a selection of Kimberly’s finished works:

Cloud Riding Contraption #3, flameworked borosilicate glass, steel, wood, mixed media, 2022

Cloud Riding Contraption #3, detail

The Grassy Knoll, flameworked borosilicate glass, steel, wood, grout, mixed media, 2022

The Grassy Knoll, detail

The Deeper You Go, The Darker it Gets, flameworked borosilicate glass, steel, wood, grout, mixed media, 2023

The Deeper You Go, The Darker it Gets, detail

Maiden Voyage, flameworked borosilicate glass, steel, wood, grout, mixed media, 2023

Maiden Voyage, detail

No Fishing, flameworked borosilicate glass, wood, grout, mixed media, 2022

No Fishing, detail

Regulatory, Warning, and Guide Signs, flameworked borosilicate glass, steel, wood, grout, mixed media, 2022

Regulatory, Warning, and Guide Signs, detail

Discover more of Kim’s work HERE.

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Annika Pettersson Reinterprets Traditional Jewelry

Meet Annika Pettersson, Penland Resident Artist.

Hello, I’m Annika Pettersson!

I’m currently a one-year residence at Penland School of Craft, together with my lovely partner Adam Grinovich

I work predominantly in the jewelry field. As a jeweler, I am fascinated with value and authenticity and how these concepts are instilled in intimate objects. I am fascinated by how pieces of jewelry, and the way they are worn, tell stories about our time. 

While at Penland, I plan to deepen my personal artistic practice and focus on collaborations with other craft practitioners.

I am originally from Sweden, and I wanted to connect to the American craft field, and Penland is perfect for this since so many incredible makers pass through in a year.

This residency is coming at a good time for me since I just stopped teaching and wanted to have time to focus and develop my artistic practice.

If you want to know more about my work and my collaborations, come by The Barns studios or check out my Instagram.

Applications for the Penland Resident Artist program are open through July 2.

Please enjoy a small selection of images showing Annika’s work and process:

Gold rings

Rose ring

Carat ring

 


Remember the beach, brooch

Recall blue, white and beige, brooch

Bird, brooch

Necklace, silver, tourmaline, morganite

Studio workbench

Studio workbench

Discover more of Annika’s work HERE.