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Pick & mix: Heather Mae Erickson in the Penland Gallery

Now open until October 26 in the Penland Gallery is a new Focus exhibition: Heather Mae Erickson: Pick Mix / All Sorts Collection 2014. “Pick mix” plays into the language and experience of the candy shop where customers have an array of confectionary colors, shapes, surfaces, and possibilities at their finger tips.

 

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White/Yellow Cupcake Cup, slip cast porcelain with underglazes, mason stains, and glaze, 2.5 x 2.5 x 2.5 in.

 

 

The candy names that I remember are inspiration enough
to conjure interesting forms and surfaces: Spogs, Strawberry Pencils,
Gobstoppers, Black Jacks, Sour Dummies, Flying Saucers, Fried Eggs,
Jazzles. Just as in the bins and bags at the candy store, I am mixing the
multiple types of objects and allowing users to create
their own sets and compositions. Ultimately the user gets to decide if a
dot is as interesting as a pin stripe or a heart or a bunny or a star.

To touch upon process, the use of multiple types of clays, firing methods, and surface decoration application lend to more variety of candy-coated objects. I use hand-cut or die-cut paper resists on greenware, sponging on greenware and bisqueware, stickers for the outlines of shapes on bisqueware, and different widths of vinyl tapes on greenware.I am pleased when one thinks something looks perfect at a distance but when viewed up close they see variation in a dot or a pattern. Underglazes and mason stains in glazes and casting slip give most of the color in the patterned or solid color work.–Heather Mae Erickson

 

 

All works included in Heather Mae Erickson: Pick Mix / All Sorts Collection 2014 are available for purchase online at the Penland Gallery.

 

Blue Dot L Dish, slip cast porcelain with underglazes, mason stains, and glaze, 1 x 5 x 7 in.
Blue Dot L Dish, slip cast porcelain with underglazes, mason stains, and glaze, 1 x 5 x 7 in.

 

Erickson1-WPHeather Mae Erickson is an artist, craftsperson, and designer. She is currently Assistant Professor of Ceramics and Studio Art at Western Carolina University in Cullowee, North Carolina. Heather has held residencies from the Archie Bray Foundation and The Clay Studio (PA), and in 2004 received a Fulbright fellowship to conduct independent research at Aalto University in Helsinki, Finland. She has earned numerous awards, including first place for the Horizon Award presented by the Museum of Art and Design in New York and honorable mentions at the Korea Biennale International 2007 & 2009 Exhibitions.

 

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Snapshots from a Penland tour

It's important to stay hydrated on a Penland tour. After stopping at the Penland coffee shop, we head up to the Drawing & Painting studio, where instructor Michael Dixon's students are working on self portraits.
Mikaela Darnell draws herself with her left hand. All the students in this workshop are drawing themselves with their non-dominant hand as a morning exercise.
Next door, in the Books studio, studio assistant Cheryl Prose pops out to show us the vats, fibers, and watery containers used in Eastern papermaking.
Check out the goo! (We check out the full spread of beautiful hardware and materials too.)
On the porch of the glass studio, our intrepid Penland tour guide, Val Schnaufer, prepares us for the awesomeness that is the hot shop.
Behold the awesomeness.
At this point, the other members of this tour (student-artists from Carolina Friends School in Durham, NC) are growing weary of my camera. And rightly so. But look! Instructor Katie Hudnall stops to talk with us about how her students are working intuitively with wood.
From the Wood studio we walk to Photography (where we disappear in the darkroom) and then over to Print, where instructor Kristin Martinic dazzles us with her work--prints inspired by swimming and swimming pools.
She is fun.
We peek into the Penland clay studios. Out back, Joe Pintz demonstrates a mold-making technique to his class, which we only catch a glimpse of because DEMOS ARE SACRED and Penland tours totally respect this.
Meanwhile, we climb the wood steps of Lily Loom House to visit Nick DeFord's embroidery-on-paper workshop. The students stitch and chat about local thrift shops, a potential Asheville trip, and how to find Black Mountain College.
Their table is a mountain of inspiration.
 It's hard to end a Penland tour. Thank you to our wonderful guide Val, the Penland Gallery staff, Amelia Shull, and the young artists from Carolina Friends School for visiting and letting us tag along.

 

Interested in taking a Penland tour? Tours are free and start at the Penland Gallery and Visitors Center every Wednesday, March through early December, 1:30 PM. Reservations are required. Please call the gallery at (828) 765-6211 to schedule a tour.

 

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Joseph Pintz: Ceramics | May 23 – June 22, 2014

Joseph Pintz: Ceramics opens today at the Penland Gallery. “Stubborn physicality” is a phrase Pintz uses to describe his tableware. Recently, his surfaces have brought elements of the ethereal to this physicality, evoking arid skies and desert colors.

 

 

 

In an age of ever-increasing speed, the dinner table is the perfect place to savor – to spend time, to share food and vessels made with integrity and purpose. I sincerely hope that such sustenance allows us to develop a deeper relationship to making and to each other. —Joseph Pintz

 

 

All works included in Joseph Pintz: Ceramics are viewable and available for purchase online at the Penland Gallery.

 


 
 

Joseph Pintz’s functional and sculptural ceramic work explores the role that domestic objects play in fulfilling our physical and emotional needs. Inspired by his Midwestern roots, Pintz creates mundane forms based on utilitarian vessels and other implements associated with the hand. In the process, the dense meaning of these objects is transferred into clay. Pintz earned his BA in anthropology and urban studies at Northwestern University.  After receiving his MFA from the University of Nebraska-Lincoln, he was a resident artist at the Archie Bray Foundation. He has received the NCECA Emerging Artist Award as well as the Individual Excellence Award from the Ohio Arts Council. He is  on research leave from the University of Missouri while working at the Roswell Artist-in-Residence program. He is teaching a handbuilding workshop in the Penland clay studio, May 25-June 6.