Here it is, the summer 2018 workshop catalog!We’re thrilled to share our lineup with you in anticipation of another summer packed with creativity, energy, new friendships, and new ideas. We’re offering 102 unique workshops led by 116 talented artist/instructors, including favorites like encaustic painting and steel sculpture and special classes like brushmaking and skin-on-frame canoe building. Most workshops are open to serious students of all levels (beginners included!), and all give you access to the slide nights, dance parties, movement classes, scholarship auctions, and more that make a Penland session so special.
This year, summer registration will open to all students on January 8 at 9 AM EST on a first-come, first-served basis; we will not be using a lottery system. Applications may be submitted online, by fax, by post, or in person.
Scholarships are available for every summer workshop, including full, partial, and work-study scholarships. Spaces will be held in each workshop for scholarship students. Scholarship applications are due by 11:59 PM EST on February 17.
We hope you find a few minutes over the holidays to pour over the Penland catalog and find the perfect workshop for you, wherever you are in your creative journey. Look out for full course descriptions on the website by the end of December, with printed catalogs to follow in early January.
We’re thrilled to present the Summer 2017 workshop catalog! It includes information about our ninety-seven unique summer workshops, including favorites like wood-fired pottery and letterpress and special offerings like bicycle building and leather inlay. Some workshops are for beginners, some are aimed at intermediate and advanced artists, most are open to students of all levels, and each is taught by knowledgeable artist-instructors. The front and back covers capture the range of our broad Penland community in a series of Penland portraits by resident artist Mercedes Jelinek. Read more about her photographs and all of this summer’s great offerings right here in the catalog.
Registration for summer workshops is open now, and everyone who registers by 5 PM on February 11 will be entered into the early registration lottery. Scholarships are available for all workshops. Apply for scholarships by February 17.
We are currently working on uploading full course information to our website. Look for it online by the end of December, with printed catalogs to follow in early January.
It can be a bit mind-boggling how much information we communicate digitally these days, from online news outlets and blogs to the social media profiles that announce the engagements of friends, the arrival of new babies, or simply what we had for dinner last night. When done right, social media can be a powerful tool for connection, for communicating a message, for sharing ideas and triggering inspiration. But it’s not the only way we can accomplish these goals.
For a week this fall, social media will go analogue with Bryce McCloud of Nasheville’s letterpress/public art studio Isle of Printing. As Bryce elaborates in his course description, “This workshop will tap into the power of printmaking as a handmade social medium. Working with relief printing’s ability to create multiple images, our mission will be to find novel ways to work together and interact with a community.”
To really understand what this week will be about, it helps to have glimpsed some of the pieces that Bryce and his team have put together. Take, for example, his yearlong Our Town public portraiture project, which encouraged thousands of Nashville residents to create self portraits using stamps. In exchange for their finished portraits, each person got to take home a letterpress print of someone else’s portrait. “We want people to look at this as a conversation that they’re having with each other, not through words, but through pictures,” Bryce explains. “A big part of this project was to get people to actively look and actively be engaged with the world.”
The Our Town project didn’t stop there, either. Instead, Bryce and his co-conspirators turned the project into a large-scale demonstration of the creative process and how a team—or a city—can come together to create. They constructed giant stamps and used them piece by piece to print enormous portraits in public spaces like the downtown library and Nashville’s Riverfront Park (image above).
Another recent project was the Can Wall at Pinewood Social, a popular Nashville restaurant/bowling alley/hangout spot. “The mural is made of thousands of quart cans which can be viewed up close as products or far away as pixels in a larger design,” Bryce explains. Every month, the cans get rearranged into a new image or pattern. “We wanted the world to be an active participant in the project AND we wanted the art to feel alive,” he says. “Change is inevitable and that is the point.”
Or, there’s the “optically/digitally enhanced” letterpress mural adorning the main wall of Nashville’s Barista Parlor. It’s an image of a sailing ship made up of individually-printed square letterpress plates, but Bryce says it’s also a reflection of how we see the world around us today: “beginning with a real ship painted by an artist which was photographed and turned into a picture on a computer which I reengineered as a plate on a press to assemble onto a wall in my city for people to see in person which they then share on the internet for others to see. Here to there and back again.”
The human interaction and the call for engagement is central in each of these projects and, in fact, to all of Bryce’s art projects at Isle of Printing. As he explains to visitors on his website, “We specialize in making the unusual happen and thrive on giving novelty a place at or above the mundane… We truly believe in the power of public art and positive thought.”
We certainly can’t tell you what a week of Analogue Social Media at Penland this fall will look like, but we’re pretty sure what it will feel like: teamwork, exploration, experimentation, and lots of good vibes. The workshop runs November 6-12, 2016. Register now.
Analogue Social Media
Bryce McCloud —This workshop will tap into the power of printmaking as a handmade social medium. Working with relief printing’s ability to create multiple images, our mission will be to find novel ways to work together and interact with a community. Like playful scientists we’ll create socially-driven printmaking experiments, imagine ways to involve people outside of our studio, and then use the community at Penland as our testing ground. We’ll brainstorm and refine ideas that may be realized during the session or at other times and places. We’ll cover relief printmaking skills and discuss other tactics for engaging the public with your work when you head home. Printmaking or letterpress experience will be helpful, but this workshop is open to all levels. Code F03L
Studio/public artist, founder of Isle of Printing, a letterpress and fabrication shop (Nashville); teaching: Watkins College of Art (TN), Brighton College of Art (UK); public art: Our Town Nashville (TN), Pinewood Social (TN), Invasion UK (Brighton, UK), South by Southwest (TX).
The job of a Penland studio coordinator is a many-faceted one. Our eight coordinators order materials and keep studios clean and equipment running smoothly. They manage budgets and large inventories of supplies. They work with our programming office to plan upcoming workshops, and instructors to provide for specific classes, and individual students to solve problems on the fly. It’s a demanding and unpredictable job, which makes it all the more impressive that these eight individuals are also working artists in their own right. We are thrilled and proud that they have come together to put on a group show of their work at the Asheville Area Arts Council. Appropriately, the exhibition is called Off the Clock.
As curator and Penland friend Elaine Bleakney writes:
OFF THE CLOCK features eight artists, all full-time studio coordinators at Penland School of Crafts in Penland, NC. The work on view here was made in the off-hours by friends and colleagues who see each other daily and exchange interests, affection, knowledge, and regard for each other.
This is not a group show in the traditional sense. These artists are not strangers, and the works are not estranged from each other, despite their singular presences. Rather, looking from artist to artist, the viewer might pick up a magical sense that the works were made on the same set of evenings, in studios closeby. One of these artists might have looked up from her work and gazed out the cool, green window. She might have seen one of the other artists riding by on a bike, and waved.
Off the Clock will be on view at the Refinery Creator Space at 207 Coxe Ave in Asheville through September 16, 2016. It features the work of Daniel T. Beck (iron/sculpture), Betsy DeWitt (photography), Susan Feagin (ceramics), Jay Fox (print), Nick Fruin (glass), Ian Henderson (metals), Ellie Richards (wood/sculpture), and Amanda Thatch (drawing/textiles).
There will be a reception for the show on Friday, September 2 from 5 PM to 8 PM, and the artists will present a public talk on Saturday, September 3 from 4 PM to 6 PM. More information about both events is available on the exhibition’s Facebook event page.
Summers at Penland can be seasons of frenetic energy, while winters here have a more independent, reflective mood. Between them, springs and falls are seasons of sustained inquiry, exploration, and growth. The 8-week concentrations that take place during these times combine the length of a college term with the intensity of fully-immersive workshop education. For artists looking to make great strides in their work or dive deeply into new techniques, Penland concentrations are an unmatched opportunity. The application deadline for fall scholarships is August 1, 2016.
Birdie Boone and Matt Repsher will lead students in their “pot-centric” workshop to develop wheelthrown and handbuilt pieces with stronger connections between form and surface.
In “The Cane Ladder,” Claire Kelly and her students will dive deep into glassblowing techniques, covering cane and murrine as well as sculpting, hot and cold assemblies, and cold work.
Blacksmith Jay Burnham-Kidwell will take students through eight weeks of fire and iron: forging, bending, splitting, punching, welding, finishing, and more.
In Kristina Glick’s workshop “Counterbalance: Enameling, Electroforming & Found Objects,” students will use liquid enamels on metal to produce finished pieces of jewelry, wall panels, and other exquisite objects.
Georgia Deal will lead her students in an exciting mix of monoprinting and hand papermaking to develop layered prints and rich visual vocabularies.
Recent resident artist Rachel Meginnes will teach “The Thread Between,” a workshop focused on textiles and artistic development that will include weaving and surface exercises as well as readings, writing, and group discussions.
In “Books, Relics, Curiosities,” Daniel Essig will lead students in an exploration of wood and bookbinding techniques to create book-based sculptures.
Each of our fall concentrations are open to students of all levels, and scholarships are available for every concentration. The deadline to apply for a fall concentration scholarship is August 1, 2016. Read more about Penland’s scholarship program, and then apply online through Penland’s slideroom site.
Join us for eight weeks of creative energy and artistic growth this fall!
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Between seven concentrations and nine 1-week workshops, we’ve had a busy spring at Penland. It’s been exciting to see the progress that long classes make, whether it’s transforming straight beams into a fully-realized timber frame structure or collecting plant material to make into paper to make into books. Scroll through the photos above to get a glimpse of the colorful, experimental, detailed, thoughtful, beautiful things underway in the studios. And, if you’re in the area, please join us on May 5th at 8pm to celebrate the end of the session at the scholarship auction in Northlight!
The following blog post is a photo slideshow. We recommend viewing it in an Internet browser.
This year’s Penland Community Open House was another big success! Over 700 people from the Penland community came up to try their hand at a new craft. Artists young and old alike were busy forging in the iron studio, flameworking beads in the glass shop, making colorful portraits in the photo studio, creating wooden whistles, and lots more. We’re grateful to all volunteers for helping us to share this fun day with our community, and to all the visitors who join us with such enthusiasm.