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Featured Auction Artist: James Henkel

James Henkel first came to Penland in 1971 with a scholarship that, he says, made him “a photography student and a proud dishwasher.” Since then he has served as studio assistant, core student, resident artist, faculty, and neighbor. At Penland he met Debra Frasier, his wife of 37 years. In 1991 they bought a small cabin near the school where they began spending summers. And their daughter, Calla, now an artist working in Berlin, was a founding member of Penland Kid’s Camp. “That one act of generosity— a Penland scholarship in 1971—has nourished me artistically for fifty years,” Jim said.

“My work begins with finding and collecting objects. These curiosities are then used to generate pictures that touch on the relationship between our ideas about beauty, function, and the meaning of objects in our lives. With the choice of an object for a photograph, I am leaning into a sense of shared familiarity with the viewer, but changing the perspective by introducing the unexpected within the frame.”

Jim is professor emeritus at University of Minnesota and a long-time Penland instructor. He now lives between Asheville and his Penland house/studio.

Learn more about Jim and his work in the short video above.

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Clarence Morgan: Outstanding Artist Educator

As part of the 2021 Penland Benefit Auction, we will honor Clarence Morgan as this year’s Penland School of Craft Outstanding Artist Educator. Clarence’s fifty-year career as an artist has encompassed drawing, painting, printmaking, writing, and curatorial projects. His many works are rigorous explorations of line, color, pattern, and form that he describes as, “situated somewhere between figuration and abstraction.”

His work has appeared in over 200 one-person and group exhibitions nationally and internationally and can be found in the permanent collections of the Cleveland Museum of Art, the Walker Art Center in Minneapolis, and the Minneapolis Institute of Art among others. He has received grants and fellowships from the McKnight Foundation, the Jerome Foundation, the Bush Foundation, Art Matters, Inc., the Minnesota State Arts Board, and a Southern Arts Federation/NEA Artist Fellowship.

Along with his extensive activity as an artist, he has been a teacher of art continuously since 1978, first at East Carolina University and then at the University of Minnesota where he chaired the art department for six years and is currently head of drawing and painting. He taught his first Penland workshop in 1989, and he has taught here a total of nine times, most recently in 2014. At Penland, he was invariably accompanied by his wife of 40 years, the artist Arlene Burke-Morgan (1950–2017), who seemed capable of making friends with everyone on campus.

“The best definition of a teacher” he said in a recent interview, “is not someone who puts information into an individual, but someone that has the capacity to draw the best out of someone. What is really good about them is already in them. A good teacher just brings that out. . . . If there’s a little spark, my job is to fan the spark, to turn it into a big flame, so they can get excited on their own.”

Please watch the video above to learn more about Clarence’s art work and teaching.

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Photo of the Week: Screenprinters

Student screenprinting in the Penland print studio

On the busy last day of Session Six, core fellow SaraBeth Post (left), instructor Asuka Ohsawa (assisting SaraBeth), student Victoria Cable (right), and their fellow workshop participants were all working like mad before their afternoon studio cleanup. We approve of running out the clock!