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Spotlight on Summer

Temperatures are warming, the knoll is very green once more, and summer workshops are on the horizon. There are still dozens of offerings across our studios with available space, including a few session 1 workshops. Why not start your summer off with a concentrated dose of creative energy and inspiration? Registration is open now, and a handful of workshops even have work-study scholarships available!

 

Two figurative sculptures in glass

Sculptures by Ross Richmond. Left: “Peacock,” glass, gold leaf, steel, 14 x 8 x 5 inches. Right: “Untitled,” glass, wood, steel, 22.5 x 8 x 9 inches.

 

Hot Glass Sculpting

Ross Richmond, May 28 – June 9, 2017

This workshop will be an exciting opportunity for intermediate and advanced glass artists to explore glass as a sculptural material. Students will learn torch techniques that will enable a greater level of detail in hot-sculpted forms and will use sketches and drawings to help visualize finished pieces.

Instructor Ross Richmond has been working with glass for over twenty-five years and is known for his involved narrative pieces. Many of his figures measure a full two feet tall, yet they project a serenity and ease that is hard to reconcile with the fast, hot work of the glass studio. The Corning Museum describes him as “one of the top glass sculptors in the field today.” UrbanGlass.org praised his astounding technical skill, saying, “The realization that these forms were hot-sculpted and not mold-blown, or cast into a carefully prepared mold, is to appreciate the skills that went into them.”

For any glassblowers looking to take their work to the next level of detail and expression, this workshop is the perfect opportunity for focused practice, skill building, and expert instruction. Read the full course description.

 

letterpress printed greeting cards

A selection of greeting cards by Lynda Sherman’s Bremelo Press.

 

Letterpress: Text Is Image

Lynda Sherman, May 28 – June 9, 2017

Letterpress newbies and experts alike will get the chance to play with words on the press and on paper in Lynda Sherman’s workshop. The class will focus on hand-setting type and the power and potential of the alphabet as a visual language. Students will be encouraged to experiment and to adapt their designs on the go to explore printing as analog communication.

“To know the history of analog printing is to keep the global continuum of collaboration and friendship uninterrupted,” Lynda explains. “Analog is the gift of our past, and by practicing in the present, it is the promise to the future. Where we go, we go together. Analog doesn’t leave anyone behind.”

If the smell of paper and ink and the turning arm of a Vandercook press appeal to you, then Lynda’s class might be a perfect fit. Read the course description herethere are even a couple work-study scholarships still available for this workshop!

 

wall hung cabinet with tambour doors

Reuben Foat, “Snake Cabinet,” ash, wenge, paint, 15 x 44 x 21 inches.

 

Tantalizing Tambour Doors

Reuben Foat, May 28 – June 9, 2017

Students who have already gotten their feet wet in the wood studio will get the chance to take their work further in this workshop with Reuben Foat. Geared towards intermediate and advanced woodworkers, this class will explore tambour doors and the sinuous movement they can introduce into a material that is more often rigid and static. The two weeks will cover design, solid-wood joinery, and efficient studio practices and will culminate in the construction of an original wall-hung cabinet that incorporates a tambour door.

Reuben is an experienced teacher and an accomplished woodworker who often uses the tambour door format in his own furniture and sculpture. It’s one thing to see still images of his work, but it’s another to see the pieces as they move. We highly recommend taking a look at these short videos of his pieces in action!

Registration for Tantilizing Tambour Doors is currently open to experienced woodworkers, and a couple work-study scholarships are still available on a first-come, first-served basis. Read the full course description here.

 

For a complete list of all summer 2017 workshops with available space, see our open workshop list.

 

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Photo of the Week: Iron Pour!

Everybody loves an iron pour, because you’ve got flames, molten metal, face shields, leather suits, and a cheering crowd. Really, what more could you ask for?

 

The spring iron workshop, taught by Remy Louis Hanemann, has spent the last three weeks building a cupola furnace and all the tools needed for casting metal. This was the first test. It went well. (And it looked good, too.)

 

 

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Clay Goes Big

Nick Schwartz torching the top of a coil-built pot

The spring clay concentration has been busy preparing pieces for their first firing, and they haven’t been holding back on the scale or the drama. Here, instructor Nick Schwartz uses a torch to stiffen the most recent layer of clay on a sizeable pot he’s building. Below, two more large pots look on. They were collaborations between Nick and local potter Courtney Martin, whose signature geometric resist patterns you can see painted on both pieces.

And here, a fun and gratuitous flame close-up, just because:

closeup of a torch and wet clay pot

 

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Summer 2017 Workshop Catalog

Penland summer 2017 catalog cover with portraits of Penland students, instructors, staff, etc

We’re thrilled to present the Summer 2017 workshop catalog! It includes information about our ninety-seven unique summer workshops, including favorites like wood-fired pottery and letterpress and special offerings like bicycle building and leather inlay. Some workshops are for beginners, some are aimed at intermediate and advanced artists, most are open to students of all levels, and each is taught by knowledgeable artist-instructors. The front and back covers capture the range of our broad Penland community in a series of Penland portraits by resident artist Mercedes Jelinek. Read more about her photographs and all of this summer’s great offerings right here in the catalog.

 

Registration for summer workshops is open now, and everyone who registers by 5 PM on February 11 will be entered into the early registration lottery. Scholarships are available for all workshops. Apply for scholarships by February 17.

 

We are currently working on uploading full course information to our website. Look for it online by the end of December, with printed catalogs to follow in early January.

 

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Spring Concentrations and Scholarships

Fall workshops may have just ended, but it won’t be too long before concentrations are back in session for Spring 2017! We have a great lineup of artist-instructors coming to Penland to teach everything from casting iron and glass to atmospheric firing techniques for clay during Penland’s unique 8-week workshop format. Scholarships are available for all concentrations. Scholarship applications are due November 28, 2016.

Below is a preview of what’s in store this March 12-May 5, 2017. For complete course descriptions, see the Spring Concentration page.

 

instructor work

Instructor work from left to right: Nick Schwartz (clay), Remy Louis Hanemann (iron), Anne Covell (letterpress), Dean Allison (glass).

 

Clay
Nick Schwartz will lead students in an exploration of “Painting with Fire,” including wood and gas firings and the possibilities of salt and soda in the kiln. John Dix will join as guest instructor for two weeks.

Glass
Penland resident artist Dean Allison will share his expertise in glass casting and mold making. Students will gain new abilities to work with glass in a range of ways to express their artistic visions.

Iron
Remy Louis Hanemann will guide students through the process of building a complete iron foundry at Penland. As they go, students will learn skills such as plasma cutting and welding, making two-part molds, and, finally, conducting an iron pour.

Letterpress & Books
In her workshop “Image as Narrative,” Anne Covell’s students will first explore alternative printing techniques to create images and then bind them into traditional and sculptural books.

Metals
David Jones will give his students a wide-ranging education in metal fabrication for jewelry or small sculpture. Students will learn techniques from sawing, soldering, and stamping to forging and forming.

Textiles
In “Weaving: A Dialogue,” Tommye McClure Scanlin and Bhakti Ziek will share their expertise in tapestry and jacquard weaving as students create images on the loom.

Wood
Jack Mauch will lead students in an in-depth exploration of woodworking techniques for furniture and sculpture with an emphasis on shape and going beyond rectilinear forms.

 

instructor work

Instructor work from left to right: David Jones (metals), Tommye McClure Scanlin (weaving), Bhakti Ziek (weaving), Jack Mauch (wood).

 

Each of our spring concentrations are open to students of all levels. Enrollment is open now, and the deadline to apply for a scholarship is November 28, 2016. Read more about Penland’s scholarship program, and then apply online through Penland’s slideroom site.

 

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Melissa Draws

artist melissa stern in the Penland drawing and painting studio

Instructor Melissa Stern working in the Penland drawing and painting studio during her one-week workshop titled Every Picture Tells a Story: Drawing, Collage, and Storytelling.

 

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Photo(s) of the Week: The Thread Between

jessica-stitching

On a crisp and sunny afternoon, there may be nowhere on campus that gets better light than the weaving studio in Lily Loom. This fall, it is home to Rachel Meginnes’s concentration The Thread Between. Students in the workshop are learning to deepen their studio practices and develop a serious body of work through exercises with textiles, readings, writing assignments, discussions, presentations, and individual consultations. Here, studio assistant Jessica Green works on a cross stitch sample (above), and instructor Rachel Meginnes talks with studio assistant Marie Fornaro about her sewn paper samples (below).

 

rachel-and-marie

 

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