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Summer 2015 Workshops

catalogcover

Our Summer 2015 workshop descriptions are now online so that you can begin to plot Penland into your summer. Search by session or studio. If you are planning on applying, the summer lottery deadline is February 11.

Scholarship applications are processed differently, and this year we’ve moved to an online process, so please take a look at the new guidelines. Scholarship applications are due February 17.

The print catalogue, featuring an image by Robin Dreyer of letterpressed leaves made by former core fellow Beth Schaible (see above), will be available in the coming weeks.

 
 

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Photo of the Week: Tiny Shiny Sale

tinyshiny

Aran Galligan’s fall metals class hosted an open house and sale on Thursday afternoon. For a few hours, the Tiny Shiny Sale turned the upper metals studio into a delightful jewelry store, and everyone was delighted.

 

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Photo of the Week: Unintentional Installation

materials in natural dye class at Penland School

Mixed media in Donna Brown’s natural dye class.

 

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Dance of the Blue Neo Glass

How it begins: a sketch on the studio floor, a plan to make this vessel in two parts.
Brian Corr and assistant Suzie Ririe shaping the body.
Assistant Nick Fruin and Pierre Bowring making the elongated stem of the vessel.
Like a pas de deux, with fire.
Bob Lamontagne with camera prepares to photograph from strange vantages.
Ready for the join. Behind Brian is Izach Hyde.
The pas de quatre in white tee shirts.
More fire, please.
Shaping the top.
Perfection is not just about control. It's also about letting go.--Black Swan.
Yes, we quoted the movie Black Swan in the last slide.
Finale: almost.
And then off to the annealer. Bravo to all.

 

There’s a ballet school in my neighborhood. When the sun hits the glass a certain way, the front window of the studio dims from where I view it from my car, and all I see are legs and feet, sweeping and stuttering together. Walking into the glass studio yesterday I was reminded of the feeling: catching sight of a group of bodies acting and reacting to each other as part of a plan. Students in Brian Corr’s concentration workshop moved in slow and quickening formations: standing, starting, leaning, kneeling, turning, crossing, holding and dropping and wiping off singed tools. Not a fluid dance (is there such a thing?) but a strategic and elliptical choreography as mesmerizing to me as any big-time production of Swan Lake. As Frank Sinatra played in the background, Brian’s students scuffed and stepped, keeping the object–a large, blue vessel composed of two parts to be joined–alive on the punties. Above are some shots of the moment.–Elaine Bleakney

 
 

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Video: Jon Brooks

Our last video from our summer series of video portraits made by Wes Stitt features Penland instructor Jon Brooks, who taught a workshop called Convergence: Forest Meets Muse in our wood studio this past June.

To revisit the entire series of Wes’s videos, please visit Penland Stories.

 
 

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Photo of the Week: Pin Registration!

pinregistration

Printmaking instructor Amanda Lee demonstrating the wonders of the pin registration system. Yeah, that sounds kind of unexciting — unless you are planning to make multicolor prints and you’d like things to line up really well, in which case you’d be as enthralled as Amanda’s students.

 

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Don’t Fear the Warp


weaving

 

Beth Ross Johnson returns to Penland to teach a one-week workshop this November called Weaving: The First Layer. The workshop is designed for beginners as well as experienced weavers “who dread the warping process.” Students will learn to warp “with multiple threads, to beam on without tangles, and other tricks of the trade” to “establish a foundation for fabrics that will go where we want them to go.”

Interested? You may also want to check out this illuminating blog post by Hollie Pocsai, who took the photographs above. Hollie was a student in Tali Weinberg’s summer weaving class at Penland. She writes: “I was expecting to be amongst the youngest in the class, but to my surprise I was on the older end of the scale in our class made up of twelve women. And some really extraordinary woman at that.” Hollie writes about the work, magic, and one strange nightmare that happened during her stay–a well-rounded post-game view of a Penland weaving class.

To learn more about Beth Ross Johnson’s workshop (November 2-8, 2014), click here. If you live nearby, don’t forget to check our standby policy if you’re thinking of enrolling.

 

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