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Rob Levin’s public sculpture on USA Projects

Artist Rob LevinPenland instructor and former resident artist Rob Levin has received a commission from the Toe River Valley Trail Project to create a monumental work of public sculpture for the town square in Burnsville, NC. Unfortunately, there is no public funding available for the project, so Rob has been using the US Artists Projects micro-philanthropy site to raise money to complete the sculpture.

The piece will be made of local locust wood and river stone:

It is important to me that the materials for this project will come from right here in our area, reflecting the ruggedness of these mountains.  I plan to use some wood that I’ve been storing for several years – it is lovely figured locust wood, and I’ve been waiting for just the right project to use it on.  The stone will be large river rocks, which we have in abundance.  Part of the challenge will be to find just the right ones!  For me, these materials carry their own resonance, and “speak for themselves.”

And will evoke the form of an arch or bridge:

I have made many mixed-media pieces in the past using the theme of a “Bridge”, which I think of as a metaphor for the process of making art.  Art serves as a bridge between the invisible and visible, the bridge between an idea and its final form. The process of bridging that gap is the work we do with our hands and our hearts.  It also symbolizes the transformation that takes place within the person who is making the work… we always end up in a different place than where we began. The intent of this piece is to provide a sense of transition while combining internal tension with balance, gesture, and a sense of uplift.

As with all USA projects, Rob must meet his fundraising goal by a self-imposed deadline – March 17 – in order to receive any of the monies pledged. If you’d like to read Rob’s proposal, watch his video, and perhaps consider supporting his project, click here to visit his United States Artists project site.

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Hail to the Chief

Dawn Barrett, Penland Trustee and President of MassArt

We’re excited for Penland trustee Dawn Barrett, who’s been selected as the next president of the Massachusetts College of Art and Design. She’s currently Dean of the Architecture and Design Division at Rhode Island School of Design in Providence, and is active in the National Association of Schools of Art and Design (NASAD) and the American Landscape Association Accreditation Board (LAAB).

Art Daily online has done a lovely profile of Ms. Barrett and article about the selection process.

You can read the full text of it here.

Congratulations! We expect to see 2-week classes and bacon for breakfast at MassArt in the near future. Among other great things.

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Dustin Farnsworth: January Letterpress Resident

Dustin at work on the press, proofing a print.

January print resident Dustin Farnsworth is having a pretty good year. He earned his BFA in woodworking and functional art, with a minor in printmaking, from Kendall College of Art and Design in May, and won a Windgate Fellowship, which he’s using to move to Asheville and work for three or more established makers in wood and steel over the course of a year – the grant money pays his way while he gives his labor to the artists. So far, the established makers he’s assisted have been Stoney Lamar, for whom he fabricated steel components in preparation for a lifetime achievement award show at SOFA, and Brent Skidmore, for whom he built 13 mirrors. In the spring, he’ll be working on large-scale furniture pieces with Sylvie Rosenthal.

To feed the print-centered side of his artistic life alongside all of this three-dimensional work, he’s also made time this year for a short printmaking residency at Kendall (in Grand Rapids, Michigan), where he assisted a class, and for Penland’s two-week January letterpress residency. “I’m pretty balanced between woodworking and printmaking,” he says. “I have a hard time distinguishing between the two. Mark-making is the thread that runs between both.”

The Penland residency was Dustin’s first opportunity to work in letterpress. He’s always been fascinated by the letterpress as an object – the machine, the wood type, the history of the medium – so he was excited to get to use one. “It’s all so beautiful,” he enthuses. “There are lots of kinetics in my sculpture; it’s very gearhead influenced. Letterpress is a good combination of that and printing.”

Dustin enjoying the view from the letterpress studio as he considers his next move. He arrived at Penland with a full beard, but it got full of ink and he shaved it off.

Dustin also enjoyed the chance to work more on just one thing at a time than ever before. He arrived with a very specific plan for his work, which he then veered away from unexpectedly as the two-week residency progressed. “It’s phenomenal to to be stuck in the mountains in the middle of nowhere and still be able  to work 16 hours a day,” he reflects. He’d like to come back next winter and rent the studio for a longer period. Between now and then, it’s back to Asheville to carry on with the next phase of the Windgate project. He’s also applied for a residency at Arrowmont, and will be teaching two classes this summer at Princeton Secondary School in New Jersey. He’ll have work in a group show at Blue Spiral 1 over the summer and will show there again in a split exhibition next January. “I have a lot of work to do before then,” he says.

You can learn more about Dustin and see pictures of his work by clicking here to visit his website.