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Instructor Chunghie Lee at RISD

Chunghie Lee is teaching a workshop second session (June 13-25) on a traditional Korean textile/paper technique called “pojagi.” Here’s a nice video of Chunghie that was made at the Rhode Island School of Design (the class still has some spaces).

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Keiko Ishii, glassblower


keiko ishii
Keiko Ishii

Keiko Ishii is a first time Penland student who came all the way from Japan to take Scott Benefield’s glass Concentration. She learned of Penland and Scott from other American glassworkers who have to taught at Tama Art University in Tokyo, where she takes classes. In particular, Karen Willenbrink-Johnson and Jasen Johnson both recommended that she attend Penland specifically because of the two month Concentrations sessions. In addition, she hoped that the American style of glassworking would breathe new life into her work and that the diversity of students would be beneficial as well.

Keiko first started working with glass six years ago after she recovered from a serious car accident. Her recovery and rehabilitation was a six year process during which she knew that she wanted to switch her artistic medium and career from graphic design to glass, but had to wait until her body was ready for the physical demands of the glass studio.

After Keiko completes the spring glass concentration she hopes to visit the Corning Museum of Glass and take a workshop there as well. She also plans to take some time to travel around the United States before returning to her glass studies at the Tama Art University in Tokyo.
–Karen Mahardy

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Golly Peters, ceramist

Golly Peters
Golly Peters

Golly Peters first became aware of Penland when she found the Penland Book of Ceramics in Amsterdam. She was so impressed with the book that she found Penland on the Internet and learned that it was a school that anyone could apply to and attend. She sensed that there was something special about Penland and hoped to go there one day.

Golly lives in Brussels, and has found that Belgian ceramicists are secretive about their processes and not open to sharing with others. Though she had been doing ceramics for five years, she had been struggling with moldmaking and so she signed up for Tom Spleth’s spring class in moldmaking and slipcasting. Earlier this year Golly had to have some serious surgery and coming to Penland was a tremendous incentive and helped her recovery.

Now Golly can’t wait to go home and share what she has learned with others. She feels more confident than ever with her work and now sees flaws that she didn’t see before. “Penland brought the fun back into my work and gave me permission to play again,” she said. “ I have had a great experience at Penland and feel that the class pushed me to go beyond limitations that I had previously and move onto the next phase of my work.

–Karen Mahardy