Quick sketches and idea development, stencils and 3D sculpture, oversized letterpress posters and archival photo prints: paper can play an integral role in each. It is one of the most fundamental materials we use here at Penland. But how many people have taken the leap from using paper to create art to making paper as art?
Ann Marie Kennedy is certainly in that second group. Her handmade papers are delicate and speak of place, combining the immediacy of mixed media with the nostalgia of a photograph. She uses natural materials like seeds and leaves—often combined with textiles or clothing—to paint pictures of her landscapes not on paper, but within it. From October 4-10 this fall, her landscape will be Penland as she shares her craft with students. Space is still available to take part in the workshop and learn the art of papermaking for yourself. Register here.
Paper & Place
Ann Marie Kennedy – Students in this workshop will create art made from paper pulp, incorporating natural materials that will become part of the content of their work. Linen, flax, and abaca pulps will provide a neutral palette for mineral colors, natural dyes, and plant and seed textures. As students gain proficiency in making sheets of paper, engaging with the rich natural environment of Penland will allow them to create works that reflect the colors, shapes, and textures of the changing seasons. We’ll cover sheet forming, using a deckle box, processing plants for paper making, wet collage, and creating simple sculptural forms. All levels. Code F01PM
Ann Marie Kennedy is on the faculty at Wake Technical Community College. She has been a resident at Penland, the Oregon College of Arts and Crafts, and the Headlands Center for the Arts (CA) and has received a North Carolina Arts Council fellowship. Her exhibitions include the Cantor Art Gallery at Holy Cross College (MA), the Visual Art Exchange (NC), and the University of North Carolina-Wilmington.
When Ann Marie describes her work, she explains, “I combine natural and domestic elements to create narratives about connections to the landscape. These pieces are often a direct response to place, incorporating materials gathered directly from site.” And that’s good news for her students this fall, since Penland in October presents a pretty inspiring landscape. Come immortalize it in paper and take a little piece of Penland home with you.
REGISTER NOW FOR FALL 1-WEEK WORKSHOPS
October 4 – 10 | October 18 – 24 | November 1 – 7