Here it is, the summer 2018 workshop catalog!We’re thrilled to share our lineup with you in anticipation of another summer packed with creativity, energy, new friendships, and new ideas. We’re offering 102 unique workshops led by 116 talented artist/instructors, including favorites like encaustic painting and steel sculpture and special classes like brushmaking and skin-on-frame canoe building. Most workshops are open to serious students of all levels (beginners included!), and all give you access to the slide nights, dance parties, movement classes, scholarship auctions, and more that make a Penland session so special.
This year, summer registration will open to all students on January 8 at 9 AM EST on a first-come, first-served basis; we will not be using a lottery system. Applications may be submitted online, by fax, by post, or in person.
Scholarships are available for every summer workshop, including full, partial, and work-study scholarships. Spaces will be held in each workshop for scholarship students. Scholarship applications are due by 11:59 PM EST on February 17.
We hope you find a few minutes over the holidays to pour over the Penland catalog and find the perfect workshop for you, wherever you are in your creative journey. Look out for full course descriptions on the website by the end of December, with printed catalogs to follow in early January.
Temperatures are warming, the knoll is very green once more, and summer workshops are on the horizon. There are still dozens of offerings across our studios with available space, including a few session 1 workshops. Why not start your summer off with a concentrated dose of creative energy and inspiration? Registration is open now, and a handful of workshops even have work-study scholarships available!
This workshop will be an exciting opportunity for intermediate and advanced glass artists to explore glass as a sculptural material. Students will learn torch techniques that will enable a greater level of detail in hot-sculpted forms and will use sketches and drawings to help visualize finished pieces.
Instructor Ross Richmond has been working with glass for over twenty-five years and is known for his involved narrative pieces. Many of his figures measure a full two feet tall, yet they project a serenity and ease that is hard to reconcile with the fast, hot work of the glass studio. The Corning Museum describes him as “one of the top glass sculptors in the field today.” UrbanGlass.org praised his astounding technical skill, saying, “The realization that these forms were hot-sculpted and not mold-blown, or cast into a carefully prepared mold, is to appreciate the skills that went into them.”
For any glassblowers looking to take their work to the next level of detail and expression, this workshop is the perfect opportunity for focused practice, skill building, and expert instruction. Read the full course description.
Letterpress newbies and experts alike will get the chance to play with words on the press and on paper in Lynda Sherman’s workshop. The class will focus on hand-setting type and the power and potential of the alphabet as a visual language. Students will be encouraged to experiment and to adapt their designs on the go to explore printing as analog communication.
“To know the history of analog printing is to keep the global continuum of collaboration and friendship uninterrupted,” Lynda explains. “Analog is the gift of our past, and by practicing in the present, it is the promise to the future. Where we go, we go together. Analog doesn’t leave anyone behind.”
Students who have already gotten their feet wet in the wood studio will get the chance to take their work further in this workshop with Reuben Foat. Geared towards intermediate and advanced woodworkers, this class will explore tambour doors and the sinuous movement they can introduce into a material that is more often rigid and static. The two weeks will cover design, solid-wood joinery, and efficient studio practices and will culminate in the construction of an original wall-hung cabinet that incorporates a tambour door.
Reuben is an experienced teacher and an accomplished woodworker who often uses the tambour door format in his own furniture and sculpture. It’s one thing to see still images of his work, but it’s another to see the pieces as they move. We highly recommend taking a look at these short videos of his pieces in action!
We’re thrilled to present the Summer 2017 workshop catalog! It includes information about our ninety-seven unique summer workshops, including favorites like wood-fired pottery and letterpress and special offerings like bicycle building and leather inlay. Some workshops are for beginners, some are aimed at intermediate and advanced artists, most are open to students of all levels, and each is taught by knowledgeable artist-instructors. The front and back covers capture the range of our broad Penland community in a series of Penland portraits by resident artist Mercedes Jelinek. Read more about her photographs and all of this summer’s great offerings right here in the catalog.
Registration for summer workshops is open now, and everyone who registers by 5 PM on February 11 will be entered into the early registration lottery. Scholarships are available for all workshops. Apply for scholarships by February 17.
We are currently working on uploading full course information to our website. Look for it online by the end of December, with printed catalogs to follow in early January.
Fall workshops may have just ended, but it won’t be too long before concentrations are back in session for Spring 2017! We have a great lineup of artist-instructors coming to Penland to teach everything from casting iron and glass to atmospheric firing techniques for clay during Penland’s unique 8-week workshop format. Scholarships are available for all concentrations. Scholarship applications are due November 28, 2016.
Below is a preview of what’s in store this March 12-May 5, 2017. For complete course descriptions, see the Spring Concentration page.
Nick Schwartz will lead students in an exploration of “Painting with Fire,” including wood and gas firings and the possibilities of salt and soda in the kiln. John Dix will join as guest instructor for two weeks.
Penland resident artist Dean Allison will share his expertise in glass casting and mold making. Students will gain new abilities to work with glass in a range of ways to express their artistic visions.
Remy Louis Hanemann will guide students through the process of building a complete iron foundry at Penland. As they go, students will learn skills such as plasma cutting and welding, making two-part molds, and, finally, conducting an iron pour.
Letterpress & Books In her workshop “Image as Narrative,” Anne Covell’s students will first explore alternative printing techniques to create images and then bind them into traditional and sculptural books.
David Jones will give his students a wide-ranging education in metal fabrication for jewelry or small sculpture. Students will learn techniques from sawing, soldering, and stamping to forging and forming.
In “Weaving: A Dialogue,” Tommye McClure Scanlin and Bhakti Ziek will share their expertise in tapestry and jacquard weaving as students create images on the loom.
Jack Mauch will lead students in an in-depth exploration of woodworking techniques for furniture and sculpture with an emphasis on shape and going beyond rectilinear forms.
Each of our spring concentrations are open to students of all levels. Enrollment is open now, and the deadline to apply for a scholarship is November 28, 2016. Read more about Penland’s scholarship program, and then apply online through Penland’s slideroom site.
It can be a bit mind-boggling how much information we communicate digitally these days, from online news outlets and blogs to the social media profiles that announce the engagements of friends, the arrival of new babies, or simply what we had for dinner last night. When done right, social media can be a powerful tool for connection, for communicating a message, for sharing ideas and triggering inspiration. But it’s not the only way we can accomplish these goals.
For a week this fall, social media will go analogue with Bryce McCloud of Nasheville’s letterpress/public art studio Isle of Printing. As Bryce elaborates in his course description, “This workshop will tap into the power of printmaking as a handmade social medium. Working with relief printing’s ability to create multiple images, our mission will be to find novel ways to work together and interact with a community.”
To really understand what this week will be about, it helps to have glimpsed some of the pieces that Bryce and his team have put together. Take, for example, his yearlong Our Town public portraiture project, which encouraged thousands of Nashville residents to create self portraits using stamps. In exchange for their finished portraits, each person got to take home a letterpress print of someone else’s portrait. “We want people to look at this as a conversation that they’re having with each other, not through words, but through pictures,” Bryce explains. “A big part of this project was to get people to actively look and actively be engaged with the world.”
The Our Town project didn’t stop there, either. Instead, Bryce and his co-conspirators turned the project into a large-scale demonstration of the creative process and how a team—or a city—can come together to create. They constructed giant stamps and used them piece by piece to print enormous portraits in public spaces like the downtown library and Nashville’s Riverfront Park (image above).
Another recent project was the Can Wall at Pinewood Social, a popular Nashville restaurant/bowling alley/hangout spot. “The mural is made of thousands of quart cans which can be viewed up close as products or far away as pixels in a larger design,” Bryce explains. Every month, the cans get rearranged into a new image or pattern. “We wanted the world to be an active participant in the project AND we wanted the art to feel alive,” he says. “Change is inevitable and that is the point.”
Or, there’s the “optically/digitally enhanced” letterpress mural adorning the main wall of Nashville’s Barista Parlor. It’s an image of a sailing ship made up of individually-printed square letterpress plates, but Bryce says it’s also a reflection of how we see the world around us today: “beginning with a real ship painted by an artist which was photographed and turned into a picture on a computer which I reengineered as a plate on a press to assemble onto a wall in my city for people to see in person which they then share on the internet for others to see. Here to there and back again.”
The human interaction and the call for engagement is central in each of these projects and, in fact, to all of Bryce’s art projects at Isle of Printing. As he explains to visitors on his website, “We specialize in making the unusual happen and thrive on giving novelty a place at or above the mundane… We truly believe in the power of public art and positive thought.”
We certainly can’t tell you what a week of Analogue Social Media at Penland this fall will look like, but we’re pretty sure what it will feel like: teamwork, exploration, experimentation, and lots of good vibes. The workshop runs November 6-12, 2016. Register now.
Analogue Social Media
Bryce McCloud —This workshop will tap into the power of printmaking as a handmade social medium. Working with relief printing’s ability to create multiple images, our mission will be to find novel ways to work together and interact with a community. Like playful scientists we’ll create socially-driven printmaking experiments, imagine ways to involve people outside of our studio, and then use the community at Penland as our testing ground. We’ll brainstorm and refine ideas that may be realized during the session or at other times and places. We’ll cover relief printmaking skills and discuss other tactics for engaging the public with your work when you head home. Printmaking or letterpress experience will be helpful, but this workshop is open to all levels. Code F03L
Studio/public artist, founder of Isle of Printing, a letterpress and fabrication shop (Nashville); teaching: Watkins College of Art (TN), Brighton College of Art (UK); public art: Our Town Nashville (TN), Pinewood Social (TN), Invasion UK (Brighton, UK), South by Southwest (TX).
The following post is a photo slideshow. If you’re looking at it in email, we recommend viewing it on the blog.
Between seven concentrations and nine 1-week workshops, we’ve had a busy spring at Penland. It’s been exciting to see the progress that long classes make, whether it’s transforming straight beams into a fully-realized timber frame structure or collecting plant material to make into paper to make into books. Scroll through the photos above to get a glimpse of the colorful, experimental, detailed, thoughtful, beautiful things underway in the studios. And, if you’re in the area, please join us on May 5th at 8pm to celebrate the end of the session at the scholarship auction in Northlight!
The following blog post is a photo slideshow. We recommend viewing it in an Internet browser.
This year’s Penland Community Open House was another big success! Over 700 people from the Penland community came up to try their hand at a new craft. Artists young and old alike were busy forging in the iron studio, flameworking beads in the glass shop, making colorful portraits in the photo studio, creating wooden whistles, and lots more. We’re grateful to all volunteers for helping us to share this fun day with our community, and to all the visitors who join us with such enthusiasm.