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The Art of Persuading Metal

Penland spring concentrations are coming up this March 11 – May 4, 2018. Registration is now open and scholarships are available. Scholarship applications are due by 11:59 PM EST on November 28, 2017.

 

Stirrup Cups by Adam Whitney

“Sea Monster Stirrup Cups,” Adam Whitney

 

It’s hard to hold one of Adam Whitney’s sea monster stirrup cups without being drawn in by memories of old maps, aquarium trips, and the open sea. They’re exquisite objects with incredible detail—shiny protruding fangs, shadowy eyes, and dimpled, scaly skin that looks as cold and wet as any creature drawn from the ocean’s depths. But seeing the finished projects is only half the story. The other half is seeing how Adam takes a solid silver ingot and transforms it with a hammer and anvil into a raised vessel before adding layers of detail with chasing, repoussé, and great patience and skill. If that sounds like magic, we’d suggest watching Adam’s animation below.

 

animation of silver ingot being raised into a pair of cups

 

This spring, Adam will be sharing his expertise with students at Penland during an eight-week concentration. The workshop is titled, appropriately, Persuading Metal and will introduce students to the process of coaxing silver, copper, and other metals from solid chunks into refined vessels, as well as jewelry techniques, tool making, hydraulic forming, chasing and repoussé, and more. Whether you’re a jeweler who wants to learn some new skills, an experienced metalsmith hoping to hone your work, or a complete beginner interested in gaining proficiency in metals, this workshop has plenty to offer, and Adam is an expert instructor (and former Penland metals studio coordinator!).

Registration is now open, and scholarships are available for all spring concentrations. The scholarship application deadline is November 28, 2017. See below for more details, and see Adam’s website for more images of his incredible work.

 

Adam Whitney working on a silver cup

Adam adding detail to a raised silver cup.

Persuading Metal

Adam Whitney—This workshop will be an exploration of manipulating metal and creating holloware. We’ll begin with the hammer: forging, sinking, and raising samples to establish a foundation in metal forming. Basic metalsmithing and lesser-known (and underappreciated) jewelry skills will be introduced with attention placed on working in a larger scale. Then we’ll move on to chasing and repoussé, basic tool making, and hydraulic press forming. We’ll start with lots of demonstrations and samples. As students become proficient with materials and processes, the emphasis will move to individual guided projects and discussions of historic and contemporary holloware. All levels. Studio fee: $160. Code S00MA

Studio artist; teaching: Center for Metal Arts (NY), Smith Shop (MI), Fritz & Friends (MI), Raffles College (Malaysia); visiting artist: Rhode Island School of Design.

awmetalsmith.com

 

raised cups by Adam Whitney

A selection of raised silver cups by Adam Whitney

 

REGISTER FOR SPRING CONCENTRATIONS
clay  |  letterpress  |  painting  |  metals  |  textiles  |  wood  |  sculpture
Scholarship applications due November 28, 2017

 

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Photo of the Week: Work-Study Rules!

This is the lunch work-study crew on October 4 posing for our Giving Day campaign. Work-study scholarship students are a critical part of Penland’s labor force. They balance their time and energy between making beautiful work in the studios and washing dishes, staying on top of things in the dining hall, helping in the garden, etc., etc. We love our work-study students; they really do make Penland go.

 

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The Snow Leopard Departs

The Penland kitchen crew

The Penland kitchen crew in 2015: (left to right) David Chatt, Big John Renick, Richard Pleasants, Day Dotson, Kirk Banner, Y-Sam Ktul, Bill Jackson

Sometime between Penland’s summer and fall sessions, we said goodbye to Richard Pleasants, who has retired after eight years as our food services manager and at the end of a long career working in kitchens, restaurants, and hotels. Richard moved to Manhattan where he is living with his son and family. Under his guidance, the food has been great and the kitchen and coffee house have been well-managed and efficient. Most importantly, however, Richard created a calm and supportive place to work, and he empowered the skills and creativity of the people around him. The affection that developed between Richard and his staff was a beautiful thing to see, so we invited the folks who worked most closely with him to offer a few words of tribute.

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To simply say that Richard was my boss would be a complete disservice to his tenure here. Richard was my boss; but he is also my friend, my champion, my life coach, my spiritual consigliere, my guru. He taught me about the kind of manager I want to be, the kind of friend I want to be, the kind of human being I want to be. He taught me to respond instead of react and to look at all sides of a problem. Simply put, he taught me to be better.

When I remember Richard’s time here I think of inside jokes, Neil Young radio, fresh tomato soup, and French macaroons made from scratch. I think of his kindness and his generous nature, his sense of humor, and his willingness to do what’s right instead of what’s easy. I can’t help remember how he would come into the kitchen to work at unnatural hours because he liked the solitude or his desk stacked with so many papers it made my brain itch wanting to organize everything. While Richard was here at Penland he fed us food for our bodies, but he also helped nourish our spirits. Knowing Richard for the eight years he was here, I can anticipate the eye roll that statement will produce. But it’s the truth, and I’ll stand by my sappiness.

Working at Penland offers us all a chance to meet and work with so many people. We overlook that a lot, but in this instance I can’t. Richard made our lives better, and I’ll always be grateful that he wanted to move to the mountains and live a quieter existence. It gave us all the opportunity to get to know an amazing human being. He may not be here in body anymore, but his steady guidance still quietly leads us.

-Crystal Thomas, coffee house manager

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Richard for President 2020
The fearless leader. One of the most intelligent, suave individuals on the face of the earth. He is kind, patient, and understanding. He made sure we did everything to the best of our abilities and supported growth in anybody. (He also loves Neil Young.)

-Y-Sam Ktul, former prep crew

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Richard, I’m pissed!

Where is my morning coffee? My Neil Young? Who am I going to talk to about Social Security? The 60’s? Arthritis? And our favorite, those cute fifty-somethings in the lunch line? Who? Oh, I guess I have to make the oatmeal and grits now too! Thanks a lot. But don’t worry about me, I’ll get by somehow.

-Bill Jackson, prep crew

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Richard, you are an aptly named man, as it was certainly my pleasure to work for and with you these past two years. Thanks for being a kind and caring individual, traits I’d say carry over into your management style. I wish you a joyful next adventure.

-Alena Applerose, baker

 

Richard Pleasants in the Penland kitchen

Richard Pleasants: master of the kitchen, wearer of berets, reader of many books, honorary core fellow, and a guy you’d be lucky to work for.

 

Richard and Pearl. Just now I was thinking about Penland without the two of them…

You see…at Penland School the years kinda seem to just slide off the wall in one of those cool, Western North Carolina mountain breezes. Three hundred and sixty-five days will be gone before you’ll ever even know that it happened.

Here in Pearl’s Kitchen and the Penland Coffee House, though, we can rip through ‘em like they’re a cheap, dime store daily affirmations calendar. And each year, as the thin sheets of paper are falling away we see over 7,200 hungry faces fill their plates, countless work-study students learn a new job, nine core fellows trudge through their work requirements while pining for their time in the studios. We help flocks of resident artists and their broods nourish their lives, their art, and their careers. We serve coffee to a ridiculously wonderful and motley gathering of coworkers.

Oh yes, there are others we serve as well: Penland trustees, teachers, volunteers, interns, grade school kids, at least one of almost any ethnic group you could imagine, every gender and sexual orientation possible, as well as every age group you could think of. There are state, national, and international dignitaries and maybe even a few local folks from down in the holler or from over the mountain.

Yeah, The Pines is a busy place. It takes all different types of people to keep it running. I have personally been involved with that rat race in some form or another for going on twenty-five years. And you know what? I never saw anyone slide so easily and effectively into a leadership position than when I first saw Richard walk down that stone path from The Craft House on a cold winter’s day in February, some eight odd years ago. Nor have I ever seen anyone exit so graciously as when he quietly slipped out of town just as this fall was rolling in on the wind. But ya’ll want to know what sticks in my craw? It’s that there ain’t been nobody that’s been missed more up in this kitchen since the lovely and esteemed Pearl Grindstaff, herself, passed away.

Bless her Heart!

And ya’ll know what else? I think we should just go on ahead and bless ol’ Richard while we’re at it, ‘cause although he still walks among the living, he is moving on up to New York City and he might just need the blessings over there…

But, yeah, anyway…
I sure do miss ‘em both. Pearl and Richard, ya know…
I miss ‘em both…really, really bad!

Big Love, Richard!

Big John

-a.k.a. John T. Renick, III, interim food services manager

Editor’s note: Pearl Grindstaff was a wonderful and wise woman who worked in the Penland kitchen for 75 years–a remarkable tenure that lasted until 2009.

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I was recently asked as part of an interview process to name someone I had worked for in the past whom I admired or particularly enjoyed working with. It was not hard to answer. A few years ago, my life needed some shaking up and the irregular ebb and flow of my art income was not going to be reliable enough. I was more than a little apprehensive as I contemplated a return to the work-a-day world after having spent the previous twenty years as a studio artist. I found out that Penland was in need of a baker and reached out to Richard. I was not sure he would have me and learned later that some had cautioned him not to hire me because I would probably not last the summer. Richard decided to ignore that advice and offered me the job. I arrived with some trepidation of my own. The changes in my life had left my confidence a little bruised. I need not have worried. Working in Richard’s kitchen was a perfect fit for me at a time when I needed it the most.

When the person conducting the interview asked what it was about working for Richard, I said he created an environment that made all of us who worked for him want to do our best.

I have come to love Richard, not just because he offered me a soft place to land in a tumultuous time, not just because he ran one of the best kitchens I have ever had the privilege to work in, not just because of his impressive mane of snowy white hair, though all those things are worthy of admiration. I love Richard because of the way he treats his people and the way he managed to create an environment where people felt valued, supported, and free to be a little weird. If I am ever in a position where other people rely on me for leadership, I hope I will remember how it felt to work for Richard and provide that kind of generosity for someone else.

Richard, thank you. I am better for having had the chance to work with you for those four years. I hope the next chapter of your life is the best yet. Please keep in touch. I love you like someone we both know loves a go-plate!

-David Chatt, former Penland baker

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Richard’s parking spot. Sign by Ian Henderson and Daniel Beck.

I swear Richard has led dozens of lives. He is as likely to launch into a story about dining with celebrities in the Caribbean as he is about a penniless stretch on the streets of DC. There was the time he was a personal chef to a jet-setting billionaire and the time he’s awfully vague about that involved multiple crossings of the Mexican border. The point is that he is a changeling, renewing himself regularly, and, I hope, endlessly. And when his abilities combined with the transfigurative powers of Penland School of Crafts we got our Snow Leopard, for a too short eight years—leader, reader, kneader, and as good a friend as I ever expect to find. He’ll be sorely missed around here, and I believe he’ll miss us, too, though I’m sure he’s already transformed into some timeless hep cat on some Manhattan street corner with a devoted following wondering “where did this magical creature come from?

-Ian Henderson, metals studio coordinator and former core fellow

 

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Photo of the Week: Abstraction

Sheridan Davenport at Penland School

Sheridan Davenport was a student this summer in an abstract painting workshop taught by Tonya D. Lee. Sheridan is a student at Xavier University in Ohio, where her advisor is Kelly Phelps, a regular instructor at Penland. Kelly encouraged her to apply for a scholarship to attend Penland. “I haven’t done much abstract work,” Sheridan said. “But I loved Tonya’s work so much that I had to take this class. It’s definitely opened things up for me.”

 

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Where’s Jerry?

Jerry Jackson getting ready to drive away after the annual benefit auction.

 

On August 12, shortly after the last piece was sold at Penland’s annual benefit auction, Jerry Jackson got in his car and headed for Brasstown, North Carolina where he joined the staff of the John C. Campbell Folk School as its new director. “I started at Penland as an auction volunteer thirteen years ago,” Jerry said just before he left, “so it seems fitting for me to finish up at the auction.”

Three years after that first auction, Jerry moved to Penland to become deputy director, a new position that carried responsibility for much of the day-to-day management of the school so director Jean McLaughlin could focus on  relationship building, fundraising, strategic planning, and national representation of the school. At his going away party, Jean simply said, “I couldn’t have done my job the past ten years without him.”

Jerry came to Penland after eight years as the cultural arts administrator at the Rocky Mount Arts Center in Rocky Mount, North Carolina. At Penland he assumed supervisory responsibility for facilities, student services, food services, human resources, and information technology, working closely with the managers of each of these areas. He also worked with the finance director and two dozen staff members to develop each year’s budget and he was involved in strategic planning, campus planning, financial planning, and marketing strategies.

He brought with him considerable skills in designing and outfitting spaces and was integrally involved in Penland’s most vigorous period of facilities improvement. He helped develop the new studios for drawing and painting, book arts, photography, and papermaking, plus renovations to the clay and metals studios. He also worked on the new Northlight social hall, the renovation of The Pines and Horner Hall (including the Penland Gallery), several new housing buildings, and most recently, the restoration of Dora’s Place, a log farmhouse that dates back to the early 20th century.

Jerry worked constantly. He was always on call, and he got a lot of calls: everything from medical emergencies to people upset about a moth or a mouse in their room. He was one of several people who intervened when students or classes were having problems. Sometimes these situations required tough decisions, and those often fell to Jerry. He was also an important face of Penland locally and statewide. He served on a number of boards, he curated and designed exhibitions for the Toe River Arts Council, he juried shows for other organizations, and he just knows a lot of people.

 

Jerry Jackson and Penland director Jean McLaughlin (who will be retiring later this year) in costume for their “Swan Song” float in this summer’s July 4 parade.

 

Deploying other skills, Jerry created memorable decorations for Penland holiday parties and celebrations, and we always looked forward to seeing what outlandish costume or float he would cook up for our July 4 parade. Jerry is also an artist, working in mixed-media painting and found-object assemblage. He started his final summer at Penland by co-teaching (with Jane Wells Harrison) a successful workshop in the drawing and painting studio.

During his ten years at Penland, Jerry gained skills that will serve him well in his new position. And when he drove out of here after the auction, a lot of institutional knowledge went with him. There have already been several meetings in which someone said, “I think Jerry always took care of that” or “Do we know how Jerry did that?” And registrar Amanda Hollifield showed up at last week’s staff meeting wearing a T-shirt that just said, “Where’s Jerry?”

Well, we know where Jerry is, and we wish him great success.

 

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Photo of the Week: Penland Family Hour

It’s pretty common for family members to attend Penland together. But last session we had an unusual number of family groups, so we got them all together for a picture. From top to bottom: Scott Woskoff (father, clay), Zev Woskoff (son, books); Mary Fout (sister, clay), Monroe Moore (brother, clay); Sabiha Mujtaba (mother, wood instructor), Aalia Mujtaba (daughter, metals); Forrest Bacigalupi (son, brother, metals), Lori Bacigalupi (mother, drawing), Serene Bacigalupi (daughter, sister, books); Ruth Martin (mother, books), Ben Martin (son, clay). Thanks to long-time Penland student K.C. Wagner, who figured all this out and instigated this picture.

 

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A Concentration in Iteration

colorful wooden bench

“Patterned – A Bench” by Christina Boy, ash, stain, milk paint

 

There’s something special that happens in the wood studio over the course of a workshop. Students find the patience and focus to work intensely on just a few, longer-term projects rather than a large number of clay pots or a collection of forged utensils. Powerful shop saws transform from intimidating blurs of teeth into efficient and flexible tools. And a new level of precision emerges: the 1/8″ and 1/16″ increments that most of us think in now seem hopelessly clumsy to eyes and brains that have re-calibrated to think to at least the nearest 1/64″.

It’s certainly not magic that allows a solid, artfully-proportioned table or chair to emerge from a rough-sawn pile of lumber, but it can seem like it. That’s why this fall, we’re lucky to have Christina Boy coming to Penland to give students in the woodshop an in-depth opportunity to work through the furniture making process—not once, but a few times over. Her eight-week concentration is appropriately titled Design. Build. Repeat. and it will focus on developing woodworking skills through making multiples.

 

woman in woodworking shop

Christina Boy at home in her shop.

 

As the owner of a one-woman furniture studio in Madison, Virginia, Christina is perfectly positioned to teach students not just how to design and build a chair, but how to fine-tune the design/build process so that making a dozen chairs is as efficient as possible. Over her years in the shop, she has perfected a handful of signature designs that she can make, remake, and remix into new pieces. Her Stool 33, for example, has a hexagonal top made from three sections of wood. Christina can alter the stool’s look by changing the finish or the color of the legs, but she can also use it to make new pieces. One top on the wall becomes a coat rack, and six arranged together in a ring become a honeycomb coffee table. It’s a beautiful approach that creates both efficiency and harmony in her designs.

Design. Build. Repeat. is equally well suited to new students who want to try their hands at woodworking and experienced woodworkers who want to focus on their design skills or learn about small batch production. It will run in the Penland wood studio September 24 – November 17, 2017. Registration is currently open to students of all levels. Read the full course description below, and then join us in the shop!

 

wooden stool and table designs that both incorporate a central hexagon of wood.

Christina Boy’s “Stool 33” on the left and “Table 366” on the right.

 

Design. Build. Repeat.

Christina Boy
September 24 – November 17, 2017

While learning the fundamentals of woodworking technique, tools, and safety, we’ll dive into the process of making multiples. Each student will design a limited line of products from concept to completion: sketching, designing, drafting, making the necessary templates and jigs, and building prototypes for the purpose of understanding the steps of small batch production. Demonstrations will cover basic woodworking skills and will continue in depth based on the needs of each student’s designs and projects. All levels. Studio fee: $155. Code F00W

Christina Boy is a studio artist and former Penland core fellow. She has taught at Arrowmont (TN), Chestnut Creek School of the Arts (VA), and Orange County Libraries (VA) and is represented by Troika Contemporary Craft Gallery (VA) and the Penland Gallery. Her work has been exhibited at La Difference (VA), Penland’s Focus Gallery, Southern Highlands Craft Guild (NC), and Crossroads Gallery (VA).

christinaboydesign.com

 

 

PENLAND FALL CONCENTRATIONS
clay  |  glass  |  iron  |  metals  |  photography  |  wood  |  mixed media
September 24 – November 17, 2017
Register here

 

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