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Melissa Draws

artist melissa stern in the Penland drawing and painting studio

Instructor Melissa Stern working in the Penland drawing and painting studio during her one-week workshop titled Every Picture Tells a Story: Drawing, Collage, and Storytelling.

 

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Resident Rock Stars

Penland’s resident artists spend three years living on campus and working as self-supporting artists in their field. Their time at Penland is designed as an opportunity for them to deepen their studio practice, push technical and conceptual boundaries, or explore entirely new directions in their work.

We’re continually amazed by the pieces that come out of each of the resident studios at The Barns, and we’re proud to have such talented artists calling Penland home. Recently, three residents were recognized for their outstanding work with prestigious (and, in our opinion, well-deserved) fellowships.

 

Annie Evelyn, "The Scotty," collaboration with Scotty Albrecht

Annie Evelyn, “The Scotty,” aluminum, collaboration with Scotty Albrecht

Annie Evelyn
Furniture designer Annie Evelyn was just awarded the 2016 John D. Mineck Fellowship by the Society of Arts and Crafts. The $25,000 award is presented “to encourage and support a young-in-career furniture artist… who demonstrates skill and commitment to their craft.” Annie plans to use the award to purchase tools to outfit her shop post-Penland. She envisions the space as a well-equipped communal studio that will also serve as a venue for community workshops, exhibitions, and events. “Annie’s spirit of community, generosity, and mentorship shined in her application, and will serve her well as she leaves the Penland community and establishes her studio,” the Society of Arts and Crafts stated. Annie is known for her explorations into hard/soft surfaces and applying traditional upholstery techniques to materials like wood, concrete, and metal.

 

 

Andrew Hayes, "Dure," steel, book pages, paint

Andrew Hayes, “Dure,” steel, book pages, paint

Andrew Hayes
Andrew Hayes was honored as one of seventeen recipients of $10,000 Artist Fellowships from the North Carolina Arts Council for 2017. The fellows are chosen every two years from a talented pool of choreographers and visual, craft, and film/video artists. The Arts Council describes Andrew’s singular book and steel sculptures as “improbable objects of beauty.” They elaborate: “Formally, his sculpture has the spare elegance of mid-century modernism, each one an icon of untold meaning. But as much as his work may recall past styles and forms, it also boldly writes its own history and engages the viewer on its own terms.”

 

 

Jaydan Moore, "Ends," found silver-plated platters

Jaydan Moore, “Ends,” found silver-plated platters

Jaydan Moore
Jaydan Moore was also awarded one of this year’s North Carolina Arts Council Artist Fellowships. He works in metals, primarily with found silver-plated platters and other serviceware that he carefully deconstructs, recombines, and reassembles into new forms. As the Arts Council explains, these pieces “gain a protean quality as they transition to the next stage in their evolution, one that honors their past purpose and history and, at the same time, looks forward to the possibility of something unexpected.”

 

 

 

 

 

 

The Penland resident artists will hold an open studio tomorrow, October 21 at The Barns. Come by between 7-9 PM to meet the residents, see their spaces, and get a feel for their recent work.

 

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Photo(s) of the Week: The Thread Between

jessica-stitching

On a crisp and sunny afternoon, there may be nowhere on campus that gets better light than the weaving studio in Lily Loom. This fall, it is home to Rachel Meginnes’s concentration The Thread Between. Students in the workshop are learning to deepen their studio practices and develop a serious body of work through exercises with textiles, readings, writing assignments, discussions, presentations, and individual consultations. Here, studio assistant Jessica Green works on a cross stitch sample (above), and instructor Rachel Meginnes talks with studio assistant Marie Fornaro about her sewn paper samples (below).

 

rachel-and-marie

 

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NINE: 2016 Core Fellowship Exhibition

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Every year, the annual core show is a highlight of fall at Penland. It’s a remarkable event: nine core fellows come together to put on an exhibition, and they do all the parts themselves, from creating the work and designing publicity materials to preparing the space and curating the pieces within it.

This year’s show is titled NINE: 2016 Core Fellowship Exhibition. The work will span the range of Penland’s studios, from weaving and wooden furniture to objects in clay and concrete. In many ways, it’s a visual chronicle of one year in the lives of nine emerging artists—their ideas and explorations, their time, their energy, their passion.

Please join us on Friday, October 7th at 8 PM in Northlight to celebrate our core fellows as artists and as vital members of the Penland community. NINE will also be open for viewing October 8 and 9 from noon-6 PM and October 10 from 4-6 PM.

While the pieces below are just a small sampling of what will be up during the exhibition, they are absolutely representative of the creativity and skill that will be on display.

 

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Enameled metal tea set by Rachel Kedinger

 

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Linen and wool ikat dyed tapestry by Daniel Garver, 50 x 35 inches

 

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Maple and walnut entry table by Kyle Kulchar

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Penland’s Core Fellowship (Apply by October 15)

core 2016 portrait over auction weekend

Penland’s talented bunch of core fellows: Daniel Garver, Eleanor Anderson, Thomas Campbell, Elmar Fujita, Rachel Kediger, Bryan Parnham, Alex McClay, Morgan Hill, and Kyle Kulchar (with a quilt by Daniel Garver!)

 

If you’ve been to Penland in the past four decades, you’ve probably met a Penland core fellow. At any given moment, they might be learning new techniques in workshops, helping cook in the kitchen, checking students into meals at the Pines, making work in their own studios, or spending time at their communal house on campus. Core fellows are emerging artists at the very nexus of the Penland community, and the two years they spend living, working, and learning here can be as intense as they are rewarding. Here’s how former core fellows from across the years have reflected on their time in the program:

 

“During those two years, I met remarkable people and learned tons… There was a steady stream of extraordinary artists passing through the school, teaching, giving demonstrations, and making presentations on their work. There was an informality that made learning an integral part of our daily existence there. It was a life-changing experience.”
—Alida Fish, core fellow 1971-1973

 

“Being a core student was such an important link in my career that it’s hard to imagine how I would have gotten from point A to point B otherwise.”
—Critz Campbell, core fellow 1994-1996

 

“I took advantage of the collective wealth of knowledge that is Penland at any given time—all the instructors and staff and students. Coming out of that program, I had a completely altered understanding of material and process—both what I can do personally and what is possible.”
—Jack Mauch, core fellow 2011-2013

 

“You pick your friends, but this group is just handed to you. You’re thrown together by chance, and then these people become your closest friends for a lifetime.”
—Daniel Essig, core fellow 1992-1994

 

“At Penland, I learned the many ways there are to be an artist: you can be a studio artist, you can teach, you can help other artists. The program exceeded every expectation. Being a core fellow changed my life: the experience gave me the how-to knowledge to make things and the confidence to know that I was good at it.”
—Amy Jacobs, core fellow 2004-2006

 

Penland will be accepting four new students into the Core Fellowship Program for 2017. Applications are due October 15, 2016. For more information, visit the Core Fellowship page.

 

The reflections above are excerpts of interviews from Inspired: Life in Penland’s Resident Artist and Core Fellowship Programs. This new book includes a history of the core program and interviews with sixteen former core fellows. To purchase a copy of Inspired, call the Penland Supply Store at 828-765-2359 ext. 1321.

 

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Brim, Bourdain, and Blacksmithing

 

Most folks who have spent any time around the iron studio know Elizabeth Brim. She has been a longtime friend, neighbor, and instructor at Penland and an important shaping force in our iron program. She’s also a wildly skilled and accomplished artist, and we’re proud that her talents were featured on the most recent episode of Raw Craft with Anthony Bourdain.

In the episode, Bourdain visits Elizabeth’s shop and the Penland iron studio where she taught spring concentration. He looks on as she forges an intricate flower and demonstrates the technique she invented for inflating iron. “You have to be awfully tough to make metalwork look this easy,” he comments.

At the end of the epidode, Bourdain concludes, “Elizabeth is a perfect example of somebody who’s chosen to go against the grain, who’s chosen to do a difficult thing, who’s decided to follow a passion. She’s a perfect example of the type of people we’re celebrating: an artist, a professional, an educator, somebody unlike just about everybody else.” We couldn’t agree more, and we couldn’t be luckier to have Elizabeth here at Penland. See for yourself by watching the episode above!

 

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Photo of the Week: The Penland Family

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The couple weeks between the end of summer sessions and the beginning of fall concentrations is something like the eye at the center of a very creative tornado. On Wednesday, we took advantage of the current calm to come together for an all-school meeting, something that Penland’s staff, core fellows, and resident artists do three times every year. This time we made it extra special by taking a photo of the (almost) complete Penland family!

 

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