Sadly, this is not a fabulous UFO sighting. It’s a picture made by student Edwina Bringle during a session of night photography that was part of a photo class I taught at Penland last week. What you are seeing is an exposure of about 30 seconds made while visiting teacher Jeff Goodman was running up the hill making circles with a bright flashlight. Although most folks are used to thinking of cameras as stopping time, this is an example of how you can use a camera to record time (which, really, is what they always do, it’s just that we usually use them to record very, very short amounts of time). Both the floating lights and the circles on the ground were made by the whirling flashlight. Cool, huh?
The class was about black and white film photography, which is how Edwina made her picture, but for our night session we also made some digital images so we could get an idea what was happening in the cameras. This is one of the digitals of our studio assistant Rebecca Moyer making stars in the grass with a green laser. We love making pictures in the dark. –Robin Dreyer
After Kathryn Van Aernum was here a couple weeks ago for a one-week book workshop she sent us some her pictures, so we asked her for a little report to go with them. You can see all of her pictures from the class on her website.
Have you ever looked at the Penland workshop catalog unable to decide on a class because they all sound so fabulous? After all, isn’t a taking a workshop similar to drinking a magic potion that will deliver super artistic abilities, enabling you to reach new heights as never before? Which is the “right” one? If you’re like me you might sometimes suffer from that delusion. So, when I finally had the funds to go and found myself staring at the catalog trying to make a decision, I realized there is no “wrong” choice here – just pick something and GO!
I don’t think I could have made a better choice. The week-long spring book arts workshop with Julie Leonard delivered in spades. In one short week we learned five distinct historical sewing structures, along with variations and countless options for cover choices – especially with a soft-bound, single needle link stitch (a phrase that was not part of my vocabulary prior to the workshop). The class as a whole made around 70+ books! It was so interesting to see how one book form would express itself so differently when sifted through the personality of each artist there.
Not only was Julie a knowledgeable, giving and fun instructor, the group dynamic worked and played so well together. Although our collective experience in book arts ranged the full gamut of beginner to advanced, each person had other artistic experience in other areas and this lent itself to a wonderful atmosphere of mutual sharing and assistance.
“It’s Tuesday so it must be Pesto Grilled Cheese”
Delivering on the whole Penland experience was the food! I’ve never been to a retreat center where the quality and creativity of the kitchen matched the experience in the studio. Penland obliterates the myth of the “starving artist” as it feeds your soul, craft and belly, not to forget the visual feast of the rural mountain setting.
So if you still can’t decide what class to take – Just pick SOMETHING! There is nothing like the satisfaction of completely immersing yourself in something you love, giving it everything you can, away from the distractions of your “real” life. Honestly, you’ll feel like you can leap tall buildings in a single bound.