Photo of the Week: Here There Be Monsters

Adam Whitney is spending the month of January at Penland as a winter residency studio assistant in upper metals. His big project for that time is to make a pair of stirrup cups, the “parting cups” traditionally used to present mounted riders with wine or spirits before they left on a journey. Because stirrup cups were used on horseback instead of around a table, they didn’t need the flat base standard to almost all drinking vessels, and many were shaped like the heads of hounds, foxes, and other animals. Adam is crafting his in the shapes of mythical beasts.

The cups are inspired by fanciful renderings of sea monsters and other creatures on old maps and books. Adam started by making a model in copper, complete with curved teeth, horns, and a scaly chin. Next, he began the methodical work of transforming solid lumps of silver into cups, first by shaping and hollowing them with a hammer and then by adding details with finer tools like punches. The process is no small undertaking, but the results so far are a monstrous success.

 

 

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Photo of the Week: Evidence of Sledding

This time one week ago, a storm was rolling in. By midday Saturday, it had dumped over six inches of fresh snow, leaving the knoll and the Penland campus blanketed in white. Winter residents wasted no time enjoying the sudden appearance of winter, and some even took advantage of our mountainous location for some just-out-the-studio-door sledding. These compacted sledding trails on the knoll were one of the last things to go as the snow melted away, like sweet memories that linger after the thrill of the runs themselves.

 

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Summer 2017 Workshop Catalog

Penland summer 2017 catalog cover with portraits of Penland students, instructors, staff, etc

We’re thrilled to present the Summer 2017 workshop catalog! It includes information about our ninety-seven unique summer workshops, including favorites like wood-fired pottery and letterpress and special offerings like bicycle building and leather inlay. Some workshops are for beginners, some are aimed at intermediate and advanced artists, most are open to students of all levels, and each is taught by knowledgeable artist-instructors. The front and back covers capture the range of our broad Penland community in a series of Penland portraits by resident artist Mercedes Jelinek. Read more about her photographs and all of this summer’s great offerings right here in the catalog.

 

Registration for summer workshops is open now, and everyone who registers by 5 PM on February 11 will be entered into the early registration lottery. Scholarships are available for all workshops. Apply for scholarships by February 17.

 

We are currently working on uploading full course information to our website. Look for it online by the end of December, with printed catalogs to follow in early January.

 

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Resident Artist Applications Due January 15

View of The Barns at Penland

The Barns studios and apartments—home of the Penland resident artists.

 

Penland is excited to be accepting four new artists into our Resident Artist Program for 2017. Residents are full-time artists who spend three years living and working as part of the Penland community. The residency is an opportunity for them to test ideas and processes, develop their studio practice, and explore new directions in a supportive and creatively-charged setting.

We will be selecting residents in all media except glass (our dedicated glass studio is currently occupied). The application deadline is January 15, 2017, and residencies will begin September 15, 2017. Learn more.

 

mixed-media photo by Mercedes Jelinek, cast glass by Dean Allison, metal/book sculpture by Andrew Hayes

Work by current Penland resident artists Mercedes Jelinek (photography), Dean Allison (cast glass), and Andrew Hayes (metal/book sculpture).

 

Though our residents span a wide range of media and interests, many of them appreciate their time at Penland for similar reasons. Hear what a few recent residents have said in reflecting on their three years here:

 

“The Penland residency is about a gift of time. A special growth can take place when you have time to focus life around the studio. For me, the ideas are flowing with confidence and some of them are strong. My perspective on how I want to live life is maturing.”
—Matt Kelleher, resident 2005-2008

“I have been producing more work and larger work than I ever have, getting back into teaching, participating in national and international shows, and really pushing myself to produce and deliver as much as I possibly can. As a result, my work is growing in many different directions all at once and although it feels hard to keep up, I feel this intensity is key to my growth and success.
—Rachel Meginnes, resident 2012-2015

“The open, supportive atmosphere at Penland has encouraged me to move in innovative directions and enabled my daily life with my family to intertwine naturally with my studio life.”
—Robin Johnston, resident 2011-2014

“Three years is a long time, the perfect amount of time to find myself as an artist.”
—Micah Evans, resident 2012-2015

“The Penland residency was a life-changing experience. I went from making a few pieces a year to being a full-time artist. I loved being immersed in a communal studio atmosphere, and I am happy to have become part of the Penland community at large.”
—Anne Lemanski, resident 2004-2007

 

Visit the Resident Artist page to learn more or apply to the program.

 

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Photo of the Week: Getting Ready

preparing kiln posts

Clay studio coordinator Susan Feagin getting the kiln furniture ready for six weeks of clay studio residents starting in January. This is just one of the many, many tasks that goes on behind the scenes between the end of fall concentrations and the beginning of winter residencies at Penland.

 

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Welcome New Core Fellows!

We’re thrilled to welcome four new artists to the Core Fellowship Program for 2017-2019! This new crew will join us on campus March 1 and will take up residence in Morgan Hall with second-year core fellows Eleanor Anderson, Thomas Campbell, Rachel Kedinger, Kyle Kulchar, and Alex McClay. We’re pretty sure they have great things in store.

 

Stormie Burns

Stormie is a familiar face to anyone in the Penland area. For the past year and a half she’s been working as a barista in the Penland Coffee House while also working for local potter Courtney Martin (among others) and coordinating Roan Readers, a Rural Education Partners program. Stormie has created her own education path and has taken classes at the Morean Arts Center, Arrowmont, Odyssey Ceramic Arts, and Penland. As a core fellow, she wants to generate momentum for her work while developing skills in printmaking and ceramics and experimenting in other studios. stormieburns.com

 

Elliot Keeley

Elliot is a recent graduate from the Appalachian State University metals program. He has worked as a gallery assistant, studio tech, and bench jeweler and, most recently, completed an internship at Elsewhere, a living museum in a converted three-story thrift store in Greensboro, NC. Elliot has been a frequent work-study scholarship student at Penland in iron and metals classes and has volunteered at the Annual Benefit Auction. He is excited to take creative strides in his work through a myriad of metals classes as well as complementary media. eekeeley.com

 

Sarah Rose Lejeune

Sarah Rose will be coming to Penland from an internship at the Women’s Studio Workshop in Rosendale, NY, where she has been working since this summer. She has also been an intern and studio assistant at Dieu Donné, a non-profit paper studio and art center in New York City. Sarah Rose is a graduate of Oberlin College, where she studied studio art and comparative American studies, and though she has never been to Penland, she has taken classes at Ox-Bow, Haystack, and the Robert Blackburn Print Shop. As a core fellow Sarah Rose wants to learn new processes and develop skills in textiles, printmaking, metals, and paper. sarahroselejeune.com

 

Corey Pemberton

Corey has been part of the Penland community for several years and has lived in the area for the past two years while working as a studio assistant for local glassblower John Geci. Corey is a graduate of the Virginia Commonwealth University Craft and Material Studies program and has been a frequent and favorite studio assistant in Penland’s glass studio, as well as glass studios all over the US including Pittsburgh Glass, Corning Museum of Glass, Haystack, and Pilchuck. Corey now wants to explore new directions in his work, pushing beyond his current skill set to try new studios, new media, and new ideas. coreyhpemberton.com

 

Of course, welcoming new core fellows also means that we’ll be saying goodbye to some of our incredible current core fellows at the end of the winter: Elmar Fujita, Daniel Garver, Morgan Hill, and Bryan Parnham. They’ll sure be missed, but we can’t wait to see where their creative energies take them next—hopefully back to Penland at some point down the road!

 

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Spring Concentrations and Scholarships

Fall workshops may have just ended, but it won’t be too long before concentrations are back in session for Spring 2017! We have a great lineup of artist-instructors coming to Penland to teach everything from casting iron and glass to atmospheric firing techniques for clay during Penland’s unique 8-week workshop format. Scholarships are available for all concentrations. Scholarship applications are due November 28, 2016.

Below is a preview of what’s in store this March 12-May 5, 2017. For complete course descriptions, see the Spring Concentration page.

 

instructor work

Instructor work from left to right: Nick Schwartz (clay), Remy Louis Hanemann (iron), Anne Covell (letterpress), Dean Allison (glass).

 

Clay
Nick Schwartz will lead students in an exploration of “Painting with Fire,” including wood and gas firings and the possibilities of salt and soda in the kiln. John Dix will join as guest instructor for two weeks.

Glass
Penland resident artist Dean Allison will share his expertise in glass casting and mold making. Students will gain new abilities to work with glass in a range of ways to express their artistic visions.

Iron
Remy Louis Hanemann will guide students through the process of building a complete iron foundry at Penland. As they go, students will learn skills such as plasma cutting and welding, making two-part molds, and, finally, conducting an iron pour.

Letterpress & Books
In her workshop “Image as Narrative,” Anne Covell’s students will first explore alternative printing techniques to create images and then bind them into traditional and sculptural books.

Metals
David Jones will give his students a wide-ranging education in metal fabrication for jewelry or small sculpture. Students will learn techniques from sawing, soldering, and stamping to forging and forming.

Textiles
In “Weaving: A Dialogue,” Tommye McClure Scanlin and Bhakti Ziek will share their expertise in tapestry and jacquard weaving as students create images on the loom.

Wood
Jack Mauch will lead students in an in-depth exploration of woodworking techniques for furniture and sculpture with an emphasis on shape and going beyond rectilinear forms.

 

instructor work

Instructor work from left to right: David Jones (metals), Tommye McClure Scanlin (weaving), Bhakti Ziek (weaving), Jack Mauch (wood).

 

Each of our spring concentrations are open to students of all levels. Enrollment is open now, and the deadline to apply for a scholarship is November 28, 2016. Read more about Penland’s scholarship program, and then apply online through Penland’s slideroom site.

 

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