Photo of the Week: Watering Can!

Nick Fruin in the Penland glass studio

Penland glass studio coordinator Nick Fruin finishing up a demo for Kenny Pieper’s glass workshop. The piece is in the form of a watering can. Here, let’s get a better look:

 

Nick Fruin at the Penland glass studio

 

 

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A Well-Deserved Honor

Award recipients pose after the ceremony

Jean McLaughlin (right) with the other recipients of the James Renwick Alliance Distinguished Educator Award. Left to right: Paul Sacardiz for the Haystack Fab Lab, Chunghi Choo, Jamie Bennett, Jean McLaughlin.

 

Jean McLaughlin, Penland’s longtime director, was honored this spring with a 2016 Distinguished Craft Educators Award from the James Renwick Alliance in Washington, DC. The Alliance is a nonprofit organization that works to promote craft artists and craft education and helps to support the Renwick Gallery of the Smithsonian American Art Museum, the nation’s showcase for 20th and 21st century American crafts.

The James Renwick Alliance chooses Distinguished Craft Educators based on the recipient’s reputation for excellence and innovation in education, their influence on future artists in an education program, and their significant contributions to American education in the craft field. In nominating Jean for the award, glass artist, Renwick Alliance board member, and Penland trustee Tim Tate wrote, “When Jean came to Penland eighteen years ago, she breathed new life into the institution. She rebuilt or renovated most of the studios on campus. Thousands of students have passed through their doors, and almost every Distinguished Educator the Renwick Alliance has honored in the past has taught at Penland. Jean’s impact is hard to judge as its scope is so large.”

 

group photo with Jean

Jean celebrates after the award ceremony with a crowd of Penland friends.

 

As part of the award ceremony in April, the Alliance invited Jean to present a short lecture, which she devoted to an overview of Penland’s renowned craft workshops and residencies. “Penland is a leader in education,” Jean told the audience. “I can hardly lay claim to these accomplishments because they are the result of the minds and hands of many staff members and trustees—but my belief in Penland’s educational model is why I moved to Penland to become its director in 1998 and why I believe that I am here today!”

Congratulations, Jean, on this well-deserved honor! All of us in the Penland community benefit from your care, your dedication, and your vision.

 

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Photo of the Week: A Few (Hundred) Books!

Books students pose with the books they made

Let’s hear it for everyone in “Bindings in Paper,” Anna Embree’s session 1 class. In under two weeks, this crew not only learned a number of new binding and stitching techniques, they also made 212 books by hand. Yes, 212. Up close, each one has its own special details, from paste paper covers and decoratively-stitched bindings to coordinating cases and block printed details. But don’t worry that their suitcases will be too heavy on the way home: the class is donating twenty-two of its creations to the scholarship auction tonight to help future students come to a Penland session!

 

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Fall and Spring Workshop Listings

catalog cover showing a man painting a sign

We’re thrilled to announce our workshop lineup for Fall 2016 and Spring 2017! Whether it’s an eight-week concentration in crafting sculptural wood furniture or a one-week intensive on kinetic metal jewelry, there’s lots to choose from in each of our studios. Browse through all the course descriptions to find your next creative challenge.

Registration is open now, and scholarships are available for all fall and spring concentrations. Printed catalogs will be in the mail shortly.

 

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Photo(s) of the Week: Raising Day!

The timber framing class posing on the frame they raised

Penland’s eight-week concentrations are known for being intense and immersive workshops that leave students with new ideas, new skills, and new friends. This spring’s timber framing concentration was all that, but it also left a permanent mark on the Penland campus. In just eight weeks, the class, led by instructor Raivo Vihman and studio assistant Tom Shields, raised a full timber frame that will become the permanent home of a historical display just behind the Craft House. It took weeks of work to prepare the beams and fit them all together, but the raising took place in just one exhilarating day! Here’s to teamwork, cranes, and careful planning.

 

The first two walls of the frame going up

The two long walls of the structure were assembled on the ground before being raised into place.

 

Lowering a beam into place

A crane helps lower the first cross beam into position. Nice hard hats, all!

 

pounding a peg into place

The raising called for big pegs and big mallets. Unlike standard dimensional lumber frames, the timber frame isn’t held together with metal screws and braces.

 

The frame before the roof beams

With each new beam, the frame took on more and more of its final shape.

 

Thank you, timber framers, for this gorgeous structure! It will be a cherished part of campus for years and years to come.

 

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Counting Down to Summer

In less than three weeks, summer workshops will be underway at Penland! If you’re not registered for a workshop already, there are still lots of classes with open spaces, and even a few that have work-study scholarship positions available. Here are a few to get your creative juices flowing…

 

Belt buckel and brooch made by Lola Brooks

“Etruscan Horse” and “cut steel brooch (belly)” by Lola Brooks

 

In session 1, students in Lola Brooks’s workshop Storytelling & Belt Bucklery will tie together a wide range of metalworking techniques through narrative. The class will use stone setting, soldering, forming, fabricating, marriage of metals, and more to create pieces that are at once functional, beautiful, and full of meaning. It’s the perfect opportunity for beginning metalsmiths to get a solid footing in technique and for more advanced students to develop their ideas and artistic voice. Register now.

 

photograph by Emma Powell

“Against the Storm” by Emma Powell

 

During session 2, Fiction in Photography with Emma Powell will combine traditional 19th century printing processes with current digital technologies. Through a mix of theatrical photography, digital manipulation, and hand-printing, students will create images not of what is, but of what could be. If you’d like to to create images that are expressive, surreal, or even gravity-defying, this workshop is the one for you. Register now.

 

glass sculpture by Rebecca Arday and David Schnuckel

“com / mensural” (detail) by Rebecca Arday and David Schnuckel

 

Session 3 offers intermediate glass students an opportunity to deepen the content of their sculptural works in Logic & Lyricism with Rebecca Arday and David Schnuckel. By emphasizing conceptual intent, the workshop will encourage students to develop techniques in the hot and cold shops that amplify their ideas and artistic goals. For anyone who is ready to take their glass beyond simple forms, Logic & Lyricism provides a chance to make work with poetic appeal as well as technical skill. Register now.

 

These three workshops are just a small sampling of what Penland students will be learning this summer in the studios. To see all the other workshops across our fifteen studios and seven sessions that still have spaces, take a look at the open workshop list. Once you’ve found your perfect fit, you can register right here.

 

 

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Photo(s) of the Week: Spring in the Studios

The following post is a photo slideshow. If you’re looking at it in email, we recommend viewing it on the blog.

Students at work in the "Artist and Weaver" concentration
The weaving studio has looked like a veritable Pantone book this spring
Ikat weaving (and party banners!)
A giant frame loom with a radial warp
It takes teamwork to prepare pulp for papermaking
Learning the delicate art of Eastern papermaking
Turning pulp to paper
Handmade sheets of paper show their texture in the sun
The iron class started by forging spoons and other small objects
Products of an iron inflation demo in Elizabeth Brim's workshop
The glow of a coal fire in the iron studio
Taking a closer look at negatives during a 1-week workshop
Nancy Blum came to campus as this spring's visiting artist
This spring's clay concentration includes throwing, decorating, and handbuilding
Wavy clay things
Colorful clay things
Working with image transferring techniques
Students adding soda to a kiln during firing
A few treasures out of the kiln
A rainbow of inks in the letterpress studio
A few of the cloth bags that came out of one week of "Printfest!"
Just a small selection of the plates and prints that came through the studio in one week
Inking wood type to add to a print
Instructor Laura Wood in the studio during her "Make Show Repeat" concentration
Talking metals
For Alicia Keshishian's color theory workshop, the whole drawing studio got a colorful makeover.
Choosing palettes from a table full of color
Everything is scaled up in the wood studio this spring for the timber framing class
Working on site before the whole frame is raised
Wood students with their building-to-be!
Glass bubbles and tubes and twists before the addition of neon
Some glass blowing teamwork.

 

Between seven concentrations and nine 1-week workshops, we’ve had a busy spring at Penland. It’s been exciting to see the progress that long classes make, whether it’s transforming straight beams into a fully-realized timber frame structure or collecting plant material to make into paper to make into books. Scroll through the photos above to get a glimpse of the colorful, experimental, detailed, thoughtful, beautiful things underway in the studios. And, if you’re in the area, please join us on May 5th at 8pm to celebrate the end of the session at the scholarship auction in Northlight!

 

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