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A Celebration of Blacksmithing: Fire on the Mountain 2024

Free hands-on activities for people of all ages were very popular

What a wonderful event! Last weekend, we enjoyed demos by amazing blacksmiths, competitive forge-offs, hands-on activities, inspiring vendors, and a beautiful exhibition, all as a part of the annual Fire on the Mountain blacksmithing festival.

A forged bracelet 

Penland is proud to be a part of this event, produced in collaboration with Spruce Pine Main Street, Toe River Arts, Arthur Morgan School, and the many smiths and volunteers who make this wonderfully niche event such a rare and celebrated gathering of blacksmiths and enthusiasts.

It’s a lot of work and a lot of fun and we could not have asked for a better day or more excellent folks to spend it with.

Seth Gould had us enthralled at the close-up tent

We enjoyed the following demonstrations:

2024 FEATURED ARTIST BLACKSMITH
Pete Braspenninx
Demo: Fire-welding sculpture

Claire Ashby
Demo: small-scale sand casting in bronze and shibuichi for jewelry and hardware applications

Cole Aurichio
Demo: Sculptural forging and fire welding anatomical forms and figures.

Seth Gould
Demo: Nunome zogan, a decorative overlay technique used to add ornamentation to a metal object. 

Anna Koplik (who just finished teaching an 8-week Penland concentration)
Demo: forging on a small scale.

Will Manning
Demo:Processing and laminating rusted pitted old metal to create beautiful new materials.

Volunteers: So many!

Thank you to everyone who made this event possible and wonderful. Next year’s Fire on the Mountain Festival will take place on April 25th and 26th. See you then!

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Classmate’s Hands Inspire a Beautiful Print

Eighty-Five Years
Payton Landes
Edition of 9. 26”x26”.
 
“Eighty-Five Years” is a beautiful print by Payton Landes, inspired by the skilled and fluid hands of his classmate Edwina Bringle. Both are taking Jamaal Barber’s 8-week spring concentration in the Penland print studio. Edwina, along with her twin sister Cynthia Bringle (who is currently teaching in clay), celebrated her 85th birthday at Penland during this year’s spring concentration!

 

 
When Payton learned that Edwina was a weaver, the pair headed over to the textiles studio for a little demonstration and Payton took some photographs of Edwina’s hands doing what they do so well.

 

 
Jamal’s eight-week workshop on relief printing was Edwina’s first time making prints, and Payton was inspired by her loose, gestural mark making.

 

Edwina Bringle and the prints she created this spring at Show and Tell

 

“I can be very controlled in my work,” said Payton. “Watching Edwina work reminds me to loosen up.”
 
Excellent work, Payton!
 
Carved woodblock used to create the print
 

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Handmade, Sterling Silver Ball Jar Lids

Macho Man Randy Savage Ball jar lid by Laura Fortune

Lola Brooks is teaching an 8-week concentration in the Penland metals studio. An ambitious first project saw students create unique silver lids for ball jars. We checked in with Lola to ask her why she chose this project and how it turned out…

Why was this the perfect project to begin your workshop “All You Can Eat: The Blue Plate Special?”

I’ve always been fascinated by the mechanism of a handmade screw and I’ve done it on a much smaller scale. Then a friend of mine on instagram (Judy Geib) did a really fabulous one that was actually diamond encrusted.

I always like to have a big first project that the whole class works on, we had a lot of returning students (7 out of 12), and I thought that this would be the perfect first challenge. It’s big so you’re really learning how to handle the heat and then there’s a lot of opportunity for individual expression because it’s basically a blank canvas once you’ve built this kind of impossible mechanism..

I’m kind of obsessed with ball jars because they are so infinitely useful and reusable.You can use them in your everyday life. You can make your lunch a little more fabulous or your cup of tea. And I wanted to do them in silver because silver is absolutely fancy. I checked with everyone ahead of time because it was going to be a bit of a financial commitment.

The handmade screw mechanism of the jar is a challenge to create

What are some of the techniques employed?

Definitely a lot of fabrication. We’ve got sweat soldering and stone setting. A lot of carving. I’m really interested in transforming a piece of sheet metal into something that has the illusion of depth and dimension, so there is a lot of that. Enameling. And then the fitting of the mechanism required a certain amount of commitment and patience. We all like to get things done quickly but I think having to spend this sustained focused amount of attention on going back and forth getting it to fit correct, having to remove metal in some areas and just kind of the nuance of how a mechanism comes together is a great starting point.

Did the length of the class play a part in the project?

Oh, definitely. The first week we spent just building the mechanism. The second week was spent working on the lids. The first half of the third week was a really intense three days of attaching the top of the lid to the mechanism. A good two-and-a-half-plus weeks. I couldn’t have done this in a twelve-day workshop, no way.

How did it go?

I was a little nervous about it because we have some people in the class who don’t have a ton of experience, but everyone really rose to the challenge. They blew me away. I had no idea it was going to go like this. It’s incredibly satisfying and I’m so proud of all of them. And it’s such an incredible group of students. They all have my heart. It’s really amazing