Core fellows Kento Saisho and Katherine Toler working in the drawing and painting studio during week seven of the fall Concentration led by Tonya D. Lee.
Here’s the room from Kat’s side.
Core fellows Kento Saisho and Katherine Toler working in the drawing and painting studio during week seven of the fall Concentration led by Tonya D. Lee.
Here’s the room from Kat’s side.
Every year, the annual Core Fellowship Exhibition is a highlight of fall concentrations and an exciting opportunity to peek into the worlds of our core fellows as they explore new materials, ideas, and techniques across studios. This year’s, titled Everything Must Go, was certainly no exception. It featured the work of 2018-2019 core fellows Stormie Burns, Joshua James Fredock, L Gnadinger, Elliot Earl Keeley, Sarah Rose Lejeune, Corey Pemberton, Kento Saisho, Katherine Toler, and Devyn Vasquez. They curated and installed the show themselves in the Gallery North space of the new Northlight complex. The work ranged from delicate pâte de verre vessels to airbrushed paintings, with a strong unifying thread of experimentation and craftsmanship.
Congratulations on a beautiful installation, core fellows!
Everything Must Go will be on display through November 14, 2018. Viewing hours are Wednesdays noon – 3:00 PM, Saturdays noon – 3:00 PM, and Sundays: 1:00 – 4:00 PM.
This is Chelsea LaBate (a.k.a. Ten Cent Poetry) printing a series of short poems on a Vandercook printing press in the Fall Concentration taught by Beth Schaible (a.k.a. Quill and Arrow). Chelsea is a singer, songwriter, poet, and traveler, but she says, “letterpress is my new love.”
This is is the workshop’s studio assistant Celia Jailer (a.k.a. Afterschool Detective) making a pressure print onto a vellum press sheet. Pressure printing is an image-making technique in which a textured, flexible sheet is placed between the press sheet and the drum and then passed over a smooth, inked surface in the bed of the press. The image is transferred to the press sheet because it gets inked more heavily where there is pressure created by the textured sheet. It’s one of the many ways to work with these presses that Beth is covering in the workshop.