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Natural Dyes at the Penland Gallery

installation view of "Further Evidence" at the Penland Gallery

For most of human history, the colors used in art, craft, and materials of all sorts were derived from plants, minerals, and insects. Since the industrial revolution, however, synthetic dyes and colors tailored for specific materials have been the norm. In recent years, the craft world has seen a renewed interest in natural dyes, and they are now the subject of a new exhibition at the Penland Gallery titled Further Evidence: The Art of Natural Dyes. This riot of color will be on display through July 14, with an opening reception from 4:30-6:30 PM on Saturday, June 15.

Curator Catharine Ellis explains that the recent interest in natural dyes has been inspired by the local food movement, by an interest in personal and environmental safety, and by an increased scientific and technical understanding of dye processes and materials. Ellis is a weaver and textile designer based in Waynesville, NC and is the co-author, with textile engineer Joy Boutrup, of a recent book titled The Art and Science of Natural Dyes. The Penland Gallery exhibition brings this book to life with innovative, colorful work in cloth, tapestry, and paper.

Many of the pieces incorporate various approaches to shaped-resist dying or shibori, techniques that can create patterns after the cloth has been woven or patterns that are embedded in the individual threads before they are put on the loom. Two pieces in the show include words that are part of the woven design. Other works have designs and imagery created through tapestry weaving, stenciling, stitching, or piece work.

Artwork by Ana Lisa Hedstrom
Indigo-dyed paper by Ana Lisa Hedstrom

A series of remarkable wall pieces by noted shibori artist Ana Lisa Hedstrom were made by folding paper, dying it in indigo, and then unfolding and flattening to reveal geometric patterns in blue. An installation by ink maker Tim McLaughlin display materials and tools used for ink production along with glass vials of ink and journal pages written in extraordinary script with a fountain pen. The whole exhibition is a testament to the commitment this group of artists has to understanding and creating art with the colors of nature.

Running concurrently with this exhibition is a smaller Focus Gallery show of functional pottery by former Penland resident artist Shoko Teruyama, whose work is ornately shaped and patterned in vivid colors. The Visitors Center Gallery has an ongoing display of objects that illuminate the history of Penland School, and the Lucy Morgan Gallery presents a selection of work by dozens of Penland-affiliated artists. On display outside the Penland Gallery are large steel sculptures by Daniel T. Beck and Hoss Haley. There is also an interactive, outdoor installation by Jeff Goodman titled The Kindness for Imaginary Things.

The Penland Gallery and Visitors Center is open Tuesday through Saturday, 10:00 AM-5:00 PM and Sunday, Noon-5:00 PM; it is closed on Mondays. For more information visit penland.org/gallery.

Two works from "Further Evidence"
Left: dyed and quilted piece by Kim Eichler-Messmer. Right: dyed and woven piece by Amanda Thatch.

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Summer 2018 Workshop Catalog

Cover image; woman adjusts table saw in woodworking studio

Here it is, the summer 2018 workshop catalog! We’re thrilled to share our lineup with you in anticipation of another summer packed with creativity, energy, new friendships, and new ideas. We’re offering 102 unique workshops led by 116 talented artist/instructors, including favorites like encaustic painting and steel sculpture and special classes like brushmaking and skin-on-frame canoe building. Most workshops are open to serious students of all levels (beginners included!), and all give you access to the slide nights, dance parties, movement classes, scholarship auctions, and more that make a Penland session so special.

This year, summer registration will open to all students on January 8 at 9 AM EST on a first-come, first-served basis; we will not be using a lottery system. Applications may be submitted online, by fax, by post, or in person.

Scholarships are available for every summer workshop, including full, partial, and work-study scholarships. Spaces will be held in each workshop for scholarship students. Scholarship applications are due by 11:59 PM EST on February 17.

We hope you find a few minutes over the holidays to pour over the Penland catalog and find the perfect workshop for you, wherever you are in your creative journey. Look out for full course descriptions on the website by the end of December, with printed catalogs to follow in early January.

 

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Progress on the New Northlight

View of Northlight site under construction
A view of the Northlight building including the photography studio (upper left), papermaking studio (lower left), and social hall (right).

 

Now that the site is clear and level and foundations have been poured, the new Northlight building is growing like bamboo. Once completed, it will house brand new photography and papermaking studios and a large social hall for parties, scholarship auctions, movement classes, show and tell, and more.

There’s still a lot to do before the building’s estimated completion in summer 2018, but the bones of the spaces are in place. A tour through the site last week made it clear that this new complex is going to be a thing of beauty and a real treat for the whole Penland community. Have a look for yourself:

 

Inside the new social hall space

This is the inside view of the new social hall space, which has been designed with vastly improved acoustics, lighting, and temperature control in mind. We’ll see you here in 2018 for some epic dance parties!

 

Papermaking studio under construction

The new paper studio will include a dry classroom, a wet workroom, a covered and screened porch area, and even a separate space to house the beaters so the rest of the studio doesn’t get so noisy.

 

inside the 2nd floor photo studio construction

The photo studio will have plenty of space for darkroom and digital work, as well as some of the best views on campus.

 

Covered porch space will extend out from the social hall about ten feet

And for all of you with fond memories of the old Northlight porch, fear not! Porch space was the number one thing that people asked to keep in this new building, and the designers certainly listened. Here, facilities director Dave Sommer demonstrates how far the double-level covered porch will extend off the front of the social hall. Perfect for a rocking chair and a little knoll viewing, no?

We couldn’t be more excited about all the ways this new building will shape the Penland experience going forward, and we can’t wait to share it with you. Here’s a giant thanks to architect Louis Cherry, landscape architect Walter Havener, and Dave Sommer and his entire team for their vision and persistence in turning this idea into reality!

And finally, let’s finish with some more views because it’s just that lovely. Scroll to the end to see three renderings of the finished space.

A detail of the shaped wood columns that will support the covered porch areas outside the social hall.
Dave points out the exterior wall that can be used for outdoor movie projections.
The roof starting to take shape over the social hall.
This impressive stairway will connect the lower level of the social hall and paper studios with the upper level photography studio.
Framing out bathrooms and storage spaces behind the paper studio.
This beautiful wooden siding will clad part of the building's exterior.
Second floor photo porch in progress!
The space where these cranes are now will later be landscaped with native plants and inviting places to gather.
The views over the knoll and the mountains are pretty impressive from up here.
A look at the far side of the photo and paper studios.
Lots of space in the photo studio (soon to be filled with lots of great supplies and students!)
The corner of the photo studio looks out over the drawing and books studios.