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Adam’s Studio


Adam Whitney in his Penland School studio

Metalsmith Adam Whitney’s resident artist studio is a small building just behind the old dairy barn that houses five other resident studios. You can tell when he’s working by the ever-present sound of a hammer tapping on a metal sheet. “I think they put me back here so I wouldn’t drive everyone else crazy,” he laughed. 

Although Adam joined the resident artist program last fall, he is no stranger to Penland. He has taught in the metals studio several times, he’s participated in every winter residency, and he was the school’s metals studio coordinator from 2007 to 2011. 

He has experience in many kinds of metalsmithing, but his true love is raising: the craft of making hollow, three-dimensional forms from sheets of metal. His current projects are inspired by drinking vessels and the space program. He has made a series of cups that resemble a spacesuit helmet, and he is methodically developing a complex form based on the rhyton of the ancient Mediterranean. This is a horn-shaped vessel with a drinking hole at the bottom. The hole was often part of an animal head or torso fitted onto the end of the horn. Adam remembers seeing these forms in museums when he was first getting interested in metal work. “They were the metal shapes I was in awe of,” he said. 

 

Adam Whitney's raised metal forms
Adam’s current work. On the left are two prototype rhyton horns. On the top shelf are his series of space helmet cups. Below them are a clay model and several copper tests of the space suit form that will fit onto the end of the horn.

Adam’s rhyton will end with the torso of a spacesuit. While he is currently working on prototypes of the vessel and the suit in copper, the final piece will be silver. Raising the intricate form of the spacesuit is an admirable technical challenge, but that’s not the only thing that drew Adam to this image. 

“I think the spacesuit is a phenomenal piece of technology,” he said. “It’s actually a vehicle. It’s the tiniest possible vehicle for a person, and it’s used in the harshest environment. 

“Nobody really knows why the drinking horn with an animal on it exists, but it probably had to do with some kind of embodiment of the animal’s power through drinking. I wanted to put something on mine that would represent the culture I’m in now. For me, space exploration is the most fascinating thing that has happened in a long time. It’s a new frontier where we have just barely scratched the surface, and the space suit encapsulates that and puts it in human form.”

 

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Photo of the Week: Process in Pewter

We launched the videos for our second online demonstration this week! Participants have been following along as expert metalsmith David Clemons forms, welds, solders, and finishes an elegant pewter salt shaker. And this Saturday, 2/13, they’ll get to join David for a live Q&A to learn more about his process and get answers to their metalsmithing questions.

Register for David’s demo to take part!

Here’s a small window into the transformation a flat sheet of metal undergoes in David’s hands. Each of the following images is a screenshot taken directly from his prerecorded demonstration.

1. Transferring the vessel template to sheet metal

metalsmith David Clemons introducing pewter in his online demonstration

 

2. Joining the edges of the pewter into a tapered cylinder

Instructor David Clemons joining two edges of a pewter vessel

 

3. Soldering the base of the salt shaker to the body of the vessel

David Clemons soldering the base to a vessel in the Penland metals studio

 

4. Showing off the finished piece—shiny and ready for a place at the table!

David Clemons with his completed pewter salt shaker at the end of his online demo

 

David will also be teaching an immersive online workshop on making lidded pewter vessels February 24-27. Register now, or explore all Penland’s upcoming workshops online and in person.

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From Designing to Dining: Two Months of Metal

Metalsmith David Clemons working at the forge in the Penland iron studio
David Clemons at work in the Penland iron studio, where he will teach this March 10-May 3.

We eat every day, but how often do we dine? Dining makes an event of eating, transforming it into something more special than a sandwich at your desk or a granola bar on the go. It’s sitting down with intention, taking the time to savor food and company. It’s transferring your leftovers from their cardboard carton to a ceramic plate, clearing the mail off the table, folding a napkin. It’s combining elements to encourage a certain atmosphere and behavior.

Dining, then, is akin to much of the craft that happens at Penland: a celebration of focus, potential, and process.

Why not combine the two, dining and craft? This spring, metalsmith David Clemons and his students will do just that in the Penland iron studio March 10 – May 3. During the eight-week concentration Personal Dining Ware, David will introduce students to a wide range of forging and fabrication techniques to bring ideas for the table to life. From spoons and spatulas hammered at the anvil to drinking vessels and candleholders, they’ll use dining implements as a starting point to create thoughtfully designed and artfully crafted objects in metal.

David got a head start this winter during the two weeks he spent as a resident in the iron studio playing around with steel serving vessels and more. Below are a few photos of one piece he made, which started as a sketch and then took form as forged elements that he welded together into the most exquisite sectioned tray.

Students in David’s class will take a similar approach, using a specific food or presentation or style as inspiration to create objects both functional and beautiful. Along the way, they can expect to give their metalworking skills a major boost.

REGISTER NOW
Work-study scholarships still available!

Process shots of David Clemons’s serving tray, plus the finished tray at right. (Images: David Clemons)

Personal Dining Ware

David Clemons, March 10 – May 3, 2019
Indulgence, sustenance, diplomacy, celebration, and even revenge are a few of the many motivations for the act of dining as reflected in our lives and in pop culture. In this workshop, we’ll engage in the design, fabrication, and forging of objects that facilitate and provide ambiance for dining. We’ll cover forging, cutting, welding, forming, pressing, etching, patination, tinning, cold connections, and other techniques. Formats will include flatware, serving vessels, and candle holders. Some metalworking experience will be helpful, but this workshop is open to all levels. Code S00I

Studio artist; former head of metals at University of Arkansas at Little Rock; other teaching: Memphis College of Art, Oregon College of Art and Craft, Maine College of Art; Arkansas Arts Council Individual Artist Fellowship; collections: National Ornamental Metal Museum (Memphis), Yale University (CT), Arkansas Art Center.

davidclemons.com