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Now on View in the Penland Gallery

Tom Shields, “Mediation,” cast iron, 60 x 18 x 39 inches (photo courtesy of John Michael Kohler Arts Center)

The year’s first exhibition at the Penland Gallery is a collection of work by artists who, in the words of gallery director Kathryn Gremley, “have erased dividing lines or untethered themselves from material and creative constraints.” Titled I dwell in Possibility after a poem by Emily Dickinson, the exhibition includes work in ceramic, glass, metal, painting, photography, printmaking, and wood with considerable mixing of media. The fifteen artists represented will be teaching workshops at Penland in 2018. The show runs through May 13.

Ruther Miller, “The Evocation and Capture of Aphrodite,” hand-embroidered wool on fabric, 36 x 30 inches

Walking into the exhibition, visitors will be greeted by a three-foot tall, precisely rendered image of a young woman—leaves and geometric shapes float by her in the foreground. The piece can easily be mistaken for a painting, but closer inspection reveals that it is made entirely from embroidery thread. The artist, Ruth Miller, spends about a year stitching one of these pieces.

Photographer Dan Estabrook is represented by a series of tintypes, which are images created on a metal plate. Although tintypes have traditionally been treated simply as a type of photograph, this artist has chosen to also approach them as metal objects. Using a jeweler’s saw, he carefully cuts up different tintypes and recombines them to create metal collages.

A cast-iron teapot by Frankie Flood, who is a faculty member at Appalachian State University, has a surface texture that looks like the inner surface of tree bark, while the surface of a wooden platter by Matthew Hebert has been carved into a 3D image of a manhole cover. And an animated video by Noah Saterstrom is accompanied by several of the paintings he used to create it. These are just some of the wonders and possibilities presented in this exhibition.

Also on view in the Focus Gallery is an exhibition titled GATHER | Eat, Drink, Enjoy, which showcases elegant, functional glassware by Courtney Dodd and Nickolaus Fruin. Together, the artists have formed “Shaker + Salt,” a line of exquisitely-executed plates, bowls, cups, and more that are meant to be shared, enjoyed, and laughed over at the table. The exhibition highlights these pieces as they might be used at a dinner party, complete with a fully set table and cocktail recipes to go with each set of glasses. Admire the entire arrangement, and then lean in close to catch the special details that set each piece apart.

Place setting from “GATHER” by Shaker + Salt

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Summer 2018 Workshop Catalog

Cover image; woman adjusts table saw in woodworking studio

Here it is, the summer 2018 workshop catalog! We’re thrilled to share our lineup with you in anticipation of another summer packed with creativity, energy, new friendships, and new ideas. We’re offering 102 unique workshops led by 116 talented artist/instructors, including favorites like encaustic painting and steel sculpture and special classes like brushmaking and skin-on-frame canoe building. Most workshops are open to serious students of all levels (beginners included!), and all give you access to the slide nights, dance parties, movement classes, scholarship auctions, and more that make a Penland session so special.

This year, summer registration will open to all students on January 8 at 9 AM EST on a first-come, first-served basis; we will not be using a lottery system. Applications may be submitted online, by fax, by post, or in person.

Scholarships are available for every summer workshop, including full, partial, and work-study scholarships. Spaces will be held in each workshop for scholarship students. Scholarship applications are due by 11:59 PM EST on February 17.

We hope you find a few minutes over the holidays to pour over the Penland catalog and find the perfect workshop for you, wherever you are in your creative journey. Look out for full course descriptions on the website by the end of December, with printed catalogs to follow in early January.

 

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The Art of Persuading Metal

Penland spring concentrations are coming up this March 11 – May 4, 2018. Registration is now open and scholarships are available. Scholarship applications are due by 11:59 PM EST on November 28, 2017.

 

Stirrup Cups by Adam Whitney
“Sea Monster Stirrup Cups,” Adam Whitney

 

It’s hard to hold one of Adam Whitney’s sea monster stirrup cups without being drawn in by memories of old maps, aquarium trips, and the open sea. They’re exquisite objects with incredible detail—shiny protruding fangs, shadowy eyes, and dimpled, scaly skin that looks as cold and wet as any creature drawn from the ocean’s depths. But seeing the finished projects is only half the story. The other half is seeing how Adam takes a solid silver ingot and transforms it with a hammer and anvil into a raised vessel before adding layers of detail with chasing, repoussé, and great patience and skill. If that sounds like magic, we’d suggest watching Adam’s animation below.

 

animation of silver ingot being raised into a pair of cups

 

This spring, Adam will be sharing his expertise with students at Penland during an eight-week concentration. The workshop is titled, appropriately, Persuading Metal and will introduce students to the process of coaxing silver, copper, and other metals from solid chunks into refined vessels, as well as jewelry techniques, tool making, hydraulic forming, chasing and repoussé, and more. Whether you’re a jeweler who wants to learn some new skills, an experienced metalsmith hoping to hone your work, or a complete beginner interested in gaining proficiency in metals, this workshop has plenty to offer, and Adam is an expert instructor (and former Penland metals studio coordinator!).

Registration is now open, and scholarships are available for all spring concentrations. The scholarship application deadline is November 28, 2017. See below for more details, and see Adam’s website for more images of his incredible work.

 

Adam Whitney working on a silver cup
Adam adding detail to a raised silver cup.

Persuading Metal

Adam Whitney—This workshop will be an exploration of manipulating metal and creating holloware. We’ll begin with the hammer: forging, sinking, and raising samples to establish a foundation in metal forming. Basic metalsmithing and lesser-known (and underappreciated) jewelry skills will be introduced with attention placed on working in a larger scale. Then we’ll move on to chasing and repoussé, basic tool making, and hydraulic press forming. We’ll start with lots of demonstrations and samples. As students become proficient with materials and processes, the emphasis will move to individual guided projects and discussions of historic and contemporary holloware. All levels. Studio fee: $160. Code S00MA

Studio artist; teaching: Center for Metal Arts (NY), Smith Shop (MI), Fritz & Friends (MI), Raffles College (Malaysia); visiting artist: Rhode Island School of Design.

awmetalsmith.com

 

raised cups by Adam Whitney
A selection of raised silver cups by Adam Whitney

 

REGISTER FOR SPRING CONCENTRATIONS
clay  |  letterpress  |  painting  |  metals  |  textiles  |  wood  |  sculpture
Scholarship applications due November 28, 2017