Adam Whitney is spending the month of January at Penland as a winter residency studio assistant in upper metals. His big project for that time is to make a pair of stirrup cups, the “parting cups” traditionally used to present mounted riders with wine or spirits before they left on a journey. Because stirrup cups were used on horseback instead of around a table, they didn’t need the flat base standard to almost all drinking vessels, and many were shaped like the heads of hounds, foxes, and other animals. Adam is crafting his in the shapes of mythical beasts.
The cups are inspired by fanciful renderings of sea monsters and other creatures on old maps and books. Adam started by making a model in copper, complete with curved teeth, horns, and a scaly chin. Next, he began the methodical work of transforming solid lumps of silver into cups, first by shaping and hollowing them with a hammer and then by adding details with finer tools like punches. The process is no small undertaking, but the results so far are a monstrous success.
We’re thrilled to present the Summer 2017 workshop catalog! It includes information about our ninety-seven unique summer workshops, including favorites like wood-fired pottery and letterpress and special offerings like bicycle building and leather inlay. Some workshops are for beginners, some are aimed at intermediate and advanced artists, most are open to students of all levels, and each is taught by knowledgeable artist-instructors. The front and back covers capture the range of our broad Penland community in a series of Penland portraits by resident artist Mercedes Jelinek. Read more about her photographs and all of this summer’s great offerings right here in the catalog.
Registration for summer workshops is open now, and everyone who registers by 5 PM on February 11 will be entered into the early registration lottery. Scholarships are available for all workshops. Apply for scholarships by February 17.
We are currently working on uploading full course information to our website. Look for it online by the end of December, with printed catalogs to follow in early January.
Fall workshops may have just ended, but it won’t be too long before concentrations are back in session for Spring 2017! We have a great lineup of artist-instructors coming to Penland to teach everything from casting iron and glass to atmospheric firing techniques for clay during Penland’s unique 8-week workshop format. Scholarships are available for all concentrations. Scholarship applications are due November 28, 2016.
Below is a preview of what’s in store this March 12-May 5, 2017. For complete course descriptions, see the Spring Concentration page.
Nick Schwartz will lead students in an exploration of “Painting with Fire,” including wood and gas firings and the possibilities of salt and soda in the kiln. John Dix will join as guest instructor for two weeks.
Penland resident artist Dean Allison will share his expertise in glass casting and mold making. Students will gain new abilities to work with glass in a range of ways to express their artistic visions.
Remy Louis Hanemann will guide students through the process of building a complete iron foundry at Penland. As they go, students will learn skills such as plasma cutting and welding, making two-part molds, and, finally, conducting an iron pour.
Letterpress & Books In her workshop “Image as Narrative,” Anne Covell’s students will first explore alternative printing techniques to create images and then bind them into traditional and sculptural books.
David Jones will give his students a wide-ranging education in metal fabrication for jewelry or small sculpture. Students will learn techniques from sawing, soldering, and stamping to forging and forming.
In “Weaving: A Dialogue,” Tommye McClure Scanlin and Bhakti Ziek will share their expertise in tapestry and jacquard weaving as students create images on the loom.
Jack Mauch will lead students in an in-depth exploration of woodworking techniques for furniture and sculpture with an emphasis on shape and going beyond rectilinear forms.
Each of our spring concentrations are open to students of all levels. Enrollment is open now, and the deadline to apply for a scholarship is November 28, 2016. Read more about Penland’s scholarship program, and then apply online through Penland’s slideroom site.
“Beautiful things have always affected my life, and I believe beauty is a powerful force in the world.” So Kristina Glick introduces her body of jewelry and metalwork. Her pieces are indeed beautiful, but those expecting extravagant gold or jewel-studded creations are imagining the work of the wrong artist. Kristina’s beauty is all about appreciation, interest, and a keen eye. “I am often drawn towards the quiet and the subtle: the texture of a rusty nail, a discarded book, pieces of a magnolia seed, or the curve of a beach stone,” she explains. Her work masterfully combines found objects and traditional metalworking techniques into pieces that are rich with color, texture, and unexpected details.
This fall, Kristina will be bringing her dedication to beauty—and her sizable skills—to the Penland metals studio. From September 25 to November 18, she will be teaching the concentration Counterbalance: Enameling, Electroforming & Found Objects. The course will be eight weeks of exploring techniques, materials, and the qualities that make a piece uniquely beautiful to each of us.
“I hope that what I create may someday slip into someone else’s life and tip the balance of their world a little further in the direction of beauty,” Kristina says. If your world could use a bit more beauty in the everyday (and whose couldn’t?), then Kristina’s workshop might be the perfect thing. Registration is now open, and a couple work-study scholarships are still available. For more information, contact the Penland registrar at 828-765-2359, ext 1306.
Counterbalance: Enameling, Electroforming & Found Objects
Kristina Glick—This workshop will start with the basics of liquid enamels including techniques such as layering, sgraffito, stamping, stenciling, and champlevé. Then we’ll explore electroforming to create organic, textured copper surfaces that will highlight and enhance the enamel. We’ll use found objects as inspiration and incorporate them into finished work. With an emphasis on process and experimentation, we’ll work toward the design and execution of jewelry pieces or wall panels. The workshop will include basic fabrication skills: sawing, soldering, cold connections, etching, and finishing. All levels. Code F00MA
Associate professor at Goshen College (IN); other teaching: Idyllwild (CA), Arizona Designer Craftsmen, Goshen Jewelers Guild (IN); exhibitions: JAS (NC), Touching Mystery (OH); work published in 500 Gemstone Jewels and 500 Enameled Objects (Lark Books); representation: Angelo (VA).
The job of a Penland studio coordinator is a many-faceted one. Our eight coordinators order materials and keep studios clean and equipment running smoothly. They manage budgets and large inventories of supplies. They work with our programming office to plan upcoming workshops, and instructors to provide for specific classes, and individual students to solve problems on the fly. It’s a demanding and unpredictable job, which makes it all the more impressive that these eight individuals are also working artists in their own right. We are thrilled and proud that they have come together to put on a group show of their work at the Asheville Area Arts Council. Appropriately, the exhibition is called Off the Clock.
As curator and Penland friend Elaine Bleakney writes:
OFF THE CLOCK features eight artists, all full-time studio coordinators at Penland School of Crafts in Penland, NC. The work on view here was made in the off-hours by friends and colleagues who see each other daily and exchange interests, affection, knowledge, and regard for each other.
This is not a group show in the traditional sense. These artists are not strangers, and the works are not estranged from each other, despite their singular presences. Rather, looking from artist to artist, the viewer might pick up a magical sense that the works were made on the same set of evenings, in studios closeby. One of these artists might have looked up from her work and gazed out the cool, green window. She might have seen one of the other artists riding by on a bike, and waved.
Off the Clock will be on view at the Refinery Creator Space at 207 Coxe Ave in Asheville through September 16, 2016. It features the work of Daniel T. Beck (iron/sculpture), Betsy DeWitt (photography), Susan Feagin (ceramics), Jay Fox (print), Nick Fruin (glass), Ian Henderson (metals), Ellie Richards (wood/sculpture), and Amanda Thatch (drawing/textiles).
There will be a reception for the show on Friday, September 2 from 5 PM to 8 PM, and the artists will present a public talk on Saturday, September 3 from 4 PM to 6 PM. More information about both events is available on the exhibition’s Facebook event page.
Juvana Soliven casting bronze using the awesome power of gravity in this session’s metals workshop taught by Suzanne Pugh. Suzanne decided to focus the workshop on gravity casting rather than centrifugal or vacuum casting because it’s cheaper to set up in a home studio and also opens the possibility of making larger-scale work.
Summers at Penland can be seasons of frenetic energy, while winters here have a more independent, reflective mood. Between them, springs and falls are seasons of sustained inquiry, exploration, and growth. The 8-week concentrations that take place during these times combine the length of a college term with the intensity of fully-immersive workshop education. For artists looking to make great strides in their work or dive deeply into new techniques, Penland concentrations are an unmatched opportunity. The application deadline for fall scholarships is August 1, 2016.
Birdie Boone and Matt Repsher will lead students in their “pot-centric” workshop to develop wheelthrown and handbuilt pieces with stronger connections between form and surface.
In “The Cane Ladder,” Claire Kelly and her students will dive deep into glassblowing techniques, covering cane and murrine as well as sculpting, hot and cold assemblies, and cold work.
Blacksmith Jay Burnham-Kidwell will take students through eight weeks of fire and iron: forging, bending, splitting, punching, welding, finishing, and more.
In Kristina Glick’s workshop “Counterbalance: Enameling, Electroforming & Found Objects,” students will use liquid enamels on metal to produce finished pieces of jewelry, wall panels, and other exquisite objects.
Georgia Deal will lead her students in an exciting mix of monoprinting and hand papermaking to develop layered prints and rich visual vocabularies.
Recent resident artist Rachel Meginnes will teach “The Thread Between,” a workshop focused on textiles and artistic development that will include weaving and surface exercises as well as readings, writing, and group discussions.
In “Books, Relics, Curiosities,” Daniel Essig will lead students in an exploration of wood and bookbinding techniques to create book-based sculptures.
Each of our fall concentrations are open to students of all levels, and scholarships are available for every concentration. The deadline to apply for a fall concentration scholarship is August 1, 2016. Read more about Penland’s scholarship program, and then apply online through Penland’s slideroom site.
Join us for eight weeks of creative energy and artistic growth this fall!