In a recent conversation with a student, she talked about her first time at Penland. “I was in a workshop in upper textiles. It was my introduction to screenprinting, and I was blown away,” she said. “Every time I walked up the stairs to the studio, I passed a poster that said ‘Penland changes lives.’ And every time I saw it, I smiled to myself like ‘Yeah, sure does.'”
It’s something we hear quite a lot, in fact: a workshop at Penland is a transformative experience that opens up new questions, new connections, and new paths.
Why not see for yourself? This March 8 – May 1, 2020 we’ll be offering seven different 8-week concentrations, each one an immersive dive into materials and techniques and ideas.
Clay:Parts Unknown with Jenny Mendes Glass:Intentions & Inventions with Dan Mirer Iron:Attention to Detail with Andy Dohner Metals:Wunderkammer with Suzanne Pugh Photo:Processing Process with Mercedes Jelinek Letterpress:Print/Process/Production with Jamie Karolich Textiles:Inside Out: Garment as Identity with Erika Diamond
Over hundreds or thousands of years, cultures across the globe have developed their own ways of working with basic materials such as clay, fiber, and metal. This global nature of craft is brought to light in a new exhibition at the Penland Gallery, which presents a brilliant exploration of traditional Japanese metalworking as it is practiced today. The show, titled Tradition of Excellence: Japanese Techniques in Contemporary Metal Arts, runs through November 17.
Featuring work by twenty-two Japanese and seven American artists, the exhibition was curated by metalsmith Hiroko Yamada, a jeweler and teacher who divides her time between Wisconsin and Japan. All of the artists make work based in historical techniques and approaches: some of them adhere strictly to tradition, while others reinvent or reinterpret it through contemporary practice. Among the artists are three who have received the highest honor in being designated as Japanese Living Treasures. Also part of the exhibition are three artists who live at or near Penland: Marvin Jensen, a longtime Mitchell County resident and former Penland employee; Seth Gould, a recent Penland resident artist; and Andrew Meers, a current Penland resident artist.
Curator Hiroko Yamada has taught at Penland School regularly since 2005. Over the past five years, she has helped organize several exhibitions and workshops aimed at introducing Japanese metal work to Western audiences and metalsmiths. “My mission,” she says, “is to bring together artistic skills and knowledge that will help both Japanese and American artists grow in their work and achieve new levels of excellence.”
What is hard to convey about this show is the astonishing level of excellence displayed by this work—in technique, design, and sheer artistry. The exhibition includes vessels, jewelry, and small sculpture. All of the work could be called decorative, with each piece creating its own special kind of beauty. Although few people who see this exhibition will arrive familiar with terms such as shakudo, kinkeshi, or mokume-gane, it’s unlikely that anyone will leave unmoved by this display of the incredible work that can be made by artisans committed to the highest levels of craft.
Also currently on view at the Penland Gallery is a small show of glass work by Shane Fero and photographs by Deb Stoner. Around the building are outdoor sculptures by ceramic artist Catherine White and steel sculptors Daniel T. Beck and Hoss Haley and an interactive mixed-media installation by Jeff Goodman.
The gallery is open Tuesday through Saturday, 10:00 AM-5:00 PM and Sunday, Noon-5:00 PM; it is closed on Mondays.
Penland runs well over 100 workshops every year, and this fast pace means it can be hard to fully appreciate the creative leaps and transformations that happen—quietly but powerfully—in each one. Before we move on to the exciting flurry of summer workshops starting this Sunday, we want to spend another moment or two taking in all the great things that came to life during our spring sessions, from new shoes to new furniture designs to new friendships. Below, we present a mini slideshow of eight photos, one from each of our eight-week concentrations and an extra one of the sweet moments in between. For more spring photos, including shots from our spring one-week workshops, head over here to view our longer album.
The year’s first exhibition at the Penland Gallery is a collection of work by artists who, in the words of gallery director Kathryn Gremley, “have erased dividing lines or untethered themselves from material and creative constraints.” Titled I dwell in Possibility after a poem by Emily Dickinson, the exhibition includes work in ceramic, glass, metal, painting, photography, printmaking, and wood with considerable mixing of media. The fifteen artists represented will be teaching workshops at Penland in 2018. The show runs through May 13.
Walking into the exhibition, visitors will be greeted by a three-foot tall, precisely rendered image of a young woman—leaves and geometric shapes float by her in the foreground. The piece can easily be mistaken for a painting, but closer inspection reveals that it is made entirely from embroidery thread. The artist, Ruth Miller, spends about a year stitching one of these pieces.
Photographer Dan Estabrook is represented by a series of tintypes, which are images created on a metal plate. Although tintypes have traditionally been treated simply as a type of photograph, this artist has chosen to also approach them as metal objects. Using a jeweler’s saw, he carefully cuts up different tintypes and recombines them to create metal collages.
A cast-iron teapot by Frankie Flood, who is a faculty member at Appalachian State University, has a surface texture that looks like the inner surface of tree bark, while the surface of a wooden platter by Matthew Hebert has been carved into a 3D image of a manhole cover. And an animated video by Noah Saterstrom is accompanied by several of the paintings he used to create it. These are just some of the wonders and possibilities presented in this exhibition.
Also on view in the Focus Gallery is an exhibition titled GATHER | Eat, Drink, Enjoy, which showcases elegant, functional glassware by Courtney Dodd and Nickolaus Fruin. Together, the artists have formed “Shaker + Salt,” a line of exquisitely-executed plates, bowls, cups, and more that are meant to be shared, enjoyed, and laughed over at the table. The exhibition highlights these pieces as they might be used at a dinner party, complete with a fully set table and cocktail recipes to go with each set of glasses. Admire the entire arrangement, and then lean in close to catch the special details that set each piece apart.
Here it is, the summer 2018 workshop catalog!We’re thrilled to share our lineup with you in anticipation of another summer packed with creativity, energy, new friendships, and new ideas. We’re offering 102 unique workshops led by 116 talented artist/instructors, including favorites like encaustic painting and steel sculpture and special classes like brushmaking and skin-on-frame canoe building. Most workshops are open to serious students of all levels (beginners included!), and all give you access to the slide nights, dance parties, movement classes, scholarship auctions, and more that make a Penland session so special.
This year, summer registration will open to all students on January 8 at 9 AM EST on a first-come, first-served basis; we will not be using a lottery system. Applications may be submitted online, by fax, by post, or in person.
Scholarships are available for every summer workshop, including full, partial, and work-study scholarships. Spaces will be held in each workshop for scholarship students. Scholarship applications are due by 11:59 PM EST on February 17.
We hope you find a few minutes over the holidays to pour over the Penland catalog and find the perfect workshop for you, wherever you are in your creative journey. Look out for full course descriptions on the website by the end of December, with printed catalogs to follow in early January.
Penland spring concentrations are coming up this March 11 – May 4, 2018. Registration is now open and scholarships are available. Scholarship applications are due by 11:59 PM EST on November 28, 2017.
It’s hard to hold one of Adam Whitney’s sea monster stirrup cups without being drawn in by memories of old maps, aquarium trips, and the open sea. They’re exquisite objects with incredible detail—shiny protruding fangs, shadowy eyes, and dimpled, scaly skin that looks as cold and wet as any creature drawn from the ocean’s depths. But seeing the finished projects is only half the story. The other half is seeing how Adam takes a solid silver ingot and transforms it with a hammer and anvil into a raised vessel before adding layers of detail with chasing, repoussé, and great patience and skill. If that sounds like magic, we’d suggest watching Adam’s animation below.
This spring, Adam will be sharing his expertise with students at Penland during an eight-week concentration. The workshop is titled, appropriately, Persuading Metal and will introduce students to the process of coaxing silver, copper, and other metals from solid chunks into refined vessels, as well as jewelry techniques, tool making, hydraulic forming, chasing and repoussé, and more. Whether you’re a jeweler who wants to learn some new skills, an experienced metalsmith hoping to hone your work, or a complete beginner interested in gaining proficiency in metals, this workshop has plenty to offer, and Adam is an expert instructor (and former Penland metals studio coordinator!).
Adam Whitney—This workshop will be an exploration of manipulating metal and creating holloware. We’ll begin with the hammer: forging, sinking, and raising samples to establish a foundation in metal forming. Basic metalsmithing and lesser-known (and underappreciated) jewelry skills will be introduced with attention placed on working in a larger scale. Then we’ll move on to chasing and repoussé, basic tool making, and hydraulic press forming. We’ll start with lots of demonstrations and samples. As students become proficient with materials and processes, the emphasis will move to individual guided projects and discussions of historic and contemporary holloware. All levels. Studio fee: $160. Code S00MA
Studio artist; teaching: Center for Metal Arts (NY), Smith Shop (MI), Fritz & Friends (MI), Raffles College (Malaysia); visiting artist: Rhode Island School of Design.
Hands-on craft activities, a legion of wonderful volunteers, hundreds of eager visitors, and some beautiful spring weather all came together this past Saturday to make the 2017 Penland Community Open House a rousing success. Visitors tried their hands at perennial favorites like glassblowing and wheel throwing, as well as new additions like origami, sewn tote bags, and a letterpress scavenger hunt. We look forward to the open house every year as a way to welcome spring and bring together community members of all ages and skill levels. Thanks to all who participated for making it such a fun day!
In the photograph above, metals studio coordinator Ian Henderson guides two young visitors through the process of casting a spoon out of pewter. It took mere minutes to transform the hot, pourable metal into a spoon to take home and enjoy.
Meanwhile, in the photo activity, Penland resident artist Mercedes Jelinek was busy taking hundreds of portraits of open house attendees. Everyone who sat for a portrait was able to take home their own black-and-white print.
Visitors to the flameworking studio got to work up close with torches and glass. Here, one attendee learns how to melt the colored glass and shape it around a metal rod to make a unique bead.
To see dozens more photos from the day’s activities, take a look at our complete album of Community Open House 2017 pictures. We hope they inspire you to join us for Community Day 2018!