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Announcing the Elizabeth Brim Scholarship Fund


An outpouring of support for 2023 Outstanding Artist Educator Elizabeth Brim has helped establish the Elizabeth Brim Scholarship! We invite you to help endow a scholarship in honor of Elizabeth Brim’s pioneering and sustained contributions to the blacksmithing community! Any amount is greatly appreciated.

“Few people have been as committed and have contributed as much to Penland as Elizabeth Brim. Not only is Elizabeth a rockstar in the blacksmithing world, she is a great friend and inspiration to so many who enjoy the Penland experience. If Elizabeth has touched your life, directly or indirectly, we invite you to be a part of her legacy by donating to the Elizabeth Brim Scholarship. We are thrilled to honor Elizabeth Brim’s legacy by creating this opportunity for future generations. ”

-Susan Owen, friend, mentee, peer

BE A PART OF ELIZABETH’S LEGACY

Deep Penland Connections

Elizabeth was Penland’s iron studio coordinator from 1995–2000 and then settled permanently into a house and studio just a mile from the school. Over three decades, she has taught many workshops at Penland and other craft schools including Peters Valley in New Jersey and Haystack in Maine. She has demonstrated at numerous blacksmithing conferences, organized two symposia at Penland, and been a role model and inspiration for countless aspiring blacksmiths. She continues to be an integral part of the Penland community.

Iconic, Innovative Work

Elizabeth Brim is known for her life-sized, steel replicas of traditionally feminine objects such as hats, dresses, pillows, and flowers; for her expressive and fluid use of the material; and for her facility at inflating steel forms with compressed air.

Elizabeth Brim, Excess, 2008. Steel. Metal Museum Permanent Collection 2009.8.1. Gift of John & Robyn Horn.

Watch Elizabeth inflate a steel pillow.

Honoring Elizabeth

Over the summer, Penland honored Elizabeth as Outstanding Artist Educator at the 38th Annual Penland Benefit Auction. Twenty blacksmiths who are near and dear to Elizabeth created special works of art, inspired by her for the occasion. Friends and colleagues shared how Elizabeth has touched their lives. Many of these artists have contributed to the Elizabeth Brim Scholarship fund, bringing us closer to our goal of endowing a scholarship that will provide opportunities for blacksmiths for generations to come.

Elizabeth has given so much to Penland and to the blacksmithing community. We invite you to be a part of her legacy by donating to the Elizabeth Brim Scholarship fund. Donate today!

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Bourdain and Craft

Anthony Bourdain at Penland
Anthony Bourdain with instructor Elizabeth Brim, studio coordinator Daniel Beck, and students in the spring 2016 iron workshop.

Last Friday, at an otherwise happy, end-of-session show-and-tell, there were some red-rimmed eyes and sad faces as we tried to process the news that Anthony Bourdain had died. Not only that he was gone, but that a man who embodied a full embrace of life had died by his own hand.

We admired Bourdain for the same reasons other people did: his intelligence, his curiosity, his storytelling, his low-tolerance for bullshit, his excellent writing, his great voice, his charismatic persona, and his eager willingness to eat noodles on a street in Taiwan in the middle of night and tell the rest of us all about it. We also admired him for his deep appreciation of skilled making, perfected attention — in other words, craft.

Bourdain was identified mostly with food and travel, but in recent years, thanks to his association with The Balvenie scotch company, he had also become a spokesperson for craft. As part of a generous campaign to identify itself as a craft business, The Balvenie has partnered with the American Craft Council to establish a major craft award. And they created Raw Craft, a series of beautifully produced video profiles of people who make knives, shoes, furniture, saxophones. A 2016 episode featured blacksmith and Penland neighbor Elizabeth Brim. Bourdain hosted the series, engaging these makers in the same kind of intelligent and appreciative conversation he brought to decades of interactions with cooks, chefs, and eaters all over the world.

Elizabeth was teaching a Penland workshop when Bourdain and the production crew spent a day filming her. Half of the piece takes place in Elizabeth’s studio; the other half is at Penland with her students. The producer asked us to keep Bourdain’s visit quiet so they wouldn’t be interrupted by a fan mob, but during the time he was on campus, a steady trickle of admirers passed through with words of appreciation. Bourdain was low-key, friendly, and kind to everyone. He introduced himself to each person by saying, “Hi, I’m Tony.” The last bit of video was shot at a Spoon in Spruce Pine, and when it was finished, he hung out for a couple of hours, chatting with whoever sat next to him and trading opinions with the bartender about the right way to make barbecue. It was clear to everyone that he was a person with high standards but no pretense.

With Elizabeth Brim at Spoon in Spruce Pine.

There have been many tributes written in the past few days, including this beautiful piece by his friend Helen Rosner, who writes about food for the New Yorker. In a recent conversation with chef David Chang (also a friend of Bourdain’s) Rosner was asked what advice she’d give an aspiring food writer. Her answer was inspiring: “Don’t become a food writer,” she said. “Just become a writer….Be a really good journalist. Be a really good thinker. Be a person who wants to know how all the threads in the world connect to all the other threads.”

Anthony Bourdain was an excellent writer and a brilliant TV personality. But, above all, he was that person Helen Rosner described: a good thinker who wanted to know how all the threads in the world are connected. Some of us may never understand the way he died, but that won’t keep us from appreciating a life so well lived. Thanks, Tony.

–Robin Dreyer

Here’s the piece shot at Penland.

Also well worth reading is this reflection on Bourdain’s activism.

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Brim, Bourdain, and Blacksmithing

 

Most folks who have spent any time around the iron studio know Elizabeth Brim. She has been a longtime friend, neighbor, and instructor at Penland and an important shaping force in our iron program. She’s also a wildly skilled and accomplished artist, and we’re proud that her talents were featured on the most recent episode of Raw Craft with Anthony Bourdain.

In the episode, Bourdain visits Elizabeth’s shop and the Penland iron studio where she taught spring concentration. He looks on as she forges an intricate flower and demonstrates the technique she invented for inflating iron. “You have to be awfully tough to make metalwork look this easy,” he comments.

At the end of the epidode, Bourdain concludes, “Elizabeth is a perfect example of somebody who’s chosen to go against the grain, who’s chosen to do a difficult thing, who’s decided to follow a passion. She’s a perfect example of the type of people we’re celebrating: an artist, a professional, an educator, somebody unlike just about everybody else.” We couldn’t agree more, and we couldn’t be luckier to have Elizabeth here at Penland. See for yourself by watching the episode above!