Kristin Grandy, who was a student in the third session clay workshop taught by Linda Christianson, is a high school ceramics teacher in Neptune Beach, Florida. In addition to the usual pottery and sculpture, she likes to familiarize her students about other careers that use clay skills. One of these is industrial modeling, including automotive clay sculpting.
Kristin is also the owner of a beautiful, blue-gray, 2020 Ford Bronco.
Anna Burke was a student in David Wolske’s third session letterpress workshop. She has a BFA in ceramics and graphic design from Alfred University in New York. Since graduating in 2017, she has worked as an automotive clay sculptor at Ford in Detroit. The two women met during the session and discovered they had this shared interest in industrial modeling. It also turned out that on Anna’s first day as an intern at Ford she was put to work shaping the full-size clay model of the exact Bronco that Kristin drives.
That should be a good story for the kids.
If you are not familiar with automotive clay sculpting, here’s a nice video introduction. They work with an oil-based plasticine and move from scale to full-size models, which are then laser scanned.
Courtney’s demo takes participants through her steps for creating a handbuilt tray form, complete with her signature cut handles and decorative carving details. Here’s a look at the process in three screenshots taken directly from her hour-long lesson.
15:04—Join the two ends of the coil that will form the walls of the tray.
41:32—Mark out the handle openings on the refined tray form.
59:03—Give the foot of the tray some personality with decorative carving!
Tomorrow, we’re marking a milestone in our new online programming initiative—our first live event! Renowned ceramic sculptor and instructor Cristina Córdova will hold a live Q&A session over Zoom for participants in her online demo, A Simplified Way to Make a Hollow Head. Cristina’s demo is a remarkable distillation of years of her own learning and discovery in the studio, and we’re thrilled to offer participants a direct window into her practice.
Here’s a quick look at Cristina’s transformative abilities with clay in three images. Each of these shots is a frame taken directly from Cristina’s hour-long demo.
3 minutes in—forming a flat slab into a hollow cylinder for the beginnings of the head
20 minutes in—using proportions as guides to establish the facial features
55 minutes in—experimenting with gesture before attaching the head to the neck