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Marsha Owen Scholarship Fund Announced

A studio potter for over thirty-five years, Marsha Owen traced the origins of her career to a Penland workshop. Believing that “there is always something to learn from the clay,” she would return to Penland again and again to learn and to find inspiration.

In the wake of her untimely death, Masha’s friends and family have come together to found a Penland scholarship in her memory, celebrating her life and carrying on her legacy. The goal is to raise $100,000, creating an endowment which will fund the cost of a Penland clay workshop in perpetuity. We invite you to make a gift in Marsha’s honor.

About Marsha

Marsha Owen and friend and mentee Wei Sun created the mugs for the 37th Annual Penland Benefit Auction in 2022.

Marsha Owen took her first pottery course with John Givvines at the North Carolina State Craft Center. “I was a slow learner – I took the beginner’s course three times – but I knew almost immediately that this was work I wanted to pursue,” she said. 

Working as a self-employed potter for over thirty-five years, she concentrated on utilitarian pieces for everyday use. Marsha and her husband, Rick Moss, collaborated in their home studio in Raleigh, North Carolina where Marsha was the primary potter and Rick ran day-to-day operations for their business and contributed his handbuilding and relief carving skills to the work.

Marsha worked extensively with colored slips, stains, underglazes, various resist techniques, carving and texturing as well as the more common glazing techniques of dipping and spraying. Her work includes an impressive variety, all stamped with the Marsha Owen imprint.

“What many might not know about Marsha but was evident in her ceramics, is that she was an outstanding baker and cook,” said Kathryn Gremley, Penland Gallery Curator and friend of Marsha’s since 1984, when they were both residents. “Her work was beautifully designed for pairing with food— the forms and colors thoughtfully considered for what could be served from them, or how they would fit in the hand— always working to create the perfect dish that we would value for both its function and simple artistry.”

Marsha and Penland

Marsh Owen (right) and Elizabeth Brim (left) at a Penland Benefit Auction in the mid 1980’s. Marsha is holding one of her famous chocolate carrot cakes, made for the occasion.

Marsha first came to Penland as a student in 1978 with Rebecca Plummer and Jon Ellenbogen. “That was, without question, the class that gave me my career,” said Marsha. Following that initial visit to Penland, she attended numerous classes including concentration courses and summer workshops. Marsha was a Penland core student in 1981 and resident artist from 1984 to 1985. 

Penland helped start Marsha’s pottery career and continued to be an important part of her life. Over four decades, Marsha was a frequent student, visiting artist, and winter resident. Her pots have long been a staple of the Penland Gallery. “For Marsha, Penland was not only a teaching and learning place, but also a sanctuary where she could renew her connection to the ceramic community and find inspiration for her work,” said Wei Sun, Marsha’s close friend and colleague.

Marsha Owen Scholarship


Ice cream bowls created by Marsha Owen

A skilled potter with close ties to Penland, Marsha Owen passed away unexpectedly on July 7th, 2023. Because Marsha loved her work and sharing her knowledge, family and friends are championing the Marsha Owen Scholarship as a way to celebrate her life and carry on her legacy. With support from family, friends, and the community, the scholarship will be established as an endowment, covering the full cost of a workshop in ceramic studies to selected candidates every year.

If you would like to support the Marsha Owen Scholarship, please Donate Here.

Note: Many companies have gift matching programs which will double your donation. If you are interested in a gift matching program, please contact Wei Sun (weisunpottery@gmail.com) for details.

Learn more about Penland’s scholarship program HERE.
Find Marsha Owen’s obituary HERE.

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Tony Santoyo, Penland Core Fellow

We love to see Tony Santoyo dance, paint, create ceramics and express himself through all kinds of media. During his time at Penland, Tony has expanded his painting and clay practices and explored a myriad of other media. Tony’s work mirrors the way he communicates; movement follows form or form follows movement. 

Beginning his fellowship in the spring of 2020, Tony will complete his time as a Penland Core Fellow this fall. 

To be in the presence of Tony and his work is truly a joy. We are excited to share these images of some of the works he has created during her time here at Penland (so far!).

The Penland Core Fellowship is intended for early career artists looking to expand technical skills and material fluency while working to support the day-to-day operations of a craft school. Core fellows live communally, participate in intensive craft workshops, and help run the school. We are currently accepting applications for the core fellowship. Please click HERE for more information and be sure to submit your application by October 15th!

“Late night scribbles,” using the body for mark making.
“Extending,” acrylic and spray paint on canvas, 23 x 19 x 3/4 inches, 2022

 

Tony Santoyo with “Rhythmic Chaos,” acrylic on canvas, 48 x 36 x 1 inches, 2020

 

“No One is Watching,” acrylic and pastel on canvas (unstretched), 67 x 59 inches, 2021

 

Tony having fun while trying out Raku during Spring Concentration 2022 with Jenny Mendes and Caroline Douglas
“Coy,” earthenware decorated with underglaze, glaze, terra sigillata, 11-1/2 x 6 x 6 inches, 2022

 

Prickly Pear series, coiled pinch pots; earthenware underglaze, glaze, terra sigillata

 

Nopal en Cuarentena, coiled pinch pot; earthenware, underglaze, glaze, slip, terra sigillata, 22 x 12 x 11, 2020

 

“Dotted,” earthenware, underglaze, glaze, terra sigillata, 3-1/2 x 2-/14 x 2 inches, 2022

 

Tony in the Penland clay studio, throwing a vessel

 

Find more of Tony’s work on his WEBSITE!

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Visiting Penland’s Resident Clay Artists

During our recent Fall Short Session, clay instructor Andy Shaw and his students visited Daniel Garver and Sean O’Connell, two Penland Resident Artsits who are currently working in clay. The first stop was Daniel Garver’s studio, pictured below.

 

Wrapping up a day of plate-making, the clay lovers walked down to The Barns after dinner to talk shop.

 

Though both residents work in clay, their processes are very different. Daniel Garver is using his residency to refine and expand his use of slipcasting to create clean, geometric objects.

 

Daniel shared some of the secrets of his work, from the challenges of working with porcelain to his use of “deflocculent” in his process.

 

Daniel’s work is linear, organic, and colorful!

 

Fall Short Session instructor Andy Shaw was intrigued by Daniel’s unique use of molds

 

When students arrived at Sean O’Connell’s studio, he was busy carving wooden spoons.

 

Sean is mastering the use of the wood kiln and exploring organic, spontaneous surface design in his work.

 

Students had lots of questions, the most common one being, “How did you make this one?”

 

Making use of wax resists, multiple firings, and gestural embellishments, Sean’s work is a cornucopia of texture and color.

Penland is currently home to eight resident artists, working in different media. The residency is intended to be an opportunity to test ideas and take risks that will have a lasting effect on their work and lives. Penland Resident Artists live and work at Penland for 3 years. Both Sean and Daniel arrived at Penland in the fall of 2021, so we are looking forward to watching their practices evolve over the next two years.

You can visit Sean’s and Daniel’s websites to learn more about their work. If you’re in the area, don’t miss the opportunity to stop by for a visit!