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Scholarships to Join Us Fall 2019!

Concentrations are Penland’s signature eight-week sessions. They’re a singular experience—almost as long as a college semester, with the intensity of a total-immersion workshop. Whether you’re new to the material or a regular in the studio, they’re an opportunity to focus, experiment, connect, and make enormous strides in your work.

Scholarships are available for the Concentrations below! If you have a desire for creative exploration in a supportive, energizing community, please apply to join us. There’s really nothing like it.

All Outward Appearances
with Jack Mauch and guest instructor Ellen Kaspern
September 22 – November 15, 2019

Experienced instructor Jack Mauch will lead students through an in-depth exploration of surface decoration techniques and the wooden structures beneath. Students will start small, applying processes like veneering, marquetry, parquetry, and wood and metal inlay to handmade frames and boxes. From there, they’ll quickly move on to building wall cabinets and small tables that incorporate their surface patterning. Students of all levels, from those who have never before touched a chisel to seasoned woodworkers, will end the course by designing and building a furniture or sculpture project that expands their skills and visual vocabularies in wood. As Jack explains, “We’ll value process and discovery over product, keep a steady but contemplative pace, and mine the veins of our aesthetic curiosity—especially when that takes us deep below the surface.” Expect to challenge yourself, learn a whole lot, and meet folks doing the same. All levels.

 

Paper & the Unique Print
with Georgia Deal and guest instructor Helen Hiebert
September 22 – November 15, 2019

Students in this intensive workshop will move between Penland’s paper and printmaking studios to explore the endless possibilities for combining handmade paper and monoprinting. The class will begin in the paper studio, where instructor Georgia Deal will introduce fibers and processes from both Eastern and Western papermaking traditions. Students will experiment with stenciling, inclusions, embedments, pigmenting, pulp transfers, and more to create expressive sheets tailored to their individual visions. Over in the printmaking studio, they will use these sheets as substrates for printing, using a wide range of monoprint and monotype processes to create imagery. The back-and-forth of working in both media will expand your visual vocabulary and encourage you to own every aspect of the process, from paper to print! All levels.

 

Focus on Fabrication
with Andrew Hayes and guest instructor Mike Rossi
September 22 – November 15, 2019

Penland instructor and former resident artist Andrew Hayes will guide students as they transform stock steel into a wide variety of functional and sculptural objects of their own design. Students will get their ideas flowing and solidify their skills as they cut, form, weld, and finish their way through a series of short projects. Then they’ll move on to more independent work, focusing the whole time on concept, design, and execution. “The goal of this workshop is for you to find your aesthetic in steel,” says Andrew. Skills including measuring; layout; cutting with torches, saws, cutoff wheels, and shears; gas, MIG, and TIG welding; finishing; grinding; sanding; filing; patina; paint; and presentation will help you get there. All levels.

 

 

 

 

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Resident Rock Stars

Penland’s resident artists spend three years living on campus and working as self-supporting artists in their field. Their time at Penland is designed as an opportunity for them to deepen their studio practice, push technical and conceptual boundaries, or explore entirely new directions in their work.

We’re continually amazed by the pieces that come out of each of the resident studios at The Barns, and we’re proud to have such talented artists calling Penland home. Recently, three residents were recognized for their outstanding work with prestigious (and, in our opinion, well-deserved) fellowships.

 

Annie Evelyn, "The Scotty," collaboration with Scotty Albrecht
Annie Evelyn, “The Scotty,” aluminum, collaboration with Scotty Albrecht

Annie Evelyn
Furniture designer Annie Evelyn was just awarded the 2016 John D. Mineck Fellowship by the Society of Arts and Crafts. The $25,000 award is presented “to encourage and support a young-in-career furniture artist… who demonstrates skill and commitment to their craft.” Annie plans to use the award to purchase tools to outfit her shop post-Penland. She envisions the space as a well-equipped communal studio that will also serve as a venue for community workshops, exhibitions, and events. “Annie’s spirit of community, generosity, and mentorship shined in her application, and will serve her well as she leaves the Penland community and establishes her studio,” the Society of Arts and Crafts stated. Annie is known for her explorations into hard/soft surfaces and applying traditional upholstery techniques to materials like wood, concrete, and metal.

 

 

Andrew Hayes, "Dure," steel, book pages, paint
Andrew Hayes, “Dure,” steel, book pages, paint

Andrew Hayes
Andrew Hayes was honored as one of seventeen recipients of $10,000 Artist Fellowships from the North Carolina Arts Council for 2017. The fellows are chosen every two years from a talented pool of choreographers and visual, craft, and film/video artists. The Arts Council describes Andrew’s singular book and steel sculptures as “improbable objects of beauty.” They elaborate: “Formally, his sculpture has the spare elegance of mid-century modernism, each one an icon of untold meaning. But as much as his work may recall past styles and forms, it also boldly writes its own history and engages the viewer on its own terms.”

 

 

Jaydan Moore, "Ends," found silver-plated platters
Jaydan Moore, “Ends,” found silver-plated platters

Jaydan Moore
Jaydan Moore was also awarded one of this year’s North Carolina Arts Council Artist Fellowships. He works in metals, primarily with found silver-plated platters and other serviceware that he carefully deconstructs, recombines, and reassembles into new forms. As the Arts Council explains, these pieces “gain a protean quality as they transition to the next stage in their evolution, one that honors their past purpose and history and, at the same time, looks forward to the possibility of something unexpected.”

 

 

 

 

 

 

The Penland resident artists will hold an open studio tomorrow, October 21 at The Barns. Come by between 7-9 PM to meet the residents, see their spaces, and get a feel for their recent work.

 

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Photo of the Week: Anvil Checking

andrew hayes in the penland iron studio

Visiting artist Andrew “Straightedge” Hayes showing students in the iron concentration how to check the surface of an anvil for irregularities. This was important because the next thing he showed was how to flatten strips of sheet steel that have bends and twists in them. Then he staged a flattening contest to see who could make the flattest piece of steel in 10 minutes. Never a dull moment.