Food services manager Richard Pleasants gets a haircut from baker Kim Oberhammer while interim maintenance guy Chris Ellenbogen paints a fireplug red. It’s nonstop at this place.
The editor of this blog was out of town for a few days and now we are all going nuts putting on the annual benefit auction so there hasn’t been much time to post. But we didn’t want anyone to miss this great drawing that instructor Arthur Gonzalez made on the chalkboard in the Pines last session. Click on this one to see it bigger.
And while we’re on the subject of Arthur, here’s a Penland iron T-shirt that he modified for sale in the end-of-session scholarship auction. Thanks, everyone, for a great session.
We are very sad to report the death of our friend Marcia Macdonald, who passed away on July 21 after a long struggle with cancer. Our thoughts go out to her friends, family, and her husband Steve. Marcia was wonderful jeweler, a superb teacher, and a brilliant human being. She was smart, funny, beautiful, talented, hard-working, generous, and full of life. It’s almost impossible to believe that she is gone.
Penland’s program director Dana Moore, who was in close contact with Marcia during the last year, said, “So many of us have lost so much this week with Marcia’s passing. Nobody could have loved life more or have instilled more passion in students, colleagues, and friends. The pain of her loss is matched only by our gratitude for having known her.”
Marcia taught regularly at Penland beginning in 1993. She also taught at Arrowmont and Haystack. Her work appeared in many publications and exhibitions and received numerous awards. She was a former board member of the Society of North American Goldsmiths.
In addition to her work as a jeweler, during the last year of her life she managed the sales gallery at the Green Hill Center for North Carolina Art in Greensboro. Laura Way, who is Green Hill’s director, sent us this note about Marcia. “Her short time working with us here, bringing her great vision AND organizational skills to our shop, was a special time for all of us—getting to know and love her—her honesty, creativity, intelligence, generosity and sense of humor. Every day she was here, she made it a special day.”
Marcia donated this piece to this summer’s Penland benefit auction. It’s a bit of a departure from her earlier work, and it came with this note: “The past year has presented me with some serious health issues. This has affected me on so many levels, how could it not also affect my work? Cherishing every moment, trying not to sweat the small stuff, simplifying my life, and doing exactly what I need and want to be doing at any given time are my current goals. This piece represents structure, strength, cell growth, and a shiny little window of hope.”
In November, the metals community came together to create a necklace for Marcia that brought together elements made by more than fifty artists. Although it is magnificent, it is only a token of the love and affection that she inspired.
The Society of North American Goldsmiths (SNAG) has set up a memorial page on their website, which includes a series of tributes from her friends. And here’s a link to Marcia’s obituary in the Greensboro paper.
Goodbye, Marcia, we will miss you.
Earl and Jacqueline Bell drove back to their home in Detroit a couple of weeks ago after a two week class in the Penland clay studio. They were anticipating an entire drive of debriefing: a thorough review of stories, new skills, and experiences. Just before they left, Earl and Jacqueline joined me on a sunny morning outside of The Pines to chat about their experiences at Penland. As students were preparing to display their work at Northlight, the Bells were packing their car to travel home. They share a relaxed and gracious character. Jacqueline’s even voice carried the conversation; Earl rhythmically interjected with engaging stories and insights.
This was the fifth ceramics class the Bells have taken together. Print & Clay Buffet, taught by Kathy King and Paul Wandless, included a vast range of processes and techniques combining imagery and ceramics. Sgraffito, transfer, appliqué, stamping, screening, and printmaking were some of the processes covered. The quality of work produced under Kathy and Paul’s instruction was incredible; the final collection of class work was an attractive mix of vibrant colors, heightened contrast, and layers upon layers of imagery. The Bells were thrilled to take home the class’s collaborative urn, which they bought at the closing scholarship auction.
The first time Jacqueline came to Penland, she was self-conscious about her lack of an art background, though she was always an appreciator and dabbled in paint. Penland’s community is supportive and inspiring, and her intimidation quickly disappeared. “It’s amazing, the amount of creativity you’re surrounded by,” she said. “The ideas you get from both students and instructors…. They’re very knowledgeable, so you’re getting information on both ends.” Jacqueline finds peace in decorating, and Earl loves to throw on the wheel. Jacqueline took her time this session, creating a few samples for each process. She considers them a three-dimensional sketchbook to carry home to Michigan.
Jacqueline is a retired school principal and was introduced to clay during her school’s open studios directed by a visiting ceramist. Earl began taking classes at the Flint Institute of Art over ten years ago. When they met at Jacqueline’s school, a relationship began to grow along with their interest in ceramics, and they married in 2004. They have been able to witness many changes at Penland since their first class together in 2000. Jacqueline reminisced about stepping out from the car and tripping on the rocky terrain. “The paths were treacherous!” In addition to smoother routes and pathways, they have seen new buildings, studios, and an increase in technology and design used within the clay studio.
The Bells are returning to Detroit to coordinate an event with Empty Bowls, an international project to fight hunger and raise awareness. Guests are served soup in a handmade bowl in exchange for a donation, which is passed to a hunger-fighting charity. (The Empty Bowls project was founded by John Hartom and Lisa Blackburn, who live near Penland).The pottery stays with the contributor, a reminder of the empty bowls throughout the world and our personal ability to help. Mr. and Mrs. Bell will make the bowls and the community– including artists from the Detroit Institute of Art as well as the homeless and less fortunate–will decorate them,. Because Jacqueline and Earl do not sell their work, this opportunity provides a strong purpose and motivation to create.
The Bells intend to continue taking classes at Penland, and Earl would also like to try his hand at a photography class. Penland has become a home and haven for them, a place to revisit and find rejuvenation. Jacqueline leaned in and grinned, “A clay retreat. I tell people I’m coming to a clay retreat.” –photo and story by Emily Breyer
Last summer, iron student Mark Levine did a series of video interviews with fellow students. Here he talks to Hugh Holborn about his experience at Penland.
Chunghie Lee is teaching a workshop second session (June 13-25) on a traditional Korean textile/paper technique called “pojagi.” Here’s a nice video of Chunghie that was made at the Rhode Island School of Design (the class still has some spaces).
Keiko Ishii is a first time Penland student who came all the way from Japan to take Scott Benefield’s glass Concentration. She learned of Penland and Scott from other American glassworkers who have to taught at Tama Art University in Tokyo, where she takes classes. In particular, Karen Willenbrink-Johnson and Jasen Johnson both recommended that she attend Penland specifically because of the two month Concentrations sessions. In addition, she hoped that the American style of glassworking would breathe new life into her work and that the diversity of students would be beneficial as well.
Keiko first started working with glass six years ago after she recovered from a serious car accident. Her recovery and rehabilitation was a six year process during which she knew that she wanted to switch her artistic medium and career from graphic design to glass, but had to wait until her body was ready for the physical demands of the glass studio.
After Keiko completes the spring glass concentration she hopes to visit the Corning Museum of Glass and take a workshop there as well. She also plans to take some time to travel around the United States before returning to her glass studies at the Tama Art University in Tokyo.