Students Patty Yockey and Char Walker know their way around a hot glass studio. This week they are taking a workshop taught by Chuck Lopez that’s focused on cane work.
Category: Penland People
Off the Clock: Penland Studio Coordinator Show
The job of a Penland studio coordinator is a many-faceted one. Our eight coordinators order materials and keep studios clean and equipment running smoothly. They manage budgets and large inventories of supplies. They work with our programming office to plan upcoming workshops, and instructors to provide for specific classes, and individual students to solve problems on the fly. It’s a demanding and unpredictable job, which makes it all the more impressive that these eight individuals are also working artists in their own right. We are thrilled and proud that they have come together to put on a group show of their work at the Asheville Area Arts Council. Appropriately, the exhibition is called Off the Clock.
As curator and Penland friend Elaine Bleakney writes:
OFF THE CLOCK features eight artists, all full-time studio coordinators at Penland School of Crafts in Penland, NC. The work on view here was made in the off-hours by friends and colleagues who see each other daily and exchange interests, affection, knowledge, and regard for each other.
This is not a group show in the traditional sense. These artists are not strangers, and the works are not estranged from each other, despite their singular presences. Rather, looking from artist to artist, the viewer might pick up a magical sense that the works were made on the same set of evenings, in studios closeby. One of these artists might have looked up from her work and gazed out the cool, green window. She might have seen one of the other artists riding by on a bike, and waved.
Off the Clock will be on view at the Refinery Creator Space at 207 Coxe Ave in Asheville through September 16, 2016. It features the work of Daniel T. Beck (iron/sculpture), Betsy DeWitt (photography), Susan Feagin (ceramics), Jay Fox (print), Nick Fruin (glass), Ian Henderson (metals), Ellie Richards (wood/sculpture), and Amanda Thatch (drawing/textiles).
There will be a reception for the show on Friday, September 2 from 5 PM to 8 PM, and the artists will present a public talk on Saturday, September 3 from 4 PM to 6 PM. More information about both events is available on the exhibition’s Facebook event page.
Visit the Asheville Area Arts Council website to learn more about Off the Clock.
Elephants at the Gallery
The Penland Gallery proudly presents Wendy Maruyama: the wildLIFE Project, a mixed-media exhibition that draws attention to the plight of elephants. Through a moving installation of large-scale objects, shrine forms, and informational panels, the show creates a powerful aesthetic environment and makes a compelling case for the preservation of animals in the wild. This touring exhibition originated at the Houston Center for Contemporary Craft and will be on display at the Penland Gallery through September 4. All are welcome to join us for the opening reception on Saturday, July 16, 4:30-6:30 PM, which will celebrate The wildLIFE Project as well as a show of paintings by Kreh Mellick in the Focus Gallery.
Furniture maker, artist, and educator Wendy Maruyama has been making innovative work for forty years. While her earlier work was built around traditional craft objects, in recent years she has moved beyond the boundaries of studio craft and into the realm of installation and social practice. The wildLIFE Project was inspired by a trip to Kenya where she saw elephants and other large animals in the wild and met with wildlife advocates to learn about the impact of poaching.
In this show, the elephant is memorialized in monumental form through a series of masks, eight to twelve feet in height and constructed from wood panels tied together with string. Several shrine forms are also on display, one of which is based on a traditional Buddhist altar. This beautifully crafted furniture piece incorporates an image of an elephant, flowers, a candle, an incense burner, and a handmade bell that rings every fifteen-minutes to memorialize the elephants that are being killed for their ivory. Another piece, titled Sarcophagus, is a wood and glass box that encases a stack of tusks made from blown glass. Maruyama made these objects in collaboration with glass artists Nancy Callan and Dan Friday during a residency at Pilchuck Glass School in Washington. A third shrine incorporates video, and the wall panels complement the artwork with photographs, text, and graphics.
Curator Elizabeth Kozlowski has followed Maruyama’s work for many years. She says the artist views this body of work not only as an art project but as an advocacy tool. “The social-practice component of her artwork is successful in combining art, advocacy, education, and community. Her work manages to pull you in with stirring visuals and keep you engaged with multiple layers of content.”
Wendy Maruyama was a professor of woodworking and furniture design at San Diego State University in California for more than thirty years. Her work has been exhibited in New York City, San Francisco, Tokyo, Seoul, and London and can be found in many museum collections including the Victoria and Albert Museum in London, the Dallas Museum of Art in Texas, the Museum of Fine Arts, Boston, the Philadelphia Museum of Art, and the Museum of Arts and Design in New York City. She has received a National Endowment for the Arts Fellowship, a Japan/US Fellowship, a Fulbright Research Grant and the California Civil Liberties Public Education Grant. She has also been an instructor at Penland School of Crafts several times.
The wildLIFE Project has been shown at the Houston Center for Contemporary Craft in Texas and the Center for Art in Wood in Philadelphia. After it leaves the Penland Gallery, it will travel to the Chrysler Museum of Art in Norfolk, VA and the San Francisco Museum of Craft and Design.
This exhibition is a great opportunity to visit the recently renovated and expanded Penland Gallery, which also features paintings by Kreh Mellick in the Focus Gallery beginning July 15. As something special, Kreh’s work not only hangs in frames for the exhibition, but has moved onto the walls themselves in the form of large-scale murals. Come by the opening reception on Saturday, July 16, 4:30-6:30 PM to see the exhibitions, or stop by anytime during gallery hours Tuesday through Saturday, 10:00 AM-5:00 PM and Sunday, Noon-5:00 PM.
