Iron student Josh Toller, being interviewed for a Penland video back in November. Josh attended the fall iron concentration with a Glassroots-Penland Fellowship, a grant-funded program that provides scholarships for students recruited through Glassroots in Newark, New Jersey. “At this monastery for the hands,” said Josh, “I have acquired a new found and deeper respect for artists and art itself, I have obtained an aesthetic that I am proud to call my own, and most importantly I have gained knowledge from those around me that I have lived with for two months.” Josh and his fellow travelers from Newark made a big impact on the fall session, and we hope to see them all here again in the future.
Support for the Penland-Glassroots Fellowship is provided by a grant from The Nicholson Foundation.
Here it is, the summer 2018 workshop catalog!We’re thrilled to share our lineup with you in anticipation of another summer packed with creativity, energy, new friendships, and new ideas. We’re offering 102 unique workshops led by 116 talented artist/instructors, including favorites like encaustic painting and steel sculpture and special classes like brushmaking and skin-on-frame canoe building. Most workshops are open to serious students of all levels (beginners included!), and all give you access to the slide nights, dance parties, movement classes, scholarship auctions, and more that make a Penland session so special.
This year, summer registration will open to all students on January 8 at 9 AM EST on a first-come, first-served basis; we will not be using a lottery system. Applications may be submitted online, by fax, by post, or in person.
Scholarships are available for every summer workshop, including full, partial, and work-study scholarships. Spaces will be held in each workshop for scholarship students. Scholarship applications are due by 11:59 PM EST on February 17.
We hope you find a few minutes over the holidays to pour over the Penland catalog and find the perfect workshop for you, wherever you are in your creative journey. Look out for full course descriptions on the website by the end of December, with printed catalogs to follow in early January.
Holly Roberts, who will be teaching an eight-week Penland workshop beginning in March, is a painter and a photographer. Her work with paint tends toward color and layers, while her photographs often highlight everyday patterns and textures in black and white—the branches of trees against the sky, the coiled springs of a mattress, the pebbly surface of a paved driveway. But her real work is in combining the two into narrative collages.
Holly’s collages speak to specific memories, thoughts, or individuals, and she can elaborate on the stories behind each. There’s the yellow collage of a cowboy, for example, loosely inspired by her husband’s grandfather in his ranch hand days out in Texas and New Mexico, or the aqua and dull red image of three faces inside separate houses that deals with the growing rifts between siblings as they age.
On the surface, some elements of these stories are obvious—the cowboy boots, the human features, the three peaked roofs. But deeper inspection draws out more depth from the constructed layers. The cowboy’s belt buckle is pasted from a photograph of a bird’s nest, and the squiggling “bones” that run the length of his body are the branches of trees. In the collage of houses, there are recognizable shapes, but others draw questions—are those hands reaching up from the bottom, or roots? Is the sky filled with clouds, or are those thought bubbles brimming with the unsaid words between siblings?
There’s a directness to these pieces that belies their depth and consideration. What first appears playful or happenstance is the result of careful arranging, rearranging, testing, and experimenting. Holly understands her materials as language and has gained the fluency to communicate through them on an immediate, elemental level.
The short video below is an illuminating view into her creative process in the studio:
This spring, we are thrilled to welcome Holly back to Penland to share her approach to narrative collage with our community. She and her students will go in-depth with the possibilities of paint mixed with other media during her concentration The Perfect Union: Paint, Collage & Transfers. The workshop will run March 11 – May 4, 2018, and registration is open now. Students can expect eight weeks of investigation, exploration, questions, and camaraderie.
The Perfect Union: Paint, Collage & Transfers
Holly Robert—Students will begin the process of combining media by experimenting with different ways of applying paint. Painted surfaces will serve as the core of the images to follow and will guide students in forming these images. Students will experiment with transfer processes, gluing and adhesive techniques, and using their own source material to build images onto their painted surfaces. The workshop will stress investigation, exploration, and risk in an attempt to marry disparate media such as print, text, photographs, and any other material students want to use. All levels. Studio fee: $170. Code S00D
Studio artist; teaches nationally and internationally; two NEA fellowships; monographs of her work published by Nazraeli Press and Friends of Photography; collections: Art Institute of Chicago, Center for Creative Photography (AZ), San Francisco Museum of Modern Art, Museum of Fine Art Houston, Los Angeles Museum of Contemporary Art.
We’re excited to introduce our five new Penland core fellows: Joshua Fredock, Luke Gnadinger, Kento Saisho, Katherine Toler, and Devyn Vasquez! They will join second-year core fellows Stormie Burns, Elliot Keeley, Sarah Rose Lejeune, and Corey Pemberton on March 1, 2018 to begin their two-year fellowships.
As always, there were many outstanding candidates for only five available positions. We received 61 applications from across the United States. Our selection committee did an excellent job reviewing and evaluating these materials; we couldn’t conduct such a thorough process without their generosity, time, and energy. Thank you to everyone involved in this year’s selection.
Joshua Fredock is a former navy rescue swimmer who lives in Asheville and has interned and worked at Monarch Glass Studio (MO), Rock Cottage Glass Works (KS), Metalabs (MO), and STARWorks Glass Studio (NC). Josh has been part of two Penland concentrations—once as a work-study student in the glass studio and once as a Christy Wright scholarship recipient. As a core fellow, Josh is primarily interested in building skills in glass and metals and developing his ability to express himself through his work. Josh’s website Follow Josh on Instagram
Luke Gnadinger currently works at the KMAC Museum (KY) and is a studio assistant for Jason Bige Burnett; he also spent years working at Kentucky Mudworks in Louisville. Luke has a BA in Studio Art from Transylvania University (KY) and has attended Indiana University Southeast as a post-baccalaureate student. At Penland, he has been a clay studio assistant and winter resident. He is interested in how creative practice can be a connector and catalyst for social change and plans to explore classes in various media towards this end over the next two years.
Kento Saisho is a Windgate Fellowship recipient who is currently working as a freelance fabricator in Brooklyn, NY. Kento has interned and worked at Iron Mountain Forge and Furniture (RI) and Fort Standard (NY). He has a BFA in Furniture Design from the Rhode Island School of Design and was a work-study student in iron at Penland this summer. During his core fellowship Kento plans to explore sculptural works in iron, works on paper, and how these two areas of interest intersect.
Katherine Toler currently lives in Little Rock, where she works at the Museum of Discovery. She has previously spent quite a bit of time at Penland—as a work-study student, studio assistant, and summer intern in our textiles and drawing/painting studios—and is looking forward to returning. Katherine has a BFA from the University of Central Arkansas. Her background in painting and her interest in textiles have recently led to explorations in mixed-media sculpture, an area she plans to pursue at Penland.
Devyn Vasquez lives in Miami and works at the Fletcher Arts & Cultural Center while maintaining a studio and teaching art classes. She has also worked at Baltimore Clayworks and the Turchin Center for Visual Arts (NC) and has been an assistant to both artists and curators. Devyn has a BFA from Appalachian State University (NC) and has taken a summer metals workshop and fall clay concentration at Penland. Ceramics and jewelry have been her main focus, but she is looking forward to exploring new mediums and finding connections between technique and concept throughout her fellowship.
Of course, the excitement of this announcement comes with a twinge of sadness as we prepare to send five of our current core fellows on their way at the end of the winter. Eleanor Anderson, Thomas Campbell, Rachel Kedinger, Kyle Kulchar, and Alex McClay have achieved some really incredible things in and out of the studios, and we will miss them dearly. We’re looking forward to seeing where their ideas and talents take them—and not-so-secretly hoping that we’ll see them back at Penland on occasion!
Now that the site is clear and level and foundations have been poured, the new Northlight building is growing like bamboo. Once completed, it will house brand new photography and papermaking studios and a large social hall for parties, scholarship auctions, movement classes, show and tell, and more.
There’s still a lot to do before the building’s estimated completion in summer 2018, but the bones of the spaces are in place. A tour through the site last week made it clear that this new complex is going to be a thing of beauty and a real treat for the whole Penland community. Have a look for yourself:
This is the inside view of the new social hall space, which has been designed with vastly improved acoustics, lighting, and temperature control in mind. We’ll see you here in 2018 for some epic dance parties!
The new paper studio will include a dry classroom, a wet workroom, a covered and screened porch area, and even a separate space to house the beaters so the rest of the studio doesn’t get so noisy.
The photo studio will have plenty of space for darkroom and digital work, as well as some of the best views on campus.
And for all of you with fond memories of the old Northlight porch, fear not! Porch space was the number one thing that people asked to keep in this new building, and the designers certainly listened. Here, facilities director Dave Sommer demonstrates how far the double-level covered porch will extend off the front of the social hall. Perfect for a rocking chair and a little knoll viewing, no?
We couldn’t be more excited about all the ways this new building will shape the Penland experience going forward, and we can’t wait to share it with you. Here’s a giant thanks to architect Louis Cherry, landscape architect Walter Havener, and Dave Sommer and his entire team for their vision and persistence in turning this idea into reality!
And finally, let’s finish with some more views because it’s just that lovely. Scroll to the end to see three renderings of the finished space.