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Josh Speaks

Iron student Josh Toller, being interviewed for a Penland video back in November. Josh attended the fall iron concentration with a Glassroots-Penland Fellowship, a grant-funded program that provides scholarships for students recruited through Glassroots in Newark, New Jersey. “At this monastery for the hands,” said Josh, “I have acquired a new found and deeper respect for artists and art itself, I have obtained an aesthetic that I am proud to call my own, and most importantly I have gained knowledge from those around me that I have lived with for two months.” Josh and his fellow travelers from Newark made a big impact on the fall session, and we hope to see them all here again in the future.

 

 

Support for the Penland-Glassroots Fellowship is provided by a grant from The Nicholson Foundation.

 

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Summer 2018 Workshop Catalog

Cover image; woman adjusts table saw in woodworking studio

Here it is, the summer 2018 workshop catalog! We’re thrilled to share our lineup with you in anticipation of another summer packed with creativity, energy, new friendships, and new ideas. We’re offering 102 unique workshops led by 116 talented artist/instructors, including favorites like encaustic painting and steel sculpture and special classes like brushmaking and skin-on-frame canoe building. Most workshops are open to serious students of all levels (beginners included!), and all give you access to the slide nights, dance parties, movement classes, scholarship auctions, and more that make a Penland session so special.

This year, summer registration will open to all students on January 8 at 9 AM EST on a first-come, first-served basis; we will not be using a lottery system. Applications may be submitted online, by fax, by post, or in person.

Scholarships are available for every summer workshop, including full, partial, and work-study scholarships. Spaces will be held in each workshop for scholarship students. Scholarship applications are due by 11:59 PM EST on February 17.

We hope you find a few minutes over the holidays to pour over the Penland catalog and find the perfect workshop for you, wherever you are in your creative journey. Look out for full course descriptions on the website by the end of December, with printed catalogs to follow in early January.

 

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Building Layers, Building Stories

two collaged paintings by Holly Roberts
Holly Roberts, left: “Old Cowboy,” 48 x 30 inches; right: “Woman with Her Own Coyote,” 24 x 18 inches

 

Holly Roberts, who will be teaching an eight-week Penland workshop beginning in March, is a painter and a photographer. Her work with paint tends toward color and layers, while her photographs often highlight everyday patterns and textures in black and white—the branches of trees against the sky, the coiled springs of a mattress, the pebbly surface of a paved driveway. But her real work is in combining the two into narrative collages.

Holly’s collages speak to specific memories, thoughts, or individuals, and she can elaborate on the stories behind each. There’s the yellow collage of a cowboy, for example, loosely inspired by her husband’s grandfather in his ranch hand days out in Texas and New Mexico, or the aqua and dull red image of three faces inside separate houses that deals with the growing rifts between siblings as they age.

On the surface, some elements of these stories are obvious—the cowboy boots, the human features, the three peaked roofs. But deeper inspection draws out more depth from the constructed layers. The cowboy’s belt buckle is pasted from a photograph of a bird’s nest, and the squiggling “bones” that run the length of his body are the branches of trees. In the collage of houses, there are recognizable shapes, but others draw questions—are those hands reaching up from the bottom, or roots? Is the sky filled with clouds, or are those thought bubbles brimming with the unsaid words between siblings?

 

paint and cut photograph collage
Holly Roberts, “Family Trouble,” 11 x 12 inches

 

There’s a directness to these pieces that belies their depth and consideration. What first appears playful or happenstance is the result of careful arranging, rearranging, testing, and experimenting. Holly understands her materials as language and has gained the fluency to communicate through them on an immediate, elemental level.

The short video below is an illuminating view into her creative process in the studio:

 

 

This spring, we are thrilled to welcome Holly back to Penland to share her approach to narrative collage with our community. She and her students will go in-depth with the possibilities of paint mixed with other media during her concentration The Perfect Union: Paint, Collage & Transfers. The workshop will run March 11 – May 4, 2018, and registration is open now. Students can expect eight weeks of investigation, exploration, questions, and camaraderie.

 

Holly Roberts, “Snake Truck,” 24 x 30 inches

 

The Perfect Union: Paint, Collage & Transfers

Holly Robert—Students will begin the process of combining media by experimenting with different ways of applying paint. Painted surfaces will serve as the core of the images to follow and will guide students in forming these images. Students will experiment with transfer processes, gluing and adhesive techniques, and using their own source material to build images onto their painted surfaces. The workshop will stress investigation, exploration, and risk in an attempt to marry disparate media such as print, text, photographs, and any other material students want to use. All levels. Studio fee: $170. Code S00D

Studio artist; teaches nationally and internationally; two NEA fellowships; monographs of her work published by Nazraeli Press and Friends of Photography; collections: Art Institute of Chicago, Center for Creative Photography (AZ), San Francisco Museum of Modern Art, Museum of Fine Art Houston, Los Angeles Museum of Contemporary Art.

hollyrobertsstudio.com

 

REGISTER FOR SPRING CONCENTRATIONS
clay  |  letterpress  |  painting  |  metals  |  textiles  |  wood  |  sculpture
March 11 – May 4, 2018