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Wood Workshops at Penland
Classes are open to serious students of all levels unless specified in course description; beginners welcome.
SUMMER session 7
August 23 - 29, 2015
Miriam Carpenter, Feathers 11,901, 11,900, 11,899,
carved white oak, burnished with graphite powder,
1-1/4 x 17/8 x 4"
The Zen of Carving
Students will practice carving as meditation and will be encouraged to explore the natural environment to find inspiration through observation, pattern recognition, and structure. The workshop will include an introduction to the properties of different wood species, and we’ll identify appropriate material for individual projects. Students will experiment with techniques and tools for shaping, surface design, and finishing. Final pieces will be small in scale and may be functional or objects d’art. A basic understanding of tools and wood will be helpful, but this workshop is open to all levels. Code 07W
Studio artist, former assistant designer to Mira Nakashima; ITE residency in Australia sponsored by the Center for Art in Wood (PA); exhibitions: Wharton Esherick Museum (PA), Center for Art in Wood, Cooroora Institute (Australia), Sakatchewan Craft Council (Canada), Wayne Art Center (PA).
Fall Eight-Week Concentrations
September 20- November 13, 2015
Sylvie Rosenthal, Ganda 1514, basswood,
plywood, paint, rice and sack, gilding,
43 x 72 x 21”
Going Deep: Sculpture & Furniture Laboratory
In this fun and fast-paced workshop, we’ll work in and out of the studio as we make furniture and sculpture for interior and exterior settings. While exploring experimental and traditional construction techniques–including lap, mortise and tenon, and dovetail joints–we’ll make forms, structures, masses to carve, and literal and metaphorical frameworks to support your ideas. Our main material will be wood, but we’ll use other materials—plaster, metal, ceramic, found objects—as projects necessitate. Thinking creatively, solving problems, and keeping safety in mind, we’ll use additive and subtractive processes as we cut, glue, join, shape, break, and fix. Risk taking will be encouraged. All levels. Code F00W
Studio artist; teaching: Haystack (ME), Anderson Ranch (CO), University of Wisconsin-Madison; exhibitions: del Mano Gallery (CA), Museum of Arts and Design (NYC), Mint Museum (NC); collections: Museum of Arts and Design (NYC), Fuller Craft Museum (MA), Kamm Teapot Foundation (CA).
Spring Eight-Week Concentrations
March 13 - May 6, 2016
Raivo Vihman, Barn Frame with Crooked Ash Struts,
white pine, ash, salvaged structural bolts, cast washers
In this workshop we’ll delve into traditional carpentry as we cut, join, and raise a timber-framed structure that will become a permanent part of the Penland campus. We’ll explore various approaches to timber preparation, layout, joinery design and execution, and compound-angle joinery. We’ll also cover scribing techniques as we incorporate round logs into the structure of the frame. Students will begin by designing and building their own timber sawhorses and will leave the class with the skills needed to design and build their own timber frames. All levels. Code S00W
Carpenter, founder and proprietor of Haystack Joinery (ME); teaching: Waterfall Arts (ME), Miljandi Cultural Academy (Estonia).
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