Special Workshops at Penland
Workshops are open to serious students of all levels unless specified in course description; beginners welcome.
Enrollment for summer 2016 workshops is currently open. Workshops are filled on a first-come, first-served basis, and enrollment remains open until all class spaces are full or the workshop begins.
SUMMER session 1
May 29 - June 10, 2016
Amara Hark-Weber, Rose Toe, leather,
ladies size 9
The Pegged Sole Code
In this workshop we値l learn a historic method
of shoe construction: the full pegged sole. We値l cover shoemaking fundamentals, including patterning for an oxford or derby, cutting, skiving, sewing, and finishing. Learning through demonstrations and one-on-one instruction, students will make and finish one pair of full leather shoes. All levels welcome: a good attitude and some hand strength will be necessary. Flex studio. Code 01TB
Bespoke shoemaker at Hark Weber Studio; teaching: School of the Art Institute of Chicago, Quest College (Canada), University of Wisconsin-Madison; awards: Jerome Fellowship (MN), Next Step grant (MN), William Merchant R. French Fellowship (Chicago); exhibitions: Landmark Center (MN), Minnesota Center for the Book Arts, Saint Xavier University (Chicago).
Bill Thomas, Building Fox at Penland, okoume plywood,
mahogany, 175 x 30 inches
Building the Fox Canoe
Fox is a decked, double-paddle canoe, a boat intended for protected waters and lakes. Fox boasts two water-tight compartments for storage and flotation and a comfortable seatback and caned seat. She is 14-foot 7-inches long with a beam of 30 inches and a finished weight of just over 40 pounds. Each student will build a boat using CNC-cut parts and the stitch-and-glue method. We値l have them ready to float at the end of the workshop (paint and varnish will be added at home). We値l also build simple double paddles. All levels. Wood studio. Code 01W Note: This workshop has a studio fee of $1,400.
Studio artist and small boat designer; teaching: WoodenBoat School (ME), Chewonki (ME), Lowell痴 Boat Shop (MA), online course instructor at Craftsy and Off Center Harbor; registered Maine Guide and leader of kayaking and sailing classes.
SUMMER session 2
June 12 - 24, 2016
Lauren Fensterstock, Colorless Field 3, paper, Plexiglass,
charcoal, wood, 264 x 144 x 6 inches
Museum of the Self
Inspired by Marcel Duchamp痴 Boite en Valise預 suitcase filled with miniatures of his life痴 work耀tudents will make a Museum of the Self inside a box, suitcase, or other container. Using simple tools, writing exercises, drawing, collage, map-making exercises, photos of your existing work, and your favorite materials, we値l mine your artwork for new questions and possibilities. We値l focus on strengthening your personal voice and developing tools to express your ideas with nuance and clarity. Intermediate/advanced: this workshop is for artists with a dedicated practice who want to push their ideas to the next level. Drawing/Painting studio. Code 02D
Studio artist; guest critic at Rhode Island School of Design; teaching: Maine College of Art, New Hampshire Institute of Art; exhibitions: Kohler Arts Center (WI), Drexel University (Philadelphia), Austin Museum of Art (TX).
SUMMER session 3
June 26 - July 8, 2016
Barbara Cooper, Mantle, wood, burl, 16 x 20 x 20 inches
Drawing on nature as a source of information and inspiration, this workshop will create 3d forms and develop ideas using fiber and sculptural processes. We値l dissect and reconfigure found objects to understand the relationship between surface and volume. Then we値l build by layering to create solid volumes that reveal the history of the form痴 development. We値l work with traditional, alternative, and repurposed materials. Our focus will be on experimentation and improvisation and how ideas can be developed. All levels. Second-floor textiles studio. Code 03TB
Studio artist; residencies: City Museum of Copenhagen, Pilchuck (WA), Kohler Arts/Industry Program (WI), Vermont Studio Center, Hafnarborg Institute of Culture and Fine Art (Iceland); collections: Contemporary Museum (Honolulu), Cranbrook Academy of Art Museum (MI), Smithsonian National Museum of American Art (DC), Museum of Contemporary Art (Chicago).
SUMMER session 5
July 24 - August 9, 2016
Mark Melonas, Angular Sink with Disappearing Drain, fiber
reinforced concrete, 5 x 36 x 24 inches
Concrete: Renegade Alchemy
Concrete is an elegant and useful material with a long history but a small representation in the craft and design world. Through individual projects, demonstrations, and a class project, we値l cover preparation of concrete molds, including wood, plastic, rubber, plaster, and fabric; color and texture; concrete mixes for various applications; and casting techniques including wet-cast and GFRC spray techniques. We値l discuss design, concrete as a surface material in the home, artists and craftpeople using it today, and practical concerns for using it in your studio. All levels: familiarity with hand tools and power tools for mold making will be helpful. Wood studio. Code 05W
Studio artist; designs and builds custom furniture in concrete, wood, and steel as director of Luke Works Studio (Baltimore); teaching: Baltimore School for the Arts, University of Massachusetts-Dartmouth.
SUMMER session 7
August 28 - September 3, 2016
Geoffrey Gorman, Occidentalis is Hungry,
mixed-media, found objects, 41 x 41 x 15
The Soul of Forgotten Materials
This workshop will cover innovative ways to create structures and forms using organic, found, and recycled materials. Students will learn to use photographs and sketches to design large sculpture. We値l carve rigid foam to make armatures, use wire for joinery, and create accents with old hardware. Materials might include canvas, bike tires, old metal objects, and anything students bring with them. We値l consider how to build something interesting while still creating objects with structural integrity. We値l use simple chemicals to create patinas on a variety of metals. All levels: experience with hand tools and small power tools will be helpful. Flex studio. Code 07TB
Studio artist; workshop teacher for ten years; exhibitions: Craft Alliance (St. Louis), Cheongju International Craft Biennial (Korea), Jane Sauer Gallery (NM); collections: Racine Art Museum (WI), University of Colorado.
Deborah Horrell, Ruby Throated
Hummingbird, glass, vitreous enamel,
5-3/4 x 5-3/4 x 1/2 inches
Tom Spleth, Pull My Finger, slipcast porcelain
cup, 3-3/4 x 3 x 3 inches
Deborah Horrell & Tom Spleth
The faces of our phones are windows that look into the universe. Small is a fact of life today and how small makes and affects meaning is the kernel of this workshop. Whatever the medium, intense opportunities for art-making can arise when the first constraint is small. The goal will be to find out what makes an idea big when the modus operandi is small. Printmaking, mold making, and slipcast porcelain will be our methods and materials of choice as we make small objects and images. All levels. Lower clay studio. Code 07CB
Deborah: studio artist, workshop teacher; representation: Elizabeth Leach Gallery (OR); collections: Portland Art Museum (OR), Mint Museum (NC), Racine Art Museum (WI). Tom: studio artist; teaching: Alfred University (NY), Haystack (ME), Anderson Ranch (CO); collections: Kohler Co. (WI), Rhode Island School of Design.
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