Metals Workshops at Penland

Penland offers 1-, 2-, and 8-week classes taught by visiting instructors in our well-equipped studios. Class topics include jewelry design and fabrication, metalsmithing, casting, working with pewter, setting stones, enameling, etching, forging, and more. Workshops are open to serious students of all levels unless specified in course description; beginners welcome.

Enrollment for spring and summer 2017 workshops is currently open.

 


 

 

Spring Concentration
March 12 - May 5, 2017


David Jones, Modern Cuff Bracelet, forged copper and silver,

3 x 3 x 3-1/2 inches

 

David Jones
Multifaceted Fabrication

With a focus on traditional and sometimes inventive techniques and approaches, we’ll dive into the beautiful, limitless world of metal fabrication. Students will make jewelry and/or small-scale sculpture depending on individual interests. Techniques will include sawing, forging, soldering, forming, wire and sheet making, cold connecting, and stamping. The workshop will include information about the use of recycled metals and materials and where to source them. We’ll have ongoing demonstrations and critiques, and we’ll delve into the history of studio craft in the U.S. and abroad. All levels. Code S00MA


Studio artist; teaching: University of Georgia Cortona Italy Program, Thomas Mann Gallery IO (New Orleans); publications: Form and Function: American Modernist Jewelry, 1940–1970 by M. Schon, The Metalsmith’s Book of Boxes and Lockets (Brynmorgen Press); representation: Gravers Lane Gallery (Philadelphia), Thomas Mann Gallery (New Orleans), Velvet da Vinci (San Francisco).

 

 

 

 


 

 

Spring One-Week Session 1
March 26 - April 1, 2017


Pierce Healy, Memory Map Brooch, hand-engraved silver,

American walnut, steel brooch back, 6 x 3-1/2 x 1/4 inches

Pierce Healy
Hand Engraving: Pattern & Texture

This workshop will give students a basic understanding of the tools, techniques, and materials used in hand engraving. We’ll cover setting up, sharpening, and polishing the tools of the craft; holding devices and methods; marking out and transfer techniques; and the cutting of metal. We’ll also explore combined techniques and DIY low-tech texture-making methods. This practical short course welcomes everyone from complete novices to practiced metalsmiths, crafters, or printers who wish to add new skills to their repertoire. All levels. Code S01MB


Studio artist; teaching: Pierce Healy Studio (Dublin), National College of Art and Design (Dublin); residencies: Sim (Iceland), Arteles Center (Finland), National College of Art and Design (Dublin); exhibitions: National Craft Gallery (Ireland), The Scottish Gallery (Scotland), Solomon Gallery (Dublin), Velvet da Vinci (San Francisco).

piercehealystudio.com

 

 

 


 

 

SUMMER session 1

May 28 - June 9, 2017


Sondra Sherman, Rorschach Corsage Valeriana II, steel,

3-1/2 x 6 x 1-1/2 inches

 

Sondra Sherman
Jewelry Talks: Thought to Form

In this workshop, we’ll create expressive works informed by an expansive concept of the language of jewelry and the context of the body/wearer. Design exercises, model-making, material tests, and personal inspiration will guide students in developing a vocabulary of shapes. We’ll cover multiple methods of taking shape to form. Fearless students will be assisted as they work experimentally with any/all materials and methods, which may include hollow fabrication, pattern forming, wire construction, cold joining, die forming, chasing and repoussé, and carving. Intermediate; sawing, filing, cold joining, and soldering skills required. Code 01MA

 

Head of jewelry and metalwork at San Diego State University; fellowships: Tiffany Foundation (NYC), Pennsylvania Council on the Arts, Fulbright Study Abroad; collections: Museum of Arts and Design (NYC), Metropolitan Museum (NYC), Los Angeles County Museum of Art.

sondra-sherman.com

 

 

 


 


Myra Mimlitsch-Gray, Something for the Table, silver,

2-1/2 x 12 x 8 inches

 

Myra Mimlitsch-Gray
Sticks & Stones

We’ll explore the notion that tableware and hollowware forms can be described with sticks and stones—not literally, but in a structural sense: line and mass/volume. We’ll cover techniques such as forging, sinking, raising, tube-making, pattern-making, and various construction methods. During the first week, students will produce samples, studies, and collaborative design exercises. The second week will allow for individual projects. Function will be considered within the creative discourse. Abstraction will be encouraged. Intermediate; sawing, filing, and soldering skills required. Code 01MB

 

Head of metals program at SUNY–New Paltz (NY); fellow of the American Craft Council, United States Artists fellowship; solo exhibitions: Dorsky Museum (NY), National Ornamental Metal Museum (TN); collections: Metropolitan Museum (NYC), Renwick Gallery (DC), Victoria and Albert Museum (London).

mimlitschgray.com

 

 

 


 

 

SUMMER session 2

June 11 - 23, 2017


Angela Bubash, Fin #39, sterling silver, glass, dyed feathers,

vintage coral, 3-1/2 x 2-1/4 x 3/4 inches

 

Angela Bubash
Elegant Connections

Details, whether bold or subtle, make ordinary work memorable. We’ll push beyond mere ornamentation and develop innovative links and captures to expand and enhance your work. Students will bring a collection of personal artifacts to influence their designs. Using glass windows and metal frames to integrate found and natural objects, we’ll create our own “stones” or focal points for jewelry and small sculpture. We’ll cover basic and improvised settings, etching, roller printing and etched embossing plates, die forming, soldering techniques, and various tips and tricks. All levels. Code 02MA

 

Assistant professor at Longwood University (VA); other teaching: University of Georgia Cortona Italy Program, Arrowmont (TN), Appalachian State University (NC); exhibitions: Mobilia Gallery (MA), Alliages Gallery (France); publications: Art Jewelry Today 4 (Schiffer); former Penland resident artist.

angelabubash.com

 

 

 

 


 


Thomas Mann, Float Heart Brooch, silver, carved acrylic, brass,

bronze, 3-1/4 x 2-3/4 inches

 

Thomas Mann
Design for Survival: One-Off to Production

This master class, designed specifically for those participating, will provide the understanding and skills needed to launch a career as a jewelry or metal artist. Instruction will focus on deciphering a personal design vocabulary and inventing a production line based on what you discover. Explorations of professional practices, such as public relations, pricing, marketing, staffing, and materials management, will supplement the design and fabrication focus. This workshop will mix jewelry making, writing, and presentations. Students will be surveyed ahead of time so class material can be tailored to fit their needs. Intermediate/advanced level. Code 02MB

 

Studio artist, founder of Thomas Mann Gallery I/O (New Orleans); teaching: Arrowmont (TN), Peters Valley (NJ); publications: Metalsmith, Thomas Mann Metal Arts (Guild Publishing), author of Demystifying the Jeweler’s Saw (North Light Books).

thomasmann.com

 

 

 

 

 


 

 

SUMMER session 3

June 25 - JULY 7, 2017


Donald Friedlich, Aqua Series Brooch, glass, 22k gold, 18k gold,

14k gold, 2-1/2 x 2-7/8 x 3/8 inches

 

Donald Friedlich
Industrial Resources for the Studio Artist

Most studio jewelers have a production line of more affordable work. Supplementing hand work by subcontracting to industry can expand options and increase production and profit margins. We’ll use hand processes to design and fabricate production prototypes. Then, through lectures, students will learn how to make creative use of available industrial processes, including casting, laser and waterjet cutting, commercial photoetching, etc. We’ll also explore alternative materials and coordinate some activities with Kristin Beeler’s class. Intermediate/advanced level: sawing, soldering, filing, and forming skills required. Code 03MA

 

Studio artist; teaching: The Studio at Corning (NY), Tainan National University (Taiwan); collections: Victoria and Albert Museum (London), Smithsonian (DC), Museum of Arts and Design (NYC). Museum of Fine Arts, Boston.

donaldfriedlich.com

 

 

 


 


Kristin Beeler, Frostbite, steel, fine silver, quartz, ball: 4 inches

diameter, chain: 20 inches

 

Kristin Beeler
Forget Me Knot

From tying a string around your finger to family heirlooms, jewelry and memory can merge to create meaning. Using interpretations of the locket as a starting place, we’ll explore jewelry as souvenir while incorporating techniques of the locket form, including hinges, using the hydraulic press, and etching. Readings and discussion will focus our thoughts about objects and memory. We’ll emphasize experimentation, skill building, and the development of form. Interaction with Donald Friedlich’s workshop is inevitable. All levels. Code 03MB

 

Professor at Long Beach City College (CA); visiting artist: University of Technology (Sydney), Cranbrook Academy of Art (MI), Kent State University (OH); solo exhibitions: Mesa Contemporary Art Museum (AZ), Velvet da Vinci Gallery (San Francisco); publications: 500 Lockets and Pendants (Lark Books).

kristinbeeler.net

 

 

 

 

 

 


 

 

SUMMER session 4

july 9 - 21, 2017


Attai Chen, Untitled (Compounding Fractions) Necklace, paper,

paint, glue, silver, 10-1/2 x 6 x 3-1/8 inches

 

Attai Chen
Paper Jewelry

This workshop will explore the fascinating and surprising field of paper jewelry. In recent years we have seen paper being used in architecture, art, fashion, design, and jewelry. We’ll explore the art of jewelry-making while putting paper at the technical and conceptual center of the work. We’ll start with an introduction to different types of paper and ways of working with it. Then we’ll investigate jewelry and its relationship to the human body, concentrating on helping each student develop unique ways to harness the potential of paper. Individual support in metalsmithing techniques will be provided as needed. All levels. Code 04MA

 

Studio artist; teaching: Bezalel Academy of Arts and Design (Israel), Shenkar College of Engineering and Design (Israel); collections: Museum of Arts and Design (NYC), Metropolitan Museum (NYC), International Design Museum (Germany), Israeli Museum of Art.

attaichen.com

 

 

 

 

 

 

 

 


 


Lynn Batchelder, Split, steel, 18 x 4 x 1-1/2 inches

 

Lynn Batchelder
Jewelry + Drawing

This workshop will explore drawing as a method for thinking and making in the jewelry studio. Beginning with direct and experimental exercises and approaches to drawing, we’ll consider possibilities for translating line into metal through etching, embossing, roll printing, piercing, wire construction, and a variety of invented techniques. We’ll emphasize experimentation in the space between two and three dimensions, resulting in a range of samples, jewelry, and works on paper. All levels. Code 04MB

 

Assistant professor at SUNY–New Paltz (NY); teaching: University of Wisconsin–Stout, Peters Valley (NJ), Arrowmont (TN); 2016 Art Jewelry Forum Artist Award, Society of North American Goldsmiths Emerging Artist Speaker (SOFA Chicago); exhibitions: solo at Heidi Lowe Gallery (DE), Talente (Germany), “Shared Concerns” (NC, CA, Australia).

lynnbatchelder.com

 

 

 


 

 

SUMMER session 5

july 23 - August 8, 2017


Anna Johnson, Felis Canis Necklace, coyote vertebra, cat

vertebra, Ethiopian white opals, black moonstone, pyrite, fine

silver, sterling silver, cast silver, 18 inches

 

Anna Johnson
Freestyle Assemblages

A few basic skills can take you far and provide endless creative freedom. In this class we’ll explore casting found objects, simple wax carving, stonesetting, basic fabrication, and joinery. Using these techniques, students will be encouraged to create wearable samples and experiment with combining methods into thoughtful jewelry or small sculpture. Students can expect to create multiple pieces throughout the class and leave with a broad knowledge of basic skills in small metals. All levels. Code 05MA

 

Studio artist; teaching: Haywood Community College (NC); exhibitions: Mora Contemporary Jewelry (NC), The Smithery (OH), Heidi Lowe Gallery (DE), Baltimore Jewelry Center (MD), McColl Center (NC), Asheville Area Arts Council (NC).

annajohnsonjewelry.com

 

 

 

 


 


Caroline Gore, …mercurial silence…collide, reclaimed

cherry, jet, black spinel, silk, 18k gold, oxidized sterling silver,

tintype, brass, table: 24-1/2 x 49-1/2 x 33-3/4 inches

 

 

Caroline Gore
The Snake Paused

The Ouroboros is our structure—with a pause from daily introverted practice/habits, we’ll supercharge individual studio practices and move toward a reinvention through discussion, prompts, readings, and studio work. Through group ideation sessions, a sharp focus on material meaning, and a dedication to advancing participant’s technical methods of making, we’ll become limitless. This workshop is meant to provoke and offer guided support for new directions with traditional and nontraditional jewelry materials and techniques. Intermediate/advanced: for artists with a dedicated studio practice who want to push their ideas to the next level. Code 05MB

 

Associate professor at University of the Arts (Philadelphia); Peter S. Reed Foundation grant (NY); collections: Museum of Fine Arts, Houston, Racine Art Museum (WI); representation: Gallery Loupe (NJ).

 

 

 

 


 

 

SUMMER session 6

August 13 - 25, 2017


Marissa Saneholtz, The funny thing was that she wasn’t even mad,

copper, enamel, 14k gold, diamond, found objects, 3-3/8 x 2-1/8 x

3/8 inches

 

Marissa Saneholtz
Wet Hot American Narrative: Champlevé Enameling

Champlevé is the French term for a process in which enamels are inlaid into recessed compartments in metal surfaces. During this workshop, students will create these surfaces through etching and fabrication. They will then apply wet, powdered enamel and fire the pieces in a kiln. While fully immersed in these processes, students will be encouraged to create imagery by exploring personal narratives derived from a variety of brainstorming exercises. This merging of technique, narrative, imagery, and color will allow students to create a series of one-of-a-kind pieces of wearable art. All levels. Code 06MA

 

Instructor at Bowling Green State University (OH); other teaching: Appalachian State University (NC), East Carolina University Italy Program; collections: Bowling Green State University, Racine Art Museum (WI).

 


 


Michael Good, Curl, bronze, 16 inches tall

 

 


Julia Woodman, A Lady’s Pearls, sterling silver, glass,

12 x 4 x 1 inches

Michael Good & Julia Woodman
Anticlastic Raising & the Hydraulic Press

We’ll start with the principles of anticlastic raising using the simple tools of the trade. Then we’ll expand into the boundless potential of the hydraulic press! We’ll use anticlastic/synclastic methods and the press to create forms for sculpture, jewelry, three-dimensional tessellation, or whatever you can imagine. We’ll cover impression dies for multiples, deep-drawmaster dies, bracelet dies, and more. Individual instruction will help students explore and problem-solve at their own skill level. Techniques will be introduced daily and as needed. All levels. Code 06MB

 

Michael: studio artist; teaching: Royal College of Art (London); exhibitions: National Ornamental Metal Museum (TN), Gallery Aurus (Paris). Julia: studio artist; teaching: Campbell Folk School (NC); collections: Victoria and Albert Museum (London), Museum of Fine Arts, Boston.

michaelgood.com

juliawoodman.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

 

SUMMER session 7

August 27 - September 2, 2017


Joanna Gollberg, Mod Blues Earrings, lapis, rough ruby, turquoise,

blue topaz, apatite, sterling silver, 1-1/2 x 1 inches each

 

Joanna Gollberg
Traps!

Through fabrication methods and proper soldering techniques, students will learn to create secure settings that trap objects in their jewelry. We’ll discuss prong setting, tab setting, and bezel setting as ways to secure any kind of object. We’ll also learn a variety of soldering techniques using the Smith Little Torch, which will help students add surprising and delightful details to their work. Although this is a technique-based class, we’ll also discuss design, layout, and process. Tips and tricks will be shared throughout. Students can expect to finish several projects using their own designs. All levels. Code 07MA

 

Studio artist; teaching: Arrowmont (TN), Penland; exhibitions: Velvet da Vinci (San Francisco), Taboo Studio (San Diego); publications: Metalsmith, Ornament, 20th Century Jewelers, 500 Wedding Rings (Lark Books); author of four books on jewelry making.

joannagollberg.com

 

 


 


Ashley Buchanan, Decorative Bangles, hand-cut brass, powder

coat, 3-1/2 x 3-1/2 inches each

 

Ashley Buchanan
Introduction to Powder Coating

In this workshop students will learn to create a clean, durable, and colorful finish on jewelry and other small metal objects through the industrial process of powder coating. We’ll cover basic methods of application, experiment with alternative processes, and discuss the equipment needed for a powder coating set-up. We’ll make pieces to play with, and students will be encouraged to bring finished pieces, unfinished projects, and lots of metal objects to powder coat. This workshop will provide a practical and accessible finishing option that can easily be integrated into any studio practice. All levels. Code 07MB

 

Studio artist; teaching: Society for Contemporary Craft (Pittsburgh), Love & Luxe (San Francisco), The Art League (VA); exhibitions: Smithsonian Craft Show, Philadelphia Museum, Turchin Center (NC), Museum of Arts and Design (NYC), LIGHT Art + Design (NC); publications: Ornament, Metalsmith, American Craft.

ashleybuchananjewelry.com