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Workshops at Penland
Workshops are open to serious students of all levels unless specified in course description; beginners welcome.
Fall Eight-Week Concentrations
September 20 - November 13, 2015
Seth Gould, Scroll Lock, steel, brass,
iron, 5 x 8 x 4-1/4"
Seth Gould and Peter Ross
White is the New Black
The focus of this workshop is forging, refining, and embellishing small functional objects in steel. Through controlled forging methods, students will produce objects to a precise shape and dimension. After forging, forms and surfaces will be refined by filing to reveal the white metal below, contrasting the plasticity of hot forging with the crispness of cold embellishment. As we make tools, cooking utensils, mechanical joints, and hardware, we’ll discuss design, function, and embellishment. We’ll cover decorative filing, engraving, stamping, and inlays. Peter will co-teach for four weeks, bringing his deep insight into the nuances of hand forging and creating utilitarian objects. All levels. Code F00i
Peter Ross, Compass and
Caliper, forged wrought iron,
Seth: studio artist; teaching: Peters Valley (NJ), Smith Shop (Detroit), University of Arkansas; exhibitions: Craft in America Center (Los Angeles), Green Hill Center (NC), Gallery Shop Si (Japan), work published in Iron Work Today 3 and Iron Work Today 4 (both Schiffer Publishing).
Peter: studio artist; master of the blacksmith shop at Colonial Williamsburg for 25 years; specialist in reproduction 18th and 19th century hardware and tools; teaching: Haystack (ME), Campbell Folk School (NC), Touchstone (PA), Peters Valley (NJ), New England School of Metalworks (ME).
Spring Eight-Week Concentrations
March 13 - May 6, 2016
Elizabeth Brim, Scroll,
forged and fabricated steel,
15-1/2 x 12 x 3”
Miss Betty’s Red Hot Variety Show: Encore!
This workshop will focus on traditional techniques and innovative processes for forging and forming hot steel. Assignments and rehearsals will ensure each student’s understanding of basic forging before moving on to the design and production of original sculpture. Processes will include forging, fabrication, inflation, and vacuum forming. We’ll explore familiar and unusual surface treatments and finishing techniques. Students will gain the skills required to express their unique ideas in iron and to make well-crafted work. All levels. Code S00I
Studio artist; teaching: Haystack (ME), Peters Valley (NJ); visiting artist at several universities and Cranbrook Academy of Art (MI); North Carolina Arts Council fellowship; Master Metalsmith at National Ornamental Metal Museum; solo exhibitions: North Carolina Museum of Art, Gregg Museum of Art and Design (NC); former Penland studio coordinator.
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