Glass Workshops at Penland

Penland offers 1-, 2-, and 8-week classes taught by visiting instructors in our well-equipped studios. Class topics include glass blowing, flameworking, glass sculpture, cold working, casting, fusing, and more. Workshops are open to serious students of all levels unless specified in course description; beginners welcome.

Enrollment for summer and fall 2016 and spring 2017 workshops is currently open. Workshops are filled on a first-come, first-served basis, and enrollment remains open until all class spaces are full or the workshop begins.





SUMMER session 2

JUNE 12 - 24, 2016

Kenny Pieper, Satin Blue Goblet Study, glass, wood, 34 x 45 x 6


Kenny Pieper
Goblets, Cane & Whatever Else Comes Up

Making goblets in glass can be a difficult exercise. They have the potential to teach us much溶ot just about the mechanics of glass but also about the aesthetics of finished objects. This workshop will start with a number of basic goblet-making techniques. From there we値l move into filigrana and more advanced blowing concepts. We値l have daily demonstrations along with discussions about aesthetics and the why and how of making glass objects. Intermediate/advanced: students should have a good strong base in glassblowing techniques. Code 02GA

Studio artist; teaching: The Studio at Corning (NY), Cleveland Institute of Art, Pittsburgh Glass Center, Penland; collections: Corning Museum (NY), New Orleans Museum of Art, Museum of Fine Arts Boston, New Bedford Museum of Glass (MA), Asheville Art Museum (NC).






Emilio Santini, Perseus, glass, 19 x 4 x 4 inches



Emilio Santini
Flameworking for Everyone

This workshop will cover all aspects of flameworking: from basic solid-sculpting with soft glass and borosilicate glass to pulling a proper point and blowing and opening a straight Venetian cup. If time allows, we値l also cover insect making and blowing hollow beads at the torch with a blowpipe. Students will be able to focus on one technique, or they may practice, absorb, and take home all of them. All levels. Code 02GB

Studio artist; teaching: Virginia Commonwealth University, The Studio at Corning (NY), Pilchuck (WA), UrbanGlass (NYC), Pratt Fine Art Center (WA); collections: Corning Museum (NY), Mint Museum (NC), Sheffield Museum (England), Museum of Contemporary Art (Venice), Chrysler Museum (VA), Kentucky Museum.



SUMMER session 3

JUNE 26 - July 8, 2016

Rebecca Arday and David Schnuckel, com/mensural, blown,

kiln cast, flameworked glass, mixed-media, 18 x 7 x 7 inches


Rebecca Arday & David Schnuckel
Logic & Lyricism

This workshop will take a two-pronged approach to establishing and expanding a sculptural practice in hot glass. Demonstrations will reinforce basic methods and introduce advanced techniques that will support conceptual intent. Exercises and prompts will spur the harmonizing of form and content as we pursue work with poetic appeal. Coldworking, assembly, cold surface treatments, and the integration of additional media will provide more options for layering content in finished works. Intermediate level: students should be able to gather and make basic shapes. Code 03GA


Rebecca: studio artist; teaching: Pilchuck (WA); exhibitions: Glasmuseet Ebeltoft (Germany), Bullseye Gallery (Portland, OR), Friesen Gallery (Seattle). David: studio artist: teaching: Pilchuck (WA), National College of Art and Design (Dublin); exhibitions: 1975 Gallery (NY), Robert Lehman Gallery (NYC), Glasmuseet Ebeltoft (Denmark).






Amy Lemaire, Oxides Coordinate Strand, soda-lime glass,

plastic-coated stainless steel wire, 9 x 2 x 11 inches

Amy Lemaire
Active/At Rest

This workshop will explore the possibilities of wearable glass sculpture and consider multiple positions for sculptural objects: active when displayed on the body, and at rest in a more formal sculptural presentation. Working with both borosilicate and soda-lime glasses, we値l cover traditional and experimental approaches to flameworking, including material preparation, working hollow, design and surface treatment, coldworking, kinetics, and hot and cold assembly. The goal is to create a collection of related works that are structurally sound and conceptually tight. All levels. Code 03GB


Studio artist, adjunct professor at Salem Community College (NJ), director of The Bead Project at UrbanGlass (NYC); Museum of Arts and Design residency (NYC); Wheaton Arts fellowship (NJ); exhibitions: SOFA Chicago and New York, Wheaton Arts (NJ); representation: Donna Schneier Fine Arts (FL).






SUMMER session 4

July 10 - 22, 2016

Joe Grant, Crystal Heliconious, glass, steel, 28-1/2 x 15 x 3 inches


Joe Grant
Pushing, Folding, Blowing & Molding

Students in this workshop will make forms and ideas come to life using the physics of glass. We値l develop a strong foundation of glassmaking skills in the hot shop through bit-work, solid sculpting, blowing, and simple blow molds. We値l complement these skills in the cold shop and bring ideas to fruition through a combination of traditional and experimental approaches to glass. The workshop will include demonstrations, exercises, hands-on experimentation, and a focus on individual practice. Beginning level: experienced students are also welcome. Code 04GA


Studio artist, studio coordinator and head of education at STARworks Glass (NC); teaching: Haystack (ME), Appalachian State University (NC), East Carolina University (NC); fellowships: North Carolina Arts Council, Creative Glass Center of America (NJ); exhibitions: STARworks Gallery (NC), Gallery One (OH), Gallery A (VA), Green Hill Center (NC).








Jason Chakravarty, Right Foot Blue, murrine, blown and cast

glass, 11 x 8 inches


Jason Chakravarty
Hot Glass & Heavy Metal

This workshop will combine kiln-cast glass and cast aluminum. Using the lost-wax technique and glass shop equipment, students will design work that includes both cast glass and cast aluminum. Everyone will learn to design and create waxes that work for glass and those that work for aluminum. The waxes will be invested using solid investment. We値l learn how to cast, divest, and clean up our castings. Along the way, we値l discuss the different approaches to casting each material. All levels. Code 04GB


Studio artist; teaching: Arizona State University, The Studio at Corning (NY), UrbanGlass (NYC), Cleveland Institute of Art, Pittsburgh Glass Center, Appalachian Center for Crafts (TN); galleries: Corning Museum (NY), Duncan McClellan Gallery (FL), Habatat Galleries (FL), Hive Contemporary (PA), Thomas Riley Galleries (OH), Vetri Gallery (Seattle).









SUMMER session 5

July 24 - August 9, 2016

Mikey Cozza, Sunflower, blown and hot-sculpted glass,

12 x 10 x 28 inches


Sasha Tepper-Stewart, Apis Sanctuary, blown and hot-sculpted

glass, 15 x 13 x 8 inches


Mikey Cozza & Sasha Tepper-Stewart
Realize Your Ideas Through Problem Solving

This workshop will start with drawings and ideas for things you致e always wanted to make. We値l discover easier ways to achieve what you want and problem-solve difficult ideas into results. We値l cover basic blown forms, varied construction and joining techniques, color applications, incalmo, and cane work. Even if you just want to hone the skills you have, a few simple workshop projects will show you how to gain skills that will help you translate your ideas into the forms you desire. All levels. Code 05GA

Mikey: Studio artist; teaching: Seattle Glassblowing Studio, Pratt Fine Arts Center (Seattle); exhibitions: Seattle Glass Gallery. Sasha: Studio artist and warm shop coordinator at Pratt Fine Arts Center (Seattle); Museum of Glass residency (WA); exhibitions: Blue Rain Gallery (NM), NaPua Gallery (HI), Seattle Glass Gallery.


Joanna Manousis, Pomegranate, cast, blown, flameworked, and

p穰e de verre glass, mirror, mixed media, 3 x 2-1/2 x 2-1/2 inches



Joanna Manousis
Contrasting Methods

This workshop will introduce a range of techniques in mold making, glass casting, and p穰e de verre to give you a broad skill base and facilitate your sculptural ideas in glass. We値l cover multi-part rubber molds for casting detailed wax duplicates along with hot-wax construction and handbuilt refractory mold making. We値l mix and apply colored p穰e de verre powders to open-face molds and press molds to create objects of varying thicknesses with precise coloration. This workshop will introduce you to a plethora of strategies that will help you make fabrication decisions in your own studio. All levels. Code 05GB


Studio artist; teaching: The Ohio State University, The Studio at Corning (NY), Pittsburgh Glass Center, Bullseye Resource Center (OR), Museum of Arts and Design (NYC); exhibitions: SOFA Chicago, UrbanGlass (NYC), Philadelphia Art Alliance; representation: Wexler Gallery (PA).










SUMMER session 6

August 14 - 26, 2016

Brian Corr, One, kiln-formed and blown glass, 165 x 325 x 10


Moment, blown glass, enamel paint, 138 x 6-3/4 x 6-3/4 inches

Brian Corr
Light Form

This workshop will explore form as a vehicle for creative expression by considering the role of line, volume, and void. It will also investigate ways that glass can embody light and shadow. Through demonstrations and individual working time, students will refine their technical ability and formal vocabulary in the hot shop. Students will also work to expand their voices as makers, designers, and artists through the development of personal projects and participation in group discussions. All levels. Code 06GA


Studio artist; teaching: Pilchuck (WA), The Studio at Corning (NY), The Jam Factory (Australia); exhibitions: Habatat International Glass Invitational (MI), Sabbia Gallery (Australia), Lesley Kehoe Galleries (Australia); collections: Toledo Museum (OH), Australian National Gallery, Gallery of Western Australia, Glazen Huis (Belgium); representation: Habatat Gallery (MI).





Mark Angus, Red Figure, Arms Raised, acid-etched, enamel-

painted glass, 33-1/2 x 27-1/2 inches



Mark Angus
Free Painting on Glass

This workshop will teach expressive glass painting with black enamels, transparent colored enamels, and silver stain. We値l paint float glass and possibly some blown forms. We値l experiment with different mark-making methods including brushes, scratching, drills, sgraffito, etc. We値l start with samples and then focus on assignments I will create to stretch each student. This may involve architectural ideas if appropriate. Our studio will be playful as we generate creativity and ideas. Expect to do a lot of drawing and painting, to enjoy freedom with ideas and paints, and to create beauty that will touch every viewer. All levels. Code 06GB

Studio artist; has created more than 330 painted/stained-glass windows for churches; teaching: Pilchuck (WA), Bild-Werk Frauenau (Germany), Tallin University (Estonia); collections: Victoria and Albert Museum (London), Glasmuseet Frauenau (Germany).



SUMMER session 7

August 28 - September 3, 2016

Chuck Lopez, Grace, blown glass, stainless steel,

36 x 16 x 4 inches

Chuck Lopez
Cane, Murrine, Lines & Dots

In this workshop students will learn traditional cane and murrine and alternative ways of combining them. We値l cover color setup, gathering, effective cane pulling, and how to make murrine. Once we致e pulled enough cane and murrine, students will learn how to pick them up to make finished pieces, including proper setup and heating. We値l also cover simple approaches to common issues and problems related to working with cane and murrine. Intermediate/advanced: students should be able to gather, make two- and three-gather pieces, and assist a blow partner. Code 07GA


Glass studio technician at Pratt Fine Arts Center (Seattle); teaching: Pratt Fine Arts Center, Espace Verre (Montreal); Creative Glass Center of America fellowship (NJ), Artist Trust artist project grants (Seattle); exhibitions: Vetri Gallery (Seattle), Morgan Contemporary Glass (Pittsburgh), Kathryn Markel Fine Arts (NYC).

Jen Zitkov, Balance, glass, enamels, 1 x 1-3/4 inches


Jen Zitkov
Beads, Baubles & Doodads

In this fun-filled workshop, we値l use soft glass to focus on building the solid foundation of skills needed to bring your bead ideas to life. We値l begin with the basics and expand from there to develop your skills to create with confidence and consistency. This will include shaping the glass (and getting it to stay where you want it), surface designs and textures, embellishments, decorative canes, troubleshooting, and oh, so much more. All levels. Code 07GB


Studio artist; teaching: The Studio at Corning (NY), Pittsburgh Glass Center, Rochester Institute of Technology (NY), Wildacres (NC), Penland; exhibitions: The Atelier (Miami), Arnot Art Museum (NY), National Liberty Museum (Philadelphia), Bullseye Connection (Portland, OR).







Fall Concentration
September 25 - November 18, 2016

Claire Kelly, Chromosphere, blown and sculpted glass, wood,

string, 11 x 7 x 7 inches

Claire Kelly
The Cane Ladder

This workshop will break down glassblowing techniques into manageable and focused steps. We値l work on problem solving, good habits, and teamwork so that student projects can be approached with confidence. We値l employ various approaches to cane and murrine, including roll-ups and picking up on a bubble. We値l also explore sculpting, hot and cold assemblies, and the fundamentals of cold working. Basic glass skills such as gathering, popping a bubble, making a color overlay, and bringing punties will be helpful, but this class is open to all levels. Code F00GA

Studio artist; teaching: Pilchuck (WA), Pittsburgh Glass Center (PA), The Studio at Corning (NY), Haystack (ME), Fundacin Centro Nacional del Vidrio (Spain); residencies: Pittsburgh Glass Center (PA), Energy Exchange (NC).




Fall One-Week Session 2
October 23 - 29, 2016

Mark Ditzler, The Last Monarch, kilnformed glass, hotworked

cane, 15 x 12 x 7 inches


Mark Ditzler
Flowers, Fish & Fauna

How do you imitate the colors of a butterfly or a hummingbird? We値l explore the versatility of kiln-formed glass using the colors and textures of nature for inspiration. We値l start with basic glass fusing techniques and progress to many decorative possibilities, choosing the best ways to recreate naturally-occurring patterns. Techniques will include silkscreen, frits and powders, dichroics, and micas. We値l make molds to create textures and use flameworking to make useful accents. We値l have daily demos, discussions, and plenty of work time to explore the possibilities. All levels. Code F02GB

Studio artist; teaching: The Studio at Corning (NY), Pittsburgh Glass Center, Pratt Fine Arts Center (WA), The Glass Furnace (Istanbul); recent exhibition: 哲orthwest Designer Craftsmen at 60 at Whatcom Museum (Seattle), collections: Mayo Clinic (MN), Audubon (WA), Kaiser Permanente (CA).










Spring Concentration
March 12 - May 5, 2017

Dean Allison, Water Bug, glass, paint, 36 x 14 x 10 inches


Dean Allison
Glass: The Fantastic & Feared!

This workshop will accelerate your ability to work with glass. While primarily a casting workshop, we値l cover many approaches to using glass, including introductions to blowing and blow-molds. We値l duplicate positive forms, make molds, use kiln and cold-working processes, and experiment to achieve desired results. The first four weeks will introduce specific glass techniques and methods. In the second four weeks, you値l use these methods to expand your artistic language. Prepare to aim high, absorb, experiment, work through failure, work in teams, and share space. All levels. Code S00GA


Penland resident artist; teaching: The Glass Furnace (Turkey), Pittsburgh Glass Center, Arrowmont (TN), Bullseye Glass Center (OR); exhibitions: National Portrait Gallery (DC), SOFA Chicago, Scope Miami, Spartanburg Art Museum (SC), Muskegon Art Museum (MI).








Spring One-Week Session 2
April 9 - 15, 2017

Chuck Savoie, Zanfirico and Reticello Goblets, blown glass,

14 x 7 x 7 inches


Chuck Savoie
Color 101

This will be a hands-on workshop on making and using colored glasses and various way to opacify glass. The focus will be on practical glass melting and the chemistry behind it. Students will gain an overall understanding of how to make a spectrum of colored glasses and formulas that produce different effects. We値l cover the use of a color furnace, color charts and glasses appropriate for incalmo, multiple overlays, cane, and other glassblowing techniques. Some glass melting experience and a basic knowledge of the constituents of glass will be helpful, but this workshop is open to all levels. Code S02GB

Studio artist; teaching: University of Sydney (Australia), visiting lecturer at Bay Area Glass Institute (CA) and Cleveland Art Institute; Best in Show at Smithsonian Craft Show (DC), Judge痴 Choice Award at Philadelphia Museum Craft Show; exhibitions: SOFA Chicago and New York, Art Palm Beach (FL), Montreal Museum of Fine Art; collections: Renwick Gallery (DC), Museum of Arts and Design (NYC); representation: Okay Spark Gallery (VA).





Spring One-Week Session 3
April 23 - 29, 2017

Mark Peiser, Passage 1, hot-cast, phase-separated glass,

23-1/4 x 25 x 8-1/2 inches


Mark Peiser & Susie J. Silbert
The Glass Sommelier

Not all glasses are alike. Different kinds of glass encourage different processes and aesthetics. Some allow for complex detail work, while others are more suitable for large-scale castings. Structured like a cooking class and including lectures and discussions on the history of glass, this workshop will expose students to a breadth of glasses and give them information that will help them design glasses to their own tastes and needs. We値l mix ingredients, melt glasses, and sample the results. An interest in and enthusiasm for glass is required. All levels. Code S03GB

Mark: studio artist; Glass Arts Society Lifetime Achievement Award, North Carolina Award, Art Alliance for Contemporary Glass Lifetime Achievement Award; collections: Museum of Arts and Design (NYC), Tokyo Museum of Modern Art. Susie: curator of modern and contemporary glass at Corning Museum of Glass (NY); teaching: Rhode Island School of Design; exhibitions: UrbanGlass (NYC), Parsons (NY).