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Drawing and Painting
Workshops at Penland
Workshops are open to serious students of all levels unless specified in course description; beginners welcome.
SUMMER session 7
August 24 - 30, 2014
The studio will be used for Nancy Blum’s class, Developing a Public Art Practice.
SEPTEMBER 21 - NOvember 14, 2014
Jane Wells Harrison, Assume,
encaustic, collage, oil on wood,
10 x 10 inches
Jane Wells Harrison
Mixed Media with Encaustic
This workshop will cover all aspects of working with encaustic paint, with a special emphasis on combining encaustic with mixed media. Working in series, students will find several solutions to each assigned project. We’ll work on wood, paper, and other surfaces, and we may use watercolor, gouache, and oil paint with encaustic, as well as graphite, charcoal, and found objects. Although this class is centered on the combination of encaustic and mixed media, encaustic is not a requirement for all projects. All levels. Code F00D
Studio artist; teaching: Pocosin Arts (NC), Rocky Mount Arts Center (NC), Turchin Center (NC), East Carolina University (NC); exhibitions: Quirk Gallery (VA), Turchin Center (NC), Velvet da Vinci (San Francisco), Studio Fusion (London); work published in Metalsmith: Exhibition in Print and Enameling Techniques by Linda Darty.
Spring Session 1
march 22 - 28, 2015
Katherine Amman Vellard, Dream,
oil pastels, graphite, 30 x 22 inches
Katherine Amman Vellard
We’ll work within a limited context, using restrictions not as an inhibiting factor but as a challenging format for discovery and expression. Each student will select an object from nature that reveals greater visual riches the more closely you examine (draw/dissect) it. That object will become the source for a series of drawings, beginning with several carefully observed life-sized graphite works and evolving into large-scale charcoal abstractions. It’s amazing to see what a rich portfolio can result from working with such a small, underwhelming source. The possibilities are endless! All levels. Code S01D
Professor at Louisiana Tech University; Louisiana Division of the Arts fellowship; exhibitions: St. John the Divine (NYC), Centre d’Arts Plastiques Albert Chanot (France), Barnwell Art Center (LA), Marin Museum of Contemporary Art (CA).
Spring Session 2
april 5 - 11, 2015
Tremain Smith, Sublime Creature,
oil and wax on panel, 48 x 32 inches
Encaustic Painting: Layers of Meaning
This workshop will cover the basics of encaustic painting: making encaustic medium and encaustic paint, fusing, substrates, equipment, materials, and safety. Once we cover these foundations, we’ll explore transparency and opacity, creating texture, building and removing layers, collage, branding, incising, glazing ,dry brushing, and surface manipulation. I will demonstrate my particular technique of using a template as a reference point for drawing, layering transparent wax, and adding color with oil glaze and collage. Students will use the techniques covered in the workshop to serve their own creative ends. All levels. Code S02D
Studio artist; teaching: Truro Center for the Arts (MA), K&F Handmade Paints (NY), Penland; exhibitions: Rosenfeld Gallery (Philadelphia), Paia Contemporary (HI), Darnell Fine Art (Santa Fe); collections: Metropolitan Museum (NYC), Pew Charitable Trusts (Philadelphia), Lancaster Museum (PA).
Joy Seidler, Two Moon Journals, paste paper coptic binding,
9 x 12 inches, dust jacket journal with image sewn, 10 x 8 inches
Caverly Morgan & Joy Seidler
Mindfulness & Making
Our workshop will focus on discovering authentic personal entry points into the creative process. Together we’ll explore mindful participation with creativity and with life as we avoid the temptations of control and end-gain. We will use crafts—including pastepaper, journal making, clay work, and other forms—as a vehicle for the practice of presence and receptivity and for experiencing interconnectedness. We’ll also explore meditation, strategies for bringing mindful practices into your life, and the role of service in craft. And we’ll address questions such as, “What does it mean to be a vehicle for creative life force while being an object maker?” and “How can our creative processes assist us in being more awake in the world?” All levels. Code S02CB
Caverly: meditation teacher, Zen practitioner and founding director of One House of Peace.
Joy: studio artist, consultant, educator, trainer of teachers; 20 summers of pastepaper journal workshops in Massachusetts.
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