Drawing and Painting Workshops at Penland

Penland School of Crafts offers 1-, 2-, and 8-week classes taught by visiting instructors in our well-equipped studios. Class topics include oil painting, watercolor, encaustic, life drawing, charcoal and pencil drawing, color theory, composition, abstract art, and much more. Workshops are open to serious students of all levels unless specified in course description; beginners welcome.

Enrollment for summer and fall 2016 and spring 2017 workshops is currently open. Workshops are filled on a first-come, first-served basis, and enrollment remains open until all class spaces are full or the workshop begins.

 

 


 

 

SUMMER session 3

JUNE 26 - July 8, 2016

Brooke Rothshank, Tape Measure, watercolor, 1 x 1 inches

Brooke Rothshank
Painting: Small & Often

This is an introductory workshop in daily miniature painting. This detail-focused session will cover small composition design, the use of watercolor compared to other media, and the value of artistic accountability with an emphasis on completing daily work. We値l consider the possibility of preparing both miniature and full-size frames. Demonstrations and one-on-one instruction will address the needs of students with different levels of experience. Come prepared to push the boundaries of your productivity and create intimate paintings that capture moments from your time at Penland. All levels. Code 03D


Studio artist, illustrator of three children痴 books for Herald Press; teaching: International Guild of Miniature Artisans School (ME); exhibitions: Andy Warhol Museum (Pittsburgh), Chicago International Miniature Show; work featured in Miniature Collector and Dollhouse Miniatures magazines.

 

 

 

 


 

 

SUMMER session 4

July 10 - 22, 2016

 

Goedele Peeters, Statue, woodcut in reduction, 20 x 24 inches

Goedele Peeters
Figure Drawing to Printmaking

Each day of this intensive workshop will include several sessions of life drawing with a model, including full-body drawing, portraits, and anatomical studies. We値l draw on paper with charcoal, watercolor, pastel, ink, bister, and other media. Then we値l work in the print studio to translate these drawings into prints through drypoint, monotype, and linoleum cuts with relief stencil. All levels. Code 04X

 

Professor at Municipal Art School Kontich and Berchem (Belgium); other teaching: Hochschule Kunst & Design (Switzerland), Cultural Center Tripoli (Libya), University of Michigan; exhibitions: International Print Center (NYC), International Print Triennial (Poland), Gallery Pinsart (Belgium).

 

 

 

 


 

 

SUMMER session 5

July 24 - August 9, 2016

 

Celia Gray, Bright Coins, ink, oil, paper, beeswax on

wood, 24 x 20 inches

 

Celia Gray
Encaustic Painting

This workshop will explore the possibilities of the ancient method of encaustic painting. We値l start with tools, safety, mixing paints, and fusing layers. We値l go on to explore many ways to create imagery and texture using traditional and alternative techniques. There will be daily demonstrations, discussions of historic and contemporary works, and plenty of time for experimentation. We値l also set aside a few days to make drawings and low-tech prints on transparent paper for inclusion in our finished work. This workshop will cover all the topics needed to begin a studio practice in encaustic or expand an existing one. All levels. Code 05D

 

Studio artist; teaching: Asheville Bookworks (NC), Rutgers University (NJ), Penland; recent exhibitions: White Box Gallery (NY), Blue Spiral (NC), Cameron Museum of Art (NC).

 

 

 

 

 

 


 

 

SUMMER session 6

August 14 - 26, 2016

 

Arthur Gonzalez, The Lookout, oil pastel, paint on gessoed

paper, 20 x 30 inches

Arthur Gonzalez
The Alchemy of Personal Symbols

Drawing is a way of seeing our thoughts. Philosophically, this is a kind of alchemical transference. Personal symbols are objects that potentize our work, which holds a mirror to who we are. Through lessons in color and light theory, this workshop will explore visual ideas and devices that will further our ability to construct good drawings. We値l also experiment with soft pastels and oil pastels, which are a bridge to the world of oil painting. Students must have a steady and confident practice in drawing. Above all, they must have a desire to invent, imagine, execute, and enjoy making art. Intermediate/advanced level. Code 06D


Professor at California College of the Arts; two Virginia Groot Foundation awards, four National Endowment for the Arts fellowships; work exhibited in more than 50 solo exhibitions; residencies: University of Georgia, Louisiana State University, Tainan National University (Taiwan), Pilchuck (WA).

 

 


 

 

SUMMER session 7

August 28 - September 3, 2016

Holly Roberts, Horse Resting, mixed media, 24 x 42 inches

Holly Roberts
Mix-Up: Paint & Collage

Working with collage and layered images, we can directly and quickly involve ourselves in the process of image making. Collage gives us immediate feedback and allows us to proceed with our process while identifying issues that are causing trouble. Expressive painting gives us an immediate and direct link to our creative selves. Working with acrylic paints and a variety of mixed-media, we値l cover image transfers, gluing techniques, painting techniques, surfaces, supports, media compatibility, and layering materials. Students will learn how the different media work together so they will understand what processes work best in combination. All levels. Code 07D


Studio artist; Ferguson Grant from Friends of Photography, two National Endowment for the Arts fellowships; residency at Hollins University (VA); work published in three monographs; exhibitions: Catherine Edelman Gallery (Chicago), Museum of Photographic Arts (CA), Tucson Museum of Art (AZ), Honolulu Museum of Art.

 

 


 

Fall One-Week Session 1
October 9 - 15, 2016


Alice Ballard, gift from Alex, charcoal, ebony pencil, conte,

22 x 20 inches

 


Alice Ballard, Quince, white earthenware, terra sigillata,

12 x 7 x 9 inches

 

Alice Ballard
Finding Your Form Through Drawing & Clay

In this process-oriented workshop, we値l move back and forth between clay and various drawing media, seeking inspiration from the beautiful Penland setting and the host of natural forms within that environment. Working inside and outside the studio, our ideas and materials will be our partners, and the creative process will lead us. Artists who are used to working in two dimensions and those who usually work in three will all benefit from the contrast and combination of these two ways of working. We値l use earthenware clay and have some electric firing for small pieces, and we値l make lots of drawings. All levels. Code F01CB


Studio artist; teaching: Francis Marion University (SC), Arrowmont (TN), Governor痴 School for the Arts and Humanities (SC); Fulbright Fellowship, two South Carolina Arts Commission fellowships; solo exhibitions: Eno Gallery (NC), Greenville County Museum of Art (SC), Sumter Museum of Art (SC); collections: Renwick Gallery (DC), Mint Museum (NC).

aliceballard-blog.com

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


 

Fall One-Week Session 2
October 23 - 29, 2016


Melissa Stern, Too Much, graphite, collage, 21 x 17 inches

 

 

 

Melissa Stern
Every Picture Tells a Story: Drawing, Collage & Storytelling

This workshop will explore the relationship between verbal and visual storytelling. Through drawing and collage, students will translate and transform one or more oral or written stories into visual ones. Exploring both linear and abstract storytelling, students will express their narrative visions using collage and drawing materials including found and personal imagery, paper, fabric, and a wide range of drawing media. Students should bring a story that is personally meaningful (one痴 own story, a folk tale, a published short story, a news article) as well as collage or image elements that might prove expressive. All levels. Code F02D


Studio artist; teaching: New York University, Greenwich House Pottery (NYC), School of Visual Art (NYC); collections: Dow Jones (NYC), JP Morgan (NYC), Arkansas Art Center, American Museum of Ceramic Art (CA), Kohler Corporation (WI), Library of Congress (DC); her multimedia installation, 典he Talking Cure, is currently touring museums around the U.S.

melissa-stern.com


 


 

Spring One-Week Session 2
April 9 - 15, 2017


Erin Keane, Vignettes, journals with encaustic covers,

3-1/2 x 2-1/2 x 3/4 inches

Erin Keane
Encaustic Books: Wax, Paper, Thread

Wax nostalgic, wax poetic, wax philosophical, and wax creative. We値l explore the use of encaustic painting in the creation of books and journals. Thin wood panels will be transformed into richly-layered and textured book covers. Papers infused with beeswax, imagery, and words will become journal pages, and these pages will be bound into tactile, tantalizing books. Daily demonstrations in encaustic, journaling, and bookbinding (Coptic/longstitch) will guide experimentation. Your books can be thematic, conceptual, or simply full of creative meanderings. All levels. Code S02D


Studio artist; teaching: EncaustiCamp/OPENstudio (WA/KY), Campbell Folk School (NC), River痴 Edge Studio (NC); published in Encaustic Arts; collections: Mission Health (NC); representation: Southern Highland Craft Guild (NC), 310 Art Gallery (NC).

erinkeane.com