about penland classes other programs gallery support penland news and events links

Spring One-Week Session I
March 27 – April 2, 2011

Classes are open to serious students of all levels unless specified in course description; beginners welcome.


Glass

Elizabeth Ryland Mears

Elizabeth Ryland Mears -Glass at the Bench Torch


In this introduction to working with glass in the mesmerizing flame of a bench torch, students will use their own creativity and effort to transform hard, industrial borosilicate glass into something quite different. Bring a spirit of adventure and a willingness to try solid sculpting and blowing with clear and colored rods and tubes. Beginning level. Code S01GB


Studio artist; teaching: Touchstone (PA), Pittsburgh Glass Center, Washington Sculpture Center (DC); exhibitions: Chicago Cultural Center, SOFA Chicago, Craft Alliance (St. Louis); author of Flameworking (Lark Books), author of a chapter in The Penland Book of Glass (Lark Books); collections: Lowe Art Museum (FL), Racine Art Museum (WI).

elizabethmears.com


LETTERPRESS

Paul Moxon

Paul Moxon - Letterpress Fundamentals

This intensive class will teach you how to set lead and wood type and to print using a Vandercook proof press. The objective is simply to lay ink on paper with the best technical results. Guided by the instructor, you will create individual projects to develop a sensitivity toward the tools and materials of letterpress printing. Come to class with brief texts and whimsey. All levels. Code S01L


Nationally known workshop instructor; authority on Vandercook presses; proprietor of Fameorshame Press.


fameorshame.com



Metals

James Thurman & Sandie Zilker - Colormania: Hue & You

James Thurman & Sandie Zilker

Starting with your own personal color palette, a dynamic duo of innovative instructors will teach, tantalize, and tickle your design senses into a frenzy of jewelry-making creativity through a mix and match of materials and techniques. Etched, roll-printed, and patterned metal will be combined with laminated paper (mokume-kami), layered/carved/formed acrylic, cast resin, papier maché, and polymer clay. Pencils, markers, and transfers will be used on metal and other surfaces. Cold-joining and handmade findings will complement the colorful cleverness. All levels. Code S01MB


James: coordinator of 3-D foundations and faculty in metals and jewelry at the University of North Texas; workshop teaching: Arrowmont (TN), Touchstone (PA).
Sandie: head of jewelry and enamel at Glassell School of Art, Museum of Fine Arts, Houston; collections: Museum of Fine Arts, Houston, Racine Art Museum (WI), Designmuseo (Finland).


jamesthurman.com


sandrazilker.com