Here it is, the summer 2018 workshop catalog!We’re thrilled to share our lineup with you in anticipation of another summer packed with creativity, energy, new friendships, and new ideas. We’re offering 102 unique workshops led by 116 talented artist/instructors, including favorites like encaustic painting and steel sculpture and special classes like brushmaking and skin-on-frame canoe building. Most workshops are open to serious students of all levels (beginners included!), and all give you access to the slide nights, dance parties, movement classes, scholarship auctions, and more that make a Penland session so special.
This year, summer registration will open to all students on January 8 at 9 AM EST on a first-come, first-served basis; we will not be using a lottery system. Applications may be submitted online, by fax, by post, or in person.
Scholarships are available for every summer workshop, including full, partial, and work-study scholarships. Spaces will be held in each workshop for scholarship students. Scholarship applications are due by 11:59 PM EST on February 17.
We hope you find a few minutes over the holidays to pour over the Penland catalog and find the perfect workshop for you, wherever you are in your creative journey. Look out for full course descriptions on the website by the end of December, with printed catalogs to follow in early January.
Penland spring concentrations are coming up this March 11 – May 4, 2018. Registration is now open and scholarships are available. Scholarship applications are due by 11:59 PM EST on November 28, 2017.
It’s hard to hold one of Adam Whitney’s sea monster stirrup cups without being drawn in by memories of old maps, aquarium trips, and the open sea. They’re exquisite objects with incredible detail—shiny protruding fangs, shadowy eyes, and dimpled, scaly skin that looks as cold and wet as any creature drawn from the ocean’s depths. But seeing the finished projects is only half the story. The other half is seeing how Adam takes a solid silver ingot and transforms it with a hammer and anvil into a raised vessel before adding layers of detail with chasing, repoussé, and great patience and skill. If that sounds like magic, we’d suggest watching Adam’s animation below.
This spring, Adam will be sharing his expertise with students at Penland during an eight-week concentration. The workshop is titled, appropriately, Persuading Metal and will introduce students to the process of coaxing silver, copper, and other metals from solid chunks into refined vessels, as well as jewelry techniques, tool making, hydraulic forming, chasing and repoussé, and more. Whether you’re a jeweler who wants to learn some new skills, an experienced metalsmith hoping to hone your work, or a complete beginner interested in gaining proficiency in metals, this workshop has plenty to offer, and Adam is an expert instructor (and former Penland metals studio coordinator!).
Adam Whitney—This workshop will be an exploration of manipulating metal and creating holloware. We’ll begin with the hammer: forging, sinking, and raising samples to establish a foundation in metal forming. Basic metalsmithing and lesser-known (and underappreciated) jewelry skills will be introduced with attention placed on working in a larger scale. Then we’ll move on to chasing and repoussé, basic tool making, and hydraulic press forming. We’ll start with lots of demonstrations and samples. As students become proficient with materials and processes, the emphasis will move to individual guided projects and discussions of historic and contemporary holloware. All levels. Studio fee: $160. Code S00MA
Studio artist; teaching: Center for Metal Arts (NY), Smith Shop (MI), Fritz & Friends (MI), Raffles College (Malaysia); visiting artist: Rhode Island School of Design.
Hands-on craft activities, a legion of wonderful volunteers, hundreds of eager visitors, and some beautiful spring weather all came together this past Saturday to make the 2017 Penland Community Open House a rousing success. Visitors tried their hands at perennial favorites like glassblowing and wheel throwing, as well as new additions like origami, sewn tote bags, and a letterpress scavenger hunt. We look forward to the open house every year as a way to welcome spring and bring together community members of all ages and skill levels. Thanks to all who participated for making it such a fun day!
In the photograph above, metals studio coordinator Ian Henderson guides two young visitors through the process of casting a spoon out of pewter. It took mere minutes to transform the hot, pourable metal into a spoon to take home and enjoy.
Meanwhile, in the photo activity, Penland resident artist Mercedes Jelinek was busy taking hundreds of portraits of open house attendees. Everyone who sat for a portrait was able to take home their own black-and-white print.
Visitors to the flameworking studio got to work up close with torches and glass. Here, one attendee learns how to melt the colored glass and shape it around a metal rod to make a unique bead.
To see dozens more photos from the day’s activities, take a look at our complete album of Community Open House 2017 pictures. We hope they inspire you to join us for Community Day 2018!
Adam Whitney is spending the month of January at Penland as a winter residency studio assistant in upper metals. His big project for that time is to make a pair of stirrup cups, the “parting cups” traditionally used to present mounted riders with wine or spirits before they left on a journey. Because stirrup cups were used on horseback instead of around a table, they didn’t need the flat base standard to almost all drinking vessels, and many were shaped like the heads of hounds, foxes, and other animals. Adam is crafting his in the shapes of mythical beasts.
The cups are inspired by fanciful renderings of sea monsters and other creatures on old maps and books. Adam started by making a model in copper, complete with curved teeth, horns, and a scaly chin. Next, he began the methodical work of transforming solid lumps of silver into cups, first by shaping and hollowing them with a hammer and then by adding details with finer tools like punches. The process is no small undertaking, but the results so far are a monstrous success.
We’re thrilled to present the Summer 2017 workshop catalog! It includes information about our ninety-seven unique summer workshops, including favorites like wood-fired pottery and letterpress and special offerings like bicycle building and leather inlay. Some workshops are for beginners, some are aimed at intermediate and advanced artists, most are open to students of all levels, and each is taught by knowledgeable artist-instructors. The front and back covers capture the range of our broad Penland community in a series of Penland portraits by resident artist Mercedes Jelinek. Read more about her photographs and all of this summer’s great offerings right here in the catalog.
Registration for summer workshops is open now, and everyone who registers by 5 PM on February 11 will be entered into the early registration lottery. Scholarships are available for all workshops. Apply for scholarships by February 17.
We are currently working on uploading full course information to our website. Look for it online by the end of December, with printed catalogs to follow in early January.
Fall workshops may have just ended, but it won’t be too long before concentrations are back in session for Spring 2017! We have a great lineup of artist-instructors coming to Penland to teach everything from casting iron and glass to atmospheric firing techniques for clay during Penland’s unique 8-week workshop format. Scholarships are available for all concentrations. Scholarship applications are due November 28, 2016.
Below is a preview of what’s in store this March 12-May 5, 2017. For complete course descriptions, see the Spring Concentration page.
Nick Schwartz will lead students in an exploration of “Painting with Fire,” including wood and gas firings and the possibilities of salt and soda in the kiln. John Dix will join as guest instructor for two weeks.
Penland resident artist Dean Allison will share his expertise in glass casting and mold making. Students will gain new abilities to work with glass in a range of ways to express their artistic visions.
Remy Louis Hanemann will guide students through the process of building a complete iron foundry at Penland. As they go, students will learn skills such as plasma cutting and welding, making two-part molds, and, finally, conducting an iron pour.
Letterpress & Books In her workshop “Image as Narrative,” Anne Covell’s students will first explore alternative printing techniques to create images and then bind them into traditional and sculptural books.
David Jones will give his students a wide-ranging education in metal fabrication for jewelry or small sculpture. Students will learn techniques from sawing, soldering, and stamping to forging and forming.
In “Weaving: A Dialogue,” Tommye McClure Scanlin and Bhakti Ziek will share their expertise in tapestry and jacquard weaving as students create images on the loom.
Jack Mauch will lead students in an in-depth exploration of woodworking techniques for furniture and sculpture with an emphasis on shape and going beyond rectilinear forms.
Each of our spring concentrations are open to students of all levels. Enrollment is open now, and the deadline to apply for a scholarship is November 28, 2016. Read more about Penland’s scholarship program, and then apply online through Penland’s slideroom site.
“Beautiful things have always affected my life, and I believe beauty is a powerful force in the world.” So Kristina Glick introduces her body of jewelry and metalwork. Her pieces are indeed beautiful, but those expecting extravagant gold or jewel-studded creations are imagining the work of the wrong artist. Kristina’s beauty is all about appreciation, interest, and a keen eye. “I am often drawn towards the quiet and the subtle: the texture of a rusty nail, a discarded book, pieces of a magnolia seed, or the curve of a beach stone,” she explains. Her work masterfully combines found objects and traditional metalworking techniques into pieces that are rich with color, texture, and unexpected details.
This fall, Kristina will be bringing her dedication to beauty—and her sizable skills—to the Penland metals studio. From September 25 to November 18, she will be teaching the concentration Counterbalance: Enameling, Electroforming & Found Objects. The course will be eight weeks of exploring techniques, materials, and the qualities that make a piece uniquely beautiful to each of us.
“I hope that what I create may someday slip into someone else’s life and tip the balance of their world a little further in the direction of beauty,” Kristina says. If your world could use a bit more beauty in the everyday (and whose couldn’t?), then Kristina’s workshop might be the perfect thing. Registration is now open, and a couple work-study scholarships are still available. For more information, contact the Penland registrar at 828-765-2359, ext 1306.
Counterbalance: Enameling, Electroforming & Found Objects
Kristina Glick—This workshop will start with the basics of liquid enamels including techniques such as layering, sgraffito, stamping, stenciling, and champlevé. Then we’ll explore electroforming to create organic, textured copper surfaces that will highlight and enhance the enamel. We’ll use found objects as inspiration and incorporate them into finished work. With an emphasis on process and experimentation, we’ll work toward the design and execution of jewelry pieces or wall panels. The workshop will include basic fabrication skills: sawing, soldering, cold connections, etching, and finishing. All levels. Code F00MA
Associate professor at Goshen College (IN); other teaching: Idyllwild (CA), Arizona Designer Craftsmen, Goshen Jewelers Guild (IN); exhibitions: JAS (NC), Touching Mystery (OH); work published in 500 Gemstone Jewels and 500 Enameled Objects (Lark Books); representation: Angelo (VA).