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Fall Workshops Are Happening at Penland

Penland School in the fall

If you are beginning to emerge from the past fourteen months looking for an extended time of creative engagement, we are happy to suggest Penland’s fall Concentration, which is a six-week session running October 3 – November 12 with workshops in clay, glass, steel sculpture, paper making, jewelry, shoe making, and wood. Along with learning and community, you will be treated to the transformation of the deciduous trees often referred to, prosaically, as “fall colors.” Here in the mountains, this annual exhibition stretches up the inclines to give you an exceptional view of its quilt-like patterns. Which is to say, it’s nice here in the fall. 

Participation in Penland fall workshops will require proof of vaccination, and in exchange for this, you will enjoy pre-pandemic operating procedures. Shared housing will be available, we’ll gather inside for meals and slideshows, no masks required. 

Scholarships are available. The application deadline is July 1. 

All workshops in this session welcome students of all skill levels. We’d love to have you join us. Here’s the lineup; complete workshop details are here.

ceramic work by Ben Carter
Ben Carter, Swirl Pitcher, cone 03 earthenware, slips, underglaze, glaze, 12 x 7 x 6 inches

Clay: Low-Fire is Cooler with Ben Carter
Explore the rich history of low-fire ceramics with the goal of integrating surface design with handbuilt and wheelthrown pottery. 

 

glass sculpture by jeremy bert and jen elek
Jeremy Bert and Jen Elek, Thunder Mounds, glass, neon, transformer, QTO cable, switch, 22 x 8 x 8 inches, 11 x 18 x 18 inches

Glass: Illumination Projects in Glass with Jeremy Bert and Jen Elek
While practicing the foundations of glassblowing, create glass sculpture and then incorporate neon, LED, incandescent, and candle light.

 

sculpture by Shawn HibmaCroman
Shawn HibmaCronan, The Freedom Press, steel, bamboo, oak, cork, rope, paper, ink, 7 x 8 x 9 feet

Iron: Steel Sculpture: Set in Motion with Shawn HibmaCronan
Make sculptures that move, evolve, and interact with the environment while learning numerous steel fabrication and assembly techniques.

 

paper by Radha Pandey
Radha Pandey, Naturally-Dyed Islamicate Papers, paper, dyes, 4 x 1 each

Papermaking: Paper Through Time with Radha Pandey
Trace the history and geographical spread of papermaking by learning techniques from Nepal, Polynesia, Korea, Japan, India and Europe.

 

jewelry by Laura Wood
Laura Wood, Space Between: Green + Green (brooch), enamel on copper, sterling silver, uvarovite, 3-3/4 x 2-1/4 x 1/4 inches

Metals: Foundations in Form and Color with Laura Wood
Learn techniques that will help you develop a wide range of sculptural jewelry components, and then bring them together as brooches, earrings, pendants, or other forms.

 

shoes by amara hark-weber
Amara Hark-Weber, Black Boots, calf and salmon leather, rubber heel cap, metal shank, size 41

Textiles: Blue Suede and Beyond: Introduction to Lasted Footwear with Amara Hark-Weber
Design and build your own handmade shoes using four different construction techniques and many kinds of leather.

Stay tuned: one-week fall workshops in books, clay, drawing, collage, stained glass, blacksmithing, jewelry, photography, printmaking, and musical instruments will be posted on July 9. 

UPDATE, July 9: Fall one-week session workshops are listed here!

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Hot Glass & Electric Light with Jeremy Bart and Jen Elek

Image of "Look! See?" installation by Jeremy Bart and Jen Elek
A view of Jeremy Bart and Jen Elek’s installation “Look! See?” at The Museum of Glass.

 

In the 200 years since the first electric light was invented, the light bulb has become a common household object. It has also come to symbolize new ideas and innovation, a spark of creativity, a sudden leap of understanding. Taken separately, a light bulb’s component parts are a simple glass globe, a wire filament, and an electrical current, but together, they open up whole new possibilities. Glass lends light form and volume, while light brings glass assertively to life.

This spring, the Penland glass studio will be all about exploring the possibilities and ideas that open when glass and light combine. It’s an area that collaborating artists Jen Elek and Jeremy Bart are already quite familiar with. In their recent exhibition Look! See? at The Museum of Glass in Tacoma, WA, the two created a dynamic and interactive landscape of forms, colors, reflections, and luminescence. Just as with a single light bulb, their pairing of glass and light combines to make more than the sum of its parts.

 

glass and neon installation by Jen Elek and Jeremy Bart
“Believe,” part of Jen and Jeremy’s installation “Look! See?”

 

For students interested in ways to take glass sculpture a step further, Jen and Jeremy’s spring concentration Hot Glass & Electric Light will be the ideal opportunity to do just that. During the eight-week workshop, which runs March 13-May 6, Jen will lead students through a strong base of hot glass techniques—and Jeremy will added instruction in the fundamentals of incorporating various forms of light into glass, from neon to LEDs.

Register for Hot Glass & Electric Light to give your work a literal jolt of electricity, and discover the potential for striking, communicative, and even humorous sculpture that the combination offers. Unlike the white creature below, we don’t think you’ll be disappointed.

 

Glass and neon head sculptures
“Human Heads,” a collaboration by Jeremy and Jen. (Notice the little switches like individual hairs on the very top of each head!)

 

Hot Glass & Electric Light

Jeremy Bert & Jen Elek — Most of us live within the glow of electric light—often protected or filtered by glass. This class will empower the nontechnically inclined artist to harness these omnipresent media by exploring the mechanics of glass and light while considering the potential for electric light in sculpture. Jen will teach the fundamentals of glass furnace work for the full eight weeks. Jeremy will join us for four weeks to cover the basic principles, vocabulary, and techniques of neon and other forms of electric light, including LED and incandescent. Artists ready to explore the combination of glass forming and electric light will find this workshop a great fit. All levels. Code S00GA

Jen has been a member of glass artist Lino Tagliapietra’s team since 2002; Jeremy is a certified welder, crane operator, and sign electrician. The two have previously taught at Pilchuck (WA) and have exhibited their work at Museum of Glass (WA) and Pittsburgh Glass Center.

jenelek.com

 

Penland Spring Concentrations, March 13 – May 6, 2016
Books  |  Clay  |  Glass  |  Iron  |  Metals  |  Textiles  |  Wood