We’re thrilled to present the Summer 2017 workshop catalog! It includes information about our ninety-seven unique summer workshops, including favorites like wood-fired pottery and letterpress and special offerings like bicycle building and leather inlay. Some workshops are for beginners, some are aimed at intermediate and advanced artists, most are open to students of all levels, and each is taught by knowledgeable artist-instructors. The front and back covers capture the range of our broad Penland community in a series of Penland portraits by resident artist Mercedes Jelinek. Read more about her photographs and all of this summer’s great offerings right here in the catalog.
Registration for summer workshops is open now, and everyone who registers by 5 PM on February 11 will be entered into the early registration lottery. Scholarships are available for all workshops. Apply for scholarships by February 17.
We are currently working on uploading full course information to our website. Look for it online by the end of December, with printed catalogs to follow in early January.
Clay studio coordinator Susan Feagin getting the kiln furniture ready for six weeks of clay studio residents starting in January. This is just one of the many, many tasks that goes on behind the scenes between the end of fall concentrations and the beginning of winter residencies at Penland.
Fall workshops may have just ended, but it won’t be too long before concentrations are back in session for Spring 2017! We have a great lineup of artist-instructors coming to Penland to teach everything from casting iron and glass to atmospheric firing techniques for clay during Penland’s unique 8-week workshop format. Scholarships are available for all concentrations. Scholarship applications are due November 28, 2016.
Below is a preview of what’s in store this March 12-May 5, 2017. For complete course descriptions, see the Spring Concentration page.
Nick Schwartz will lead students in an exploration of “Painting with Fire,” including wood and gas firings and the possibilities of salt and soda in the kiln. John Dix will join as guest instructor for two weeks.
Penland resident artist Dean Allison will share his expertise in glass casting and mold making. Students will gain new abilities to work with glass in a range of ways to express their artistic visions.
Remy Louis Hanemann will guide students through the process of building a complete iron foundry at Penland. As they go, students will learn skills such as plasma cutting and welding, making two-part molds, and, finally, conducting an iron pour.
Letterpress & Books In her workshop “Image as Narrative,” Anne Covell’s students will first explore alternative printing techniques to create images and then bind them into traditional and sculptural books.
David Jones will give his students a wide-ranging education in metal fabrication for jewelry or small sculpture. Students will learn techniques from sawing, soldering, and stamping to forging and forming.
In “Weaving: A Dialogue,” Tommye McClure Scanlin and Bhakti Ziek will share their expertise in tapestry and jacquard weaving as students create images on the loom.
Jack Mauch will lead students in an in-depth exploration of woodworking techniques for furniture and sculpture with an emphasis on shape and going beyond rectilinear forms.
Each of our spring concentrations are open to students of all levels. Enrollment is open now, and the deadline to apply for a scholarship is November 28, 2016. Read more about Penland’s scholarship program, and then apply online through Penland’s slideroom site.
Sculpting a figure in clay is about far more than trying to recreate recognizable form in three dimensions. That’s why instructor Nan Smith chose Personality Plus as the name of her Penland workshop this November 6-12. “I want students to investigate what transforms figure sculpture into something dynamic and alive,” she explains. “What will make a bust look like it has a story?”
If there’s anyone who can help students answer those questions, it’s probably Nan. She’s had a long and successful career as a sculptor and installation artist. She’s taught ceramics at the University of Florida for over thirty years, and she’s led workshops at universities around the country and as far away as Israel. Her work has been featured in publications like Sculpture magazine and Ceramics Monthly. She has exhibited at dozens of venues like SOFA Chicago, the Red Lodge Clay Center, and the American Museum of Ceramic Art. Perhaps most importantly, “I really do love teaching people at all levels how to sculpt a figure, and I’ve been doing that a really long time,” she says.
Personality Plus will be a hands-on, high-energy week of ceramic figure sculpting that uses the bust format and self portraiture to help students develop their perceptual and conceptual skills. It may be only a one-week class, but it certainly won’t stick to one technique. “We’re going to be building sculpture, but we’re also going to be making life casts and learning to take a mold from a piece,” Nan explains. “I wanted to give the course a twist and allow students to try using molds as another tool to develop perceptual skill.”
Personality Plus is a workshop for the curious beginner and for the experienced sculptor looking for new ideas. It’s a workshop for ceramic artists interested in new ways of working with clay. It’s a workshop for anyone interested in the details of the figure and how to bring them to life. Is it a workshop for you? Registration is open now.
Nan Smith, November 6-12, 2016
Who are you? What causes presence in the sculpted human form? By investigating questions of identity in addition to studying anatomy within the bust format, students will create a life-scale self-portrait that reflects their inner personality and self-perception. Demonstrations will cover life-casting techniques, life modeling, photo-documentation, and rendering an expressive and anatomically believable human form. We’ll create solid-built busts over metal armatures. Students will leave with a life cast and a sculpted portrait bust in wet clay. All levels. Code F03CB
Professor at University of Florida; publications: The Figure in Clay, Sculpture, Ceramics: Art and Perception, Ceramics Monthly, CFile Weekly; collections: American Express (NY), Lamar Dodd Art Center (GA), Givat Haviva Art Center (Israel), World Ceramics Exposition Korea International Collection.
The job of a Penland studio coordinator is a many-faceted one. Our eight coordinators order materials and keep studios clean and equipment running smoothly. They manage budgets and large inventories of supplies. They work with our programming office to plan upcoming workshops, and instructors to provide for specific classes, and individual students to solve problems on the fly. It’s a demanding and unpredictable job, which makes it all the more impressive that these eight individuals are also working artists in their own right. We are thrilled and proud that they have come together to put on a group show of their work at the Asheville Area Arts Council. Appropriately, the exhibition is called Off the Clock.
As curator and Penland friend Elaine Bleakney writes:
OFF THE CLOCK features eight artists, all full-time studio coordinators at Penland School of Crafts in Penland, NC. The work on view here was made in the off-hours by friends and colleagues who see each other daily and exchange interests, affection, knowledge, and regard for each other.
This is not a group show in the traditional sense. These artists are not strangers, and the works are not estranged from each other, despite their singular presences. Rather, looking from artist to artist, the viewer might pick up a magical sense that the works were made on the same set of evenings, in studios closeby. One of these artists might have looked up from her work and gazed out the cool, green window. She might have seen one of the other artists riding by on a bike, and waved.
Off the Clock will be on view at the Refinery Creator Space at 207 Coxe Ave in Asheville through September 16, 2016. It features the work of Daniel T. Beck (iron/sculpture), Betsy DeWitt (photography), Susan Feagin (ceramics), Jay Fox (print), Nick Fruin (glass), Ian Henderson (metals), Ellie Richards (wood/sculpture), and Amanda Thatch (drawing/textiles).
There will be a reception for the show on Friday, September 2 from 5 PM to 8 PM, and the artists will present a public talk on Saturday, September 3 from 4 PM to 6 PM. More information about both events is available on the exhibition’s Facebook event page.
Summers at Penland can be seasons of frenetic energy, while winters here have a more independent, reflective mood. Between them, springs and falls are seasons of sustained inquiry, exploration, and growth. The 8-week concentrations that take place during these times combine the length of a college term with the intensity of fully-immersive workshop education. For artists looking to make great strides in their work or dive deeply into new techniques, Penland concentrations are an unmatched opportunity. The application deadline for fall scholarships is August 1, 2016.
Birdie Boone and Matt Repsher will lead students in their “pot-centric” workshop to develop wheelthrown and handbuilt pieces with stronger connections between form and surface.
In “The Cane Ladder,” Claire Kelly and her students will dive deep into glassblowing techniques, covering cane and murrine as well as sculpting, hot and cold assemblies, and cold work.
Blacksmith Jay Burnham-Kidwell will take students through eight weeks of fire and iron: forging, bending, splitting, punching, welding, finishing, and more.
In Kristina Glick’s workshop “Counterbalance: Enameling, Electroforming & Found Objects,” students will use liquid enamels on metal to produce finished pieces of jewelry, wall panels, and other exquisite objects.
Georgia Deal will lead her students in an exciting mix of monoprinting and hand papermaking to develop layered prints and rich visual vocabularies.
Recent resident artist Rachel Meginnes will teach “The Thread Between,” a workshop focused on textiles and artistic development that will include weaving and surface exercises as well as readings, writing, and group discussions.
In “Books, Relics, Curiosities,” Daniel Essig will lead students in an exploration of wood and bookbinding techniques to create book-based sculptures.
Each of our fall concentrations are open to students of all levels, and scholarships are available for every concentration. The deadline to apply for a fall concentration scholarship is August 1, 2016. Read more about Penland’s scholarship program, and then apply online through Penland’s slideroom site.
Join us for eight weeks of creative energy and artistic growth this fall!
The following post is a photo slideshow. If you’re looking at it in email, we recommend viewing it on the blog.
Between seven concentrations and nine 1-week workshops, we’ve had a busy spring at Penland. It’s been exciting to see the progress that long classes make, whether it’s transforming straight beams into a fully-realized timber frame structure or collecting plant material to make into paper to make into books. Scroll through the photos above to get a glimpse of the colorful, experimental, detailed, thoughtful, beautiful things underway in the studios. And, if you’re in the area, please join us on May 5th at 8pm to celebrate the end of the session at the scholarship auction in Northlight!