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Summer 2018 Workshop Catalog

Cover image; woman adjusts table saw in woodworking studio

Here it is, the summer 2018 workshop catalog! We’re thrilled to share our lineup with you in anticipation of another summer packed with creativity, energy, new friendships, and new ideas. We’re offering 102 unique workshops led by 116 talented artist/instructors, including favorites like encaustic painting and steel sculpture and special classes like brushmaking and skin-on-frame canoe building. Most workshops are open to serious students of all levels (beginners included!), and all give you access to the slide nights, dance parties, movement classes, scholarship auctions, and more that make a Penland session so special.

This year, summer registration will open to all students on January 8 at 9 AM EST on a first-come, first-served basis; we will not be using a lottery system. Applications may be submitted online, by fax, by post, or in person.

Scholarships are available for every summer workshop, including full, partial, and work-study scholarships. Spaces will be held in each workshop for scholarship students. Scholarship applications are due by 11:59 PM EST on February 17.

We hope you find a few minutes over the holidays to pour over the Penland catalog and find the perfect workshop for you, wherever you are in your creative journey. Look out for full course descriptions on the website by the end of December, with printed catalogs to follow in early January.

 

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Spring with Sunshine Cobb

Sunshine Cobb’s mugs, jars, and bowls have the sort of effortless personality that can only come through great skill, a highly refined process, and, yes, a good deal of effort. Their soft, matte surfaces play up the textured forms and rich, red clay underneath. They’re quirky, bright, and inviting—much like Sunshine herself. It’s hard to mistake this work for anyone else’s, which is a large portion of its brilliance.

This spring, Sunshine will be returning to Penland to teach our 8-week spring clay concentration March 11 – May 4, 2018. Israel Davis was originally scheduled to teach in the slot, but Sunshine graciously stepped in when he had to cancel. The workshop will be an intensive look at building forms on and off the potter’s wheel and the wide range of surface options to complement them. For beginning students, it will be a guided jump-start into the world of clay. For those with more experience, it will be a valuable opportunity to develop new ideas and refine personal style, as well as get practical advice on the business side of making a living as an artist.

Registration is currently open on a first-come, first-served basis for spring workshops. Scholarships are available for all spring concentrations—apply by November 28!

 

ceramic trays by Sunshine Cobb

 

Wheelthrowing and Handbuilding Techniques

Sunshine Cobb, March 11 – May 4, 2018
This intensive workshop will be explore form and content through functional ceramics by diving deep into a combination of both handbuilding and wheelthrowing techniques. And we will cover a broad range of surface solutions. Participants can also expect creative exercises and critical discussions relative to form, surface, and the balance of both. We’ll also have sessions on developing online and social media content and discussions of business models that working artists are using today. You will delve into your makers’ mind and develop new approaches and ideas to your work. All levels. Studio fee: $245. Code S00CA

Studio artist; teaching: Red Clay Lodge (MT), Santa Fe Clay (NM), Anderson Ranch (CO), Penland; Archie Bray Foundation (MT) long-term residency; named 2013 Emerging Artist by Ceramics Monthly and NCECA; author of the forthcoming Mastering Hand Building: Techniques, Tips, and Tricks for Slabs, Coil, and More (Voyageur Press, 2018).

sunshinecobb.com

 

REGISTER FOR SPRING CONCENTRATIONS
clay  |  letterpress  |  painting  |  metals  |  textiles  |  wood  |  sculpture
Scholarship applications due November 28, 2017

 

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Contemporary Ceramics at the Penland Gallery

Ceramic work by Shalene Valenzuela, Jeremy R. Brooks, and Roberto Lugo.
Works from “Within the Margins.” From left to right: “Ironing Things Out: Various Notions” by Shalene Valenzuela, “(Altered) Young Man’s Fancy” by Jeremy R. Brooks, and “Basquiat and Celia Teapot” by Roberto Lugo.

 

The Penland Gallery presents Within the Margins: Contemporary Ceramics, an exhibition curated by Steven Young Lee, in the John and Robyn Horn Gallery. Seventeen artists are represented in the exhibition with mostly narrative ceramic sculpture in a wide range of forms and styles. The exhibition runs from May 30 through July 16 with a gallery talk at 3:30 PM on Saturday, June 3 and a reception to follow from 4:30 to 6:30 PM.

The group of artists is quite varied in terms of their cultural backgrounds and personal histories, and this is reflected in the content of the work. Shalene Valenzuela, for example, says of her bright-colored earthenware and porcelain sculptures: “My narratives explore topics ranging from fairytales, urban mythologies, consumer culture, societal expectations, etiquette, and coming-of-age issues.” Sculptor Sunkoo Yuh makes complex pieces that are often groupings of forms including plants, animals, fish, and human figures. He describes his process this way: “I draw images intuitively and spontaneously with ink and brush. I study my drawings and select a few to transform into three-dimensional clay sculptures. My work expresses my inner emotions, communications about life, and directly draws from mundane experiences.”

Curator Steven Young Lee is the resident artist director of the Archie Bray Foundation for the Ceramic Arts in Helena, Montana. He has lectured extensively in North America and Asia including at the Metropolitan Museum of Art in New York City. His work was recently featured as part of “Visions and Revisions: Renwick Invitational 2016” at the Renwick Gallery of the Smithsonian Institution in Washington, DC.

In describing his intent for the exhibition, Lee said, “The exhibition includes artists who, while residing within one set of perceived margins or another, are working from within to expand or redefine those boundaries, ultimately shifting the lines of ethnicity, race, gender, sexuality, cultural identity, or material association. Each artist is articulating a world view, and the most important aspect of their work is the sincerity of their investigation and quality of their execution. The title, Within the Margins, recognizes that while boundaries do exist, the mere fact of their existence invites—if not demands—that they be confronted, challenged and reshaped.”

 

Three ceramic plates featuring the letters E, F, and G
E, F, and G plates by Holly Walker from “Abecedarium | Envisioned.”

 

Also on view, in the Focus Gallery, is a small-format exhibition of functional ceramics by Holly Walker. She specializes in handbuilt earthenware and approaches the surfaces of her pots as a painter, brushing colored slips over the clay surface and then layering them with multiple glazes. This exhibition is titled Abecedarium/Envisioned because it includes an installation of twenty-six plates whose designs are inspired by the letters of the alphabet. The gallery talk at 3:30 on Saturday, June 3 will include remarks from both Steven Young Lee and Holly Walker.

The Visitors Center Gallery has an ongoing display of objects that illuminate the history of Penland School, while the Lucy Morgan Gallery presents a selection of work by dozens of Penland-affiliated artists. On display outside the Penland Gallery is a monumental steel sculpture by Hoss Haley and two new stone installations by Carl Peverall.

The Penland Gallery and Visitors Center is open Tuesday through Saturday, 10:00 AM-5:00 PM and Sunday, Noon-5:00 PM; it is closed on Mondays. For more information call 828-765-6211 or visit penland.org/gallery.

 

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Clay Goes Big

Nick Schwartz torching the top of a coil-built pot

The spring clay concentration has been busy preparing pieces for their first firing, and they haven’t been holding back on the scale or the drama. Here, instructor Nick Schwartz uses a torch to stiffen the most recent layer of clay on a sizeable pot he’s building. Below, two more large pots look on. They were collaborations between Nick and local potter Courtney Martin, whose signature geometric resist patterns you can see painted on both pieces.

And here, a fun and gratuitous flame close-up, just because:

closeup of a torch and wet clay pot

 

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Mugs & Their Makers

Potters pose with over 200 mugs ready to be fired

Potters Jacob Herrmann and Heather McLelland of Devon Court Pottery pose earlier this week with about a third of the roughly 600 mugs they are making for the 2017 Penland Benefit Auction. Each mug had to be thrown, handled, stamped, initialed, bisque fired, glazed, and wadded before it made it to this table. Then they all got loaded into the kiln on the left for a salt-soda firing that will leave them washed in hues of orange, cream, rust, and more.

To make one of their mugs yours, join us at this summer’s auction for Coffee at the Barns on the morning of Saturday, August 12!

 

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Summer 2017 Workshop Catalog

Penland summer 2017 catalog cover with portraits of Penland students, instructors, staff, etc

We’re thrilled to present the Summer 2017 workshop catalog! It includes information about our ninety-seven unique summer workshops, including favorites like wood-fired pottery and letterpress and special offerings like bicycle building and leather inlay. Some workshops are for beginners, some are aimed at intermediate and advanced artists, most are open to students of all levels, and each is taught by knowledgeable artist-instructors. The front and back covers capture the range of our broad Penland community in a series of Penland portraits by resident artist Mercedes Jelinek. Read more about her photographs and all of this summer’s great offerings right here in the catalog.

 

Registration for summer workshops is open now, and everyone who registers by 5 PM on February 11 will be entered into the early registration lottery. Scholarships are available for all workshops. Apply for scholarships by February 17.

 

We are currently working on uploading full course information to our website. Look for it online by the end of December, with printed catalogs to follow in early January.

 

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Photo of the Week: Getting Ready

preparing kiln posts

Clay studio coordinator Susan Feagin getting the kiln furniture ready for six weeks of clay studio residents starting in January. This is just one of the many, many tasks that goes on behind the scenes between the end of fall concentrations and the beginning of winter residencies at Penland.

 

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