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An Expansive Vision

 

Dan Gottlieb, Bosphorus Ferry Terminal, Istanbul, archival inkjet print, 21 x 21 inches, 2010

 

On February 2, a special exhibition will open in support of Penland’s new photography studio.  An Expansive Vision: Photographers Working for Penland will culminate in a live auction of a wide-range of works by photographers with Penland connections and affinities. Absentee bids are encouraged.

 

Dan Gottlieb’s photograph taken in a terminal ferry in Istanbul (above), is one of the works included in An Expansive Vision. About the photograph, Dan writes:

This piece is part of a long series of (non)documentation of places of deep immersion—in this case, Istanbul. Small cameras act as an extension of my body’s movement, recording not conventional information but my own presence moving through time and place. Light, like memory and time is bent and blurred. The frame is my own design (patent pending), as a way to ‘preserve’ the immaterial in a sort of Riker Box.–Dan Gottlieb

 

The exhibition and auction will be hosted by Ellen Cassilly and Frank Konhaus at their Chapel Hill, NC residence, gallery and residency space, Cassilhaus. If you’re in the Triangle area, an opening reception featuring a gallery talk by Robin Dreyer (whose work is included in the show) will take place on Sunday, February 2, at 2:00 pm. If you would like to attend, please contact Frank Konhaus directly at fkonhaus@kontek.com to RSVP.

The exhibition is also open by appointment leading up to the auction, February 2-March 2. Cassilhaus will host a live auction on Sunday, March 2, and absentee bids are encouraged. Please take a look at the full details for how to place bids from afar and an auction catalog, here.

Below are a few more of the works (and statements about these works) provided by the artists for An Expansive Vision:

 

Alida Fish, Nautilus with Bug, gelatin silver print with hand painting, 16 x 20 inches, 1985

 

This piece was shot in the summer while I was teaching a workshop at Penland. I had Morgan house to myself one afternoon and looked around for inspiration. The nautilus shell was borrowed from Evon Streetman, the pods and the beetle I found near the porch steps. For me this work symbolizes the beauty and inspiration I often find at Penland. It was printed in the darkroom: it is a black and white silver print. The insect is hand-painted with enamel paint.–Alida Fish

 
 

John Pfahl, Big Dipper (Charlotte, North Carolina), archival inkjet print, 8 x 10 inches, 1976

 

This photograph is part of the Altered Landscape series. About a dozen workshop participants helped set up sparklers in a cornfield near the home of photographer Martha Strawn.–John Pfahl

 
 

David Spear, Juana Paloma, Mexico, 1998, gelatin silver print, 18 x 18 inches, 1998

 

This photograph was made in the desert along Highway 59, the main North/South highway in Mexico near the city of Matahuala. I saw this young girl with the raven lying on the ground sleeping, the raven tied to a stick next to her. I asked her mother if I could make a photograph and she agreed. Juana stood up and held the raven. I made several photographs. Later in the darkroom, I could see that the resulting photograph was quite startling. Innocence and innocence lost all at the same moment, the heroic face set against a hard world. She touches people in ways that they have not plumbed. She brings out the goodness in people here.–David Spear

 

An Expansive Vision: Photographs Working for Penland’s Future features work by Kyle Bajakian, Courtney Dodd, Chris Peregoy, David Spear, Ralph Burns, James Henkel, Benjamin Porter, Jim Stone, Shane Darwent, Russell Jeffcoat, John Pfahl, Evon Streetman, Robin Dreyer, Keith Johnson, Brook Reynolds, Harry Taylor, Dan Estabrook, Naima Merella, Holly Roberts, Sarah Van Keuren, Alida Fish, E. Vincent Martinez, Linda Foard Roberts, Caroline Hickman Vaughan, Lisa A. Frank, Elizabeth Matheson, Alyssa C. Salomon, David H. Wells, Dan Gottlieb, John Menapace, MJ Sharp, John Woodin, David Graham, Jeannie Pearce, and Jerry Spagnoli–and is sponsored by Ellen Cassilly and Frank Konhaus, Jefferson Holt, Light Art+Design, Barbara McFadyen and Douglass Phillips, Kaola and Frank Phoenix, and Allen Thomas.

 

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Photo of the Week: The phone system is still out…

phones

…but we’re working on it. It will be tidier than this when it’s finished. You can still call us at 828-765-2359, but we can’t transfer you to anyone’s extension and you might get a busy signal. Thanks for your patience.

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0 to 60 in Manhattan

Left: Richard Hughes, Untitled (Triptick), 2009, cast polyurethane, 12⁄1 2 × 14 × 2⁄1 2 inches, courtesy of the artist, Anton Kern Gallery, NY, and Hall Collection. © 2009 Richard Hughes, Anton Kern Gallery, N.Y., and Hall Collection; Photo: Thomas Müller. Right: Dan Estabrook, The Kiss, 2011, unique gum bichromate print with watercolor, 18 x 15 inches, collection of Allen G. Thomas, Jr., Wilson, N.C. © Dan Estabrook. Reproduction courtesy of Daniel Cooney Fine Art, New York.

Left: Richard Hughes, Untitled (Triptick), 2009, cast polyurethane, 12⁄1 2 × 14 × 2⁄1 2 inches, courtesy of the artist, Anton Kern Gallery, NY, and Hall Collection. © 2009 Richard Hughes, Anton Kern Gallery, N.Y., and Hall Collection; Photo: Thomas Müller. Right: Dan Estabrook, The Kiss, 2011, unique gum bichromate print with watercolor, 18 x 15 inches, collection of Allen G. Thomas, Jr., Wilson, N.C. © Dan Estabrook. Reproduction courtesy of Daniel Cooney Fine Art, New York.

 

0 to 60: The Experience of Time through Contemporary Art will open on November 21 at Pratt Manhattan Gallery in New York City. The exhibition, co-organized by the North Carolina Museum of Art and Penland School of Crafts, includes works that explore time as a theme–real time, virtual time, historical time, recorded time, manipulated time, or the passage of time.

 

This version of the exhibition (which was on-view at the NCMA in the spring and summer of 2013) includes work by Penland instructors Dan Bailey, Jana Brevick, David Chatt, Sonya Clark, Alison Collins and Dan Estabrook.

 

The exhibition opens with a reception on Thursday, November 21, 6-8 pm, at Pratt Manhattan Gallery, 144 West 14th Street. The exhibition runs through January 25, 2014.

 

Artists included in 0 to 60 at Pratt include:

Caetano de Almeida
Dan Bailey
Walead Beshty
Jana Brevick
Paul Chan
David Chatt
Jeff Chien-Hsing Liao
Sonya Clark
Alison Collins
Dan Estabrook
Felix Gonzalez-Torres
Lisa Hoke
Tehching Hsieh
Richard Hughes
Rafeal Lozano-Hemmer
Peter Matthews
David Shapiro

 

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Core show slide show

Penland School core fellows

The 2013 Core Show, this year’s annual exhibition of work by Penland’s core fellows, took place in the Gorelick Social Hall on September 12 – 17 (it doesn’t stay up for long because we use that room for so many other things). The big opening party was on September 12. Here is a slideshow from the opening plus a few examples of each person’s work.

 

 

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Core Show + Resident Artists Show = Big Penland Weekend

Resident artist Tom Shields working in the barn studio, 2013. Photograph by Robin Dreyer

Resident artist Tom Shields working in the barn studios. Photograph by Robin Dreyer.

 

It’s going to be one busy Penland weekend with two show openings. On Friday, October 11, Penland resident artists will be at the Asheville Area Arts Council Gallery at 346 Depot Street from 6:00-9:00 pm to celebrate the opening of The Barns Studios 2013. Curated by Kathryn Gremley, director of the Penland Gallery, the show opens on October 10 and runs through November 1. The resident artists include David Eichelberger (clay), Micah Evans (glass), Dustin Farnsworth (sculpture), Robin Johnston (textiles), Rachel Meginnes (textiles) and Tom Shields (sculpture).

 

Meanwhile, Penland’s core fellows Audrey Bell, Zee Boudreaux, Sarah Brown, Angela Eastman, Liz Koerner, Mike Krupiarz, Will Lentz, Rachel Mauser and Molly Spadone (pictured below) will present their work as part of Core Show 2013, Eighteen Hands. The opening reception is on Saturday, October 12, 8:00-11:00 pm in the Northlight Building at Penland. The show will run October 12-15.

 

Penland Core Fellows, 2013. Back row (L-R): Will Lentz, Angela Eastman, Audrey Bell, Molly Spadone. Front row: Liz Koerner, Sarah Brown, Rachel Mauser, Zee Boudreaux, Mike Krupiarz.

Penland Core Fellows, 2013. Back row (L-R): Will Lentz, Angela Eastman, Audrey Bell, Molly Spadone. Front row: Liz Koerner, Sarah Brown, Rachel Mauser, Zee Boudreaux, Mike Krupiarz.

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Focus on: Martina Lantin

 

Fall brings a new exhibition of earthenware by Martina Lantin to the Penland Gallery and Visitors Center. The show runs until October 27.

 

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Mug (L) – Thrown and altered earthenware, slip line and blush, 4.5 x 3 x 3.25, ” Mug (R) – Thrown and altered earthenware, blue and chrome bow line, 4.25 x 3.5 x 3.5″

Lantin creates ceramic tableware from earthenware clay, which she likes to call “chocolate porcelain.” Her unique forms are made by wheelthrowing combined with off-the-wheel alterations. Her pieces, she says, are meant for everyday use. Most of Lantin’s work is made in multiple parts and pieced together leaving some of the seams visible. A thin layer of white slip serves to accentuate the construction methods and to invite an exploration of the making process. “I seek to evoke nostalgia in the future by making pots that are reverberations of the past,” she says. “I draw inspiration from early English porcelain and cream ware. I provoke a tension between the elegant handling of the material and the rugged connotations of the clay body.”

 

Martina Lantin, Focus Gallery installation of plates, 2013

Martina Lantin, Focus Gallery installation of plates, 2013

 

Born in Montreal, Canada, Martina Lantin received her Bachelor of Art from Earlham College and her Master of Fine Art from Nova Scotia College of Art and Design University. She has been an artist in residence at Baltimore Clayworks and Arrowmont School of Art and Craft in Gatlinburg, TN. She has taught workshops at Penland School of Crafts and Arrowmont. Currently, she is a professor at Marlboro College in Marlboro, Vermont. Her work has been featured in Ceramics Monthly and shown in numerous juried and invitational exhibitions. She has also published articles in Studio Potter and Pottery Making Illustrated.

 

Martina Lantin at Penland.

Along with this special exhibition of works by Martina Lantin, the Penland Gallery has a sales area featuring work in all media by artists affiliated with Penland School of Crafts. Located on the Penland School campus, just off Penland Road in Mitchell County, the gallery is open 10 – 5, Tuesday through Saturday; 12 – 5 on Sunday; closed on Mondays. The gallery also offers tours of the Penland campus on Tuesdays and Thursdays. For more information call 828-765-6211 or visit www.penland.org/gallery.

 

 

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The Penland 2013 Benefit Auction

auctioneer Mark Oliver at the Penland auction

The 2013 Penland Benefit Auction was terrific–a logistic, artistic, and financial success. Our applause, thanks, and deepest gratitude go out to the volunteers, artists, staff, and patrons who came together to celebrate and support Penland’s programs. We’ll do it again next year!

Click here for a slideshow from the auction.

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