The following post is a photo slideshow. If you’re looking at it in email, we recommend viewing it on the blog.
The festivities were so much fun that we extended our Independence Day celebrations to two days this year! (Okay, the rain that started around dark on July 4th may have had something to do with it…) The parade featured some impressive entries, including a replica of Penland’s beloved Travelog, a giant unicorn, a quilted snake, a “Swan Song” float by departing director and deputy director Jean McLaughlin and Jerry Jackson, and even a multi-part narrative float by the students in IlaSahai Prouty’s community art workshop. And, despite the 24-hour delay, the fireworks show was an impressive site to behold. Big thanks to the Penland pyrotechnics crew, the parade participants, the trophy makers, the cheering crowds, and everyone else who came out to celebrate July 4th with us!
The beautiful work coming out of the studio would be reason enough for a blog post, but something even more momentous is happening in session 1 iron: instructor Rebekah Frank, assistant Ann Klicka, and coordinator Meghan Martin are combining forces for some serious female blacksmithing power. While accomplished female instructors and female students of all levels are a common sight in the iron studio, it’s the first time in Penland’s history that the iron instructor, studio assistant, and studio coordinator have all been women. It seemed like an event worthy of recognition (and some serious camera cheesin’).
And no, iron coordinator Daniel Beck hasn’t gone anywhere—he’s just across the driveway this session as a student in Kaitlyn Becker and Daniel Clayman’s Moldmaking for Art and Science workshop!
Today may be the first full day of Penland summer workshops, but that isn’t stopping us from looking ahead to this fall and spring. Complete Fall 2017/Spring 2018 workshop information is now online, and catalogs will be in the mail this week. Whether you’re looking for an immersive 8-week concentration or a 1-week creative reset, we think you’ll find something of interest—workshop topics range from shoe making and sculpture to digital photography, steel fabrication, floor loom weaving, and everything in between.
Registration is now open for fall and spring workshops. Scholarships are available for all 8-week concentrations; scholarship applications are due by August 1, 2017 for fall and November 28, 2017 for spring.
Temperatures are warming, the knoll is very green once more, and summer workshops are on the horizon. There are still dozens of offerings across our studios with available space, including a few session 1 workshops. Why not start your summer off with a concentrated dose of creative energy and inspiration? Registration is open now, and a handful of workshops even have work-study scholarships available!
This workshop will be an exciting opportunity for intermediate and advanced glass artists to explore glass as a sculptural material. Students will learn torch techniques that will enable a greater level of detail in hot-sculpted forms and will use sketches and drawings to help visualize finished pieces.
Instructor Ross Richmond has been working with glass for over twenty-five years and is known for his involved narrative pieces. Many of his figures measure a full two feet tall, yet they project a serenity and ease that is hard to reconcile with the fast, hot work of the glass studio. The Corning Museum describes him as “one of the top glass sculptors in the field today.” UrbanGlass.org praised his astounding technical skill, saying, “The realization that these forms were hot-sculpted and not mold-blown, or cast into a carefully prepared mold, is to appreciate the skills that went into them.”
For any glassblowers looking to take their work to the next level of detail and expression, this workshop is the perfect opportunity for focused practice, skill building, and expert instruction. Read the full course description.
Letterpress newbies and experts alike will get the chance to play with words on the press and on paper in Lynda Sherman’s workshop. The class will focus on hand-setting type and the power and potential of the alphabet as a visual language. Students will be encouraged to experiment and to adapt their designs on the go to explore printing as analog communication.
“To know the history of analog printing is to keep the global continuum of collaboration and friendship uninterrupted,” Lynda explains. “Analog is the gift of our past, and by practicing in the present, it is the promise to the future. Where we go, we go together. Analog doesn’t leave anyone behind.”
Students who have already gotten their feet wet in the wood studio will get the chance to take their work further in this workshop with Reuben Foat. Geared towards intermediate and advanced woodworkers, this class will explore tambour doors and the sinuous movement they can introduce into a material that is more often rigid and static. The two weeks will cover design, solid-wood joinery, and efficient studio practices and will culminate in the construction of an original wall-hung cabinet that incorporates a tambour door.
Reuben is an experienced teacher and an accomplished woodworker who often uses the tambour door format in his own furniture and sculpture. It’s one thing to see still images of his work, but it’s another to see the pieces as they move. We highly recommend taking a look at these short videos of his pieces in action!
Everybody loves an iron pour, because you’ve got flames, molten metal, face shields, leather suits, and a cheering crowd. Really, what more could you ask for?
The spring iron workshop, taught by Remy Louis Hanemann, has spent the last three weeks building a cupola furnace and all the tools needed for casting metal. This was the first test. It went well. (And it looked good, too.)